Taylor Larson
Taylor Larson is an American musician, Grammy Nominated music producer, mixer, and engineer. He has produced, engineered, and/or mixed tracks for Asking Alexandria, Periphery, From First To Last, I See Stars, Veil Of Maya, Within Temptation, The Dangerous Summer, Conditions, and Sky Eats Airplane.[1] He is the guitarist of The Evening.
Taylor Larson | |
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 Taylor in his recording studio in Bethesda MD | |
| Background information | |
| Born | April 28, 1988 |
| Origin | Bethesda, MD |
| Genres | Rock, metal, pop, alternative rock, indie rock |
| Occupation(s) | Record producer, mixer, engineer, mastering engineer |
| Years active | 2009–present |
| Spouse(s) | Nadine Larson |
Selected discography
| Year recorded | Artist | Title | Label | Role |
|---|---|---|---|---|
| 2010 | Sky Eats Airplane | The Sound of Symmetry | Equal Vision Records | Produced/Engineered |
| 2011 | Everyone Dies In Utah | Seeing Clearly | Tragic Hero Records | Produced/Engineered/Mixed |
| 2011 | Life on Repeat | Struggle + Sleep | Equal Vision Records | Produced/Engineered/Mixed |
| 2012 | Periphery | Periphery II: This Time It's Personal | Sumerian Records | Production/Engineered/Mixed |
| 2011 | The Dangerous Summer (band) | War Paint | Hopeless Records | Additional Engineering |
| 2012 | I The Breather | Truth And Purpose | Sumerian Records | Production/Engineering |
| 2013 | The Gabriel Construct | Interior City | Independent | Mixed/Mastered |
| 2013 | Conditions | Full of War | E1 Records | Engineered/Mixed/Mastered |
| 2014 | Periphery | Clear | Sumerian Records | Produced/Engineered/Mixed/Mastered (tracks 3 & 5) |
| 2014 | Minshara | iO | Polar Phat Records | Produced/Engineered/Mixed/Mastered |
| 2014 | Youth in Revolt (band) | Love Is A Liars Game EP | Outerloop Records | Produced/Engineered/Mixed/Mastered |
| 2013 | Life on Repeat | Blacklisted | Equal Vision Records | Produced/Engineered/Mixed/Mastered |
| 2014 | Capture The Crown | Reign of Terror | Artery Recordings | Produced/Engineered/Mixed/Mastered |
| 2014 | Darkest Hour | Darkest Hour | Sumerian Records | Produced/Engineered/Mixed/Mastered |
| 2015 | Various Artists | Punk Goes Pop Volume 6 | Fearless Records | Track 7 "Royals" Produced/Engineered/Mixed/Mastered |
| 2015 | Periphery | Juggernaut: Alpha | Sumerian Records | Engineer |
| 2015 | Periphery | Juggernaut: Omega | Sumerian Records | Engineer |
| 2015 | From First To Last | Dead Trees | Sumerian Records | Produced/Engineered/Mixed/Mastered/Guitars |
| 2015 | Veil of Maya | Matriarch | Sumerian Records | Produced/Engineered/Mixed/Mastered |
| 2015 | Get Scared | Demons | Fearless Records | Mixed/Mastered |
| 2016 | I See Stars | Treehouse | Sumerian Records | Mixed/Mastered |
| 2016 | Periphery | Periphery III: Select Difficulty | Sumerian Records | Vocal Production/Vocal Mixing |
| 2016 | Famous Last Words | The Incubus | Revival Recording's | Produced/Engineered/Mixed/Mastered |
| 2016 | Toothgrinder | Nocturnal Masquerade | Spinefarm Records | Produced/Engineered/Mixed |
| 2016 | Jason Richardson | I | Independent | Produced/Engineered/Mixed/Mastered |
| 2016 | Memphis May Fire | This Light I Hold | Rise Records | Mastered |
| 2017 | Periphery | Shadow Of The Day (Linkin Park cover) | - | Production/Engineering/Guitars/Mixed/Mastered |
| 2017 | Toothgrinder | Phantom Amour | Spinefarm Records | Produced/Engineered/Mixed/Mastered |
| 2017 | Asking Alexandria | Asking Alexandria | Sumerian Records | Mixed |
| 2018 | The Word Alive | Violent Noise | Fearless Records | Mastered |
| 2019 | Within Temptation | Resist | Vertigo Records | Mixed |
gollark: I'm planning to do that soon, hence why I'm trying to find a cool design
gollark: I like making 4x4x4 interface/assembler cubes.
gollark: I mean, P2P tunnels do kind of simplify it lots, but there's an art to getting channels in the right places.
gollark: It does have cool challenges, like efficiently routing channels around.
gollark: Wait, what's *that* showing?
References
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