Ted Hope

Ted Hope (born 1962) is an American independent film producer based in New York City. He is best known for co-founding the production/sales company Good Machine, where he produced the first films of such notable filmmakers as Ang Lee, Nicole Holofcener, Todd Field, Michel Gondry, Moisés Kaufman, and Shari Springer Berman and Robert Pulcini, among others. Hope later co-founded This is That with several associates from Good Machine. He began work as Executive Director of the San Francisco Film Society on September 1, 2012.

Ted Hope
Born1962 (age 57–58)
United States
Alma materNYU Film School, New York University Tisch School of the Arts
OccupationFilm producer
Years active1987—present
Known forGood Machine (1990–2002)
This Is That Productions (2002–2010)
Spouse(s)Vanessa Hope
WebsiteHopeForFilm.com

He joined Amazon Studios in 2015 as head of the Development, Production and Acquisitions team, and was appointed to co-Head of Movies in 2018. He stepped down from his role at Amazon to go back to being a film producer.

Among Hope's twenty-three Sundance entries, are three Grand Jury Prize winners: American Splendor (2003), The Brothers McMullen (1995) and What Happened Was... (1994). American Splendor also won the FIPRESCI Award at the 2003 Cannes Film Festival, the Critics prize at the 2003 Deauville Film Festival, and was nominated for five Spirit Awards and one Academy Award. Hope has also produced two Sundance Opening Night selections: Nicole Holofcener's Friends with Money (2006) and Moises Kaufman's The Laramie Project (2002), which was nominated for five Emmys.

In 2013, IndieWire named Hope to its inaugural list of Influencers, a list "dedicated to 40 of the people and companies who have captured our attention as we watch them try to figure out what the independent film industry is today and, more importantly, what it will become." [1] The Hollywood Reporter cited Hope and his partners at This is That among the twenty-five most powerful people in the Independent Film business.[2]

Early years

Hope transferred into the undergraduate film program at New York University. He met his frequent collaborator and former business partner Anne Carey on his first day there. After graduating, Hope worked as a production assistant for approximately three years, while also working as a script reader for numerous companies including New Line and MGM.

Hope advanced from work as a Production Assistant to Assistant Directing and Production Management. During that time he started to identify projects and filmmakers he wanted to work with. Most notably Hope started working with Hal Hartley in the years prior to their first production. Hope's first productions were Hartley's The Unbelievable Truth and Trust, on which he is credited as First Assistant Director and Line Producer, respectively.

The Good Machine years

In 1990, Hope and James Schamus founded Good Machine, an independent film production company based in New York. They started doing line production for hire for various international auteurs, including Claire Denis, Danny Levy, and Jan Schutte.

At Good Machine, Hope and James Schamus produced Ang Lee's early films including Pushing Hands, The Wedding Banquet and Eat Drink Man Woman (both Academy Award nominees), The Ice Storm, and Ride with the Devil.

Hope produced Todd Solondz's Cannes Critics' Prize-winning Happiness, which Hope and his partners at Good Machine released themselves when its distributor dropped the film. Hope also executive produced Todd Field's In the Bedroom, which earned five Academy Award nominations for Best Picture, Best Actress, Best Actor, Best Supporting Actress, and Best Adapted Screenplay.

Hope and Schamus brought David Linde in as a partner to Good Machine, in order to start their foreign sales arm, Good Machine International. In 2000, the Museum of Modern Art honored Good Machine with a retrospective.[3]

In 2001, the partners sold the company to Universal. Schamus and Linde stayed on and merged the international sales company with USA Films to create Focus Features.

This is That

With fellow Good Machine producers Anne Carey and Anthony Bregman, and Head of Business Affairs Diana Victor, Hope co-founded New York production company This is That in 2002. This is That specialized in unique content and innovative storytelling. This is That has produced seventeen films in the six years since its inception.

This is That's first release, 21 Grams, received two Academy Award nominations and five BAFTA nominations. The company's second release, Eternal Sunshine of the Spotless Mind, won an Academy Award for Best Original Screenplay. Hope's production of Oscar-winner Alan Ball's feature film directorial debut Towelhead marked his 18th production of a first time feature film director. In 2010, the company released The American, which opened at No. 1 at the US box office on opening week, and completed Super, written and directed by James Gunn, which was the first film to sell that year at the Toronto International Film Festival.

The company closed its doors in September 2010 after financial struggles with maintaining the office space. Hope hinted that he and Carey could possibly produce together again in the future.[4]

Double Hope Films

Double Hope Films is a production company founded by independent film producer Ted Hope and his wife Vanessa Hope in 2010. Double Hope's first film, Dark Horse premiered at the Venice Film Festival in 2011, and the company's sophomore effort, Starlet, premiered at the South by Southwest Film Festival in 2012.

San Francisco Film Society directorship

On August 8, 2012, the San Francisco Film Society named Hope as executive director of SFFS effective September 1.[5] Ted Hope began work at the San Francisco Film Society Mid September 2012. Upon taking the position, Hope stated that it was an offer he could not refuse: “to save Indie Film and build it better than it has been before.” Moving away from project-specific producing, Hope has turned his focus on producing an infrastructure that will sustain and nurture diverse artists, discover and promote fresh talent, and advance the tools and practices that will benefit those that create and appreciate truly ambitious art and entertainment.

Hope announced he would resign as executive director at the end of 2013, citing the challenges of working with a staff of 26 and a board. He said he planned to remain in the San Francisco Bay Area and lead the Film Society's advisory board.[6] In March 2014, Noah Cowen, former director of the Toronto International Film Festival, took over as executive director of the SFFS.

Amazon Studios

On January 8, 2014, Hope was named CEO of Fandor, a curated online service for independent and international films.[7] He left Fandor at beginning of 2015 to become the head of production for Amazon Original Movies, stating, "To help carry the torch into the feature film world for such an innovative company is a tremendous opportunity and responsibility. Amazon Original Movies will be synonymous with films that amaze, excite, and move our fans, wherever customers watch."[8] Since July 2018 he has served as the Co-Head of Movies for the studio under Jennifer Salke.

Amazon has released 38 films since 2016, notably winning three Academy Awards in the studio’s first year as a distributor for titles Manchester by the Sea and The Salesman.

In May 2020 Salke announced that Hope stepped down from his role as co-head to go back to being a producer. He made a first look deal with Amazon that began on June 2nd.[9]

Filmography

All films, he was producer unless otherwise noted.

Film
Year Film Credit
1988Doom AsylumAssociate producer
1989An Unremarkable LifeAssociate producer
1990TrustLine producer
1991I Was on MarsLine producer
Pushing HandsExecutive producer
Surviving Desire
1992Simple Men
1993The Wedding Banquet
1994What Happened WasExecutive producer
Auf Wiedersehen AmerikaLine producer
Eat Drink Man WomanAssociate producer
Amateur
Roy Cohn/Jack Smith
1995The Brothers McMullenExecutive producer
SafeExecutive producer
Flirt
1996Walking and Talking
She's the One
What About Me?
1997Arresting Gena
The Myth of FingerprintsExecutive producer
The Ice Storm
Office KillerExecutive producer
The Sticky Fingers of TimeExecutive producer
Love GodExecutive producer
MonstersExecutive producer
1998No Looking Back
Happiness
Luminous Motion
1999Ride with the Devil
2000The Tao of SteveExecutive producer
2001In the BedroomExecutive producer
Storytelling
Human Nature
Lovely & Amazing
2003American Splendor
21 GramsExecutive producer
2004The Door in the Floor
A Dirty Shame
2005ThumbsuckerExecutive producer
2006Friends with MoneyExecutive producer
The Hawk Is DyingExecutive producer
Fay GrimExecutive producer
The Ex
2007The Savages
Towelhead
2009Adventureland
2010Super
2011Martha Marcy May MarleneExecutive producer
CollaboratorExecutive producer
Dark Horse
2012StarletExecutive producer
2016A Kind of Murder
Second unit director or assistant director
Year Film Role
1989The Unbelievable TruthFirst assistant director
1990Basket Case 2Assistant director
FrankenhookerFirst assistant director
TrustFirst assistant director
1991BlowbackAssistant director
Production manager
Year Film
1988Doom Asylum
1991I Was on Mars
Miscellaneous crew
Year Film Notes
1986Sid and NancyProduction assistant
HotshotKey production assistant
1988Tiger WarsawAssistant to producer
As an actor
Year Film Role
1991I Was on MarsNone
Thanks
Year Film Notes
1995PalookavilleThanks
1997In the Company of MenSpecial thanks
1998The Adventures of Sebastian ColeSpecial thanks
2001Y tu mamá tambiénSpecial thanks
2004Eternal Sunshine of the Spotless MindSpecial thanks
2006Wristcutters: A Love StorySpecial thanks
Fay GrimThanks
2008Goodbye SoloSpecial thanks
2010Please GiveSpecial thanks
The Ballad of Des & MoThanks
2011KinyarwandaVery special thanks
The InnkeepersSpecial thanks
2012Simon KillerSpecial thanks
How Do You Write a Joe Schermann SongSpecial thanks
2013B-SideSpecial thanks
2015ExperimenterGrateful acknowledgment
Mr. HolmesSpecial thanks to
2017Lean on PeteSpecial thanks
2018Sorry to Bother YouSpecial thanks

Television
Year Title Credit Notes
1992Punch and Judy Got DivorcedTelevision film
2002The Laramie ProjectExecutive producerTelevision film
Second unit director or assistant director
Year Title Role
1990−91MonstersAssistant director

Boards and Institutions

Ted Hope is a member of the following boards and institutions:

Not For Profit

  • IFP board member (2000–2005; 2009–2012)
  • Adrienne Shelly Foundation board member
  • Film Collaborative Advisory Board
  • Power To The Pixel Advisory Board
  • Woodstock Film Festival Advisory Board
  • Harmony Institute Advisory Board

For Profit

  • Crowd Play, Co-Founder & Officer, board member
  • Double Hope Films LLC, Co-Founder, Officer, Partner
  • Fandor Advisory Board; Hammer To Nail, Co-Founder & Officer, board member


Education

  • Cinema Research Institute @ NYU, Co-Founder & Board

Beyond film

Hope is one of the most influential voices of independent film on social media with many followers on Twitter and other platforms.

He maintains several blogs, including Bowl of Noses (a curated site for children age 6+), These Are Those Things, and Truly Free Film. Consolidated on his website, HopeForFilm, they cover topics including fun things happening in New York City, trends in indie film, and tips for better filmmaking. He also co-founded Hammer To Nail, a film review site focused on Truly Independent Film.

Hope has also published articles in several periodicals, and consults on independent film and media. He is cited in the following books:

Hope was instrumental in organizing the successful 2003 antitrust campaign against the MPAA and its ban on screeners, uniting a diverse constituency, strategizing the effort, and ultimately providing in court the oral testimony that helped sway the judgement.[10] Although the MPAA head, Jack Valenti, claimed The Screen Ban was about combating "piracy", it was recognized by the court as stifling competition, particularly that of independent filmmakers against Hollywood.[11] Hope has claimed a double win in the court case, as it is also where he met his wife filmmaker Vanessa Hope.

gollark: `units` is great!
gollark: 195.58.
gollark: PotatOS is pretty reliable.
gollark: My longer-term plan is to rewire the system to make more sense.
gollark: I would switch our fusion reactors to potatOS control, but only OC can manage them. Sad!

References
  1. IndieWire Influencers list
  2. Rule makers: THR's Indie Power 50
  3. "Museum of Modern Art celebrates Good Machine’s 10th anniversary," The Advocate (FEBRUARY 13 2001).
  4. Pond, Steve (September 28, 2010). "Ted Hope, Anne Carey Shut Doors, Stay in Business". TheWrap. Retrieved August 11, 2020.
  5. SFFS Press Release (August 8, 2012)
  6. SFgate.com
  7. Deadline.com
  8. Variety.com
  9. Fleming Jr, Mike (May 28, 2020). "Ted Hope Exiting Amazon Studios Co-Head Of Movies Post For First-Look Producing Deal". Deadline. Retrieved August 11, 2020.
  10. The New York Observer
  11. New York magazine
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