Tasman Higgins

Tasman Higgins (8 April 1888 – 4 June 1953) was an Australian cinematographer during the early days of the Australian film industry, working for such directors as Charles Chauvel, Raymond Longford, Beaumont Smith, Louise Lovely and Rupert Kathner. He was the brother of Arthur and Ernest Higgins, with whom he occasionally collaborated.[2]

Tasman Higgins
Born
Tasman George Higgins

(1888-04-08)8 April 1888[1]
Glebe, Hobart, Tasmania, Australia
Died4 June 1953(1953-06-04) (aged 65)
Parramatta, Sydney, New South Wales, Australia
OccupationCinematographer
Years active1912–1944
Spouse(s)Gladys Mary Walker (m. 1915–1953) (his death)

His most notable association was with Charles Chauvel, starting with In the Wake of the Bounty (1933), which was Errol Flynn's first film and involved three months of location filming on Pitcairn Island.[3] Other credits include Heritage (1935), Uncivilised (1936) and the cavalry scenes of Forty Thousand Horsemen (1940).[4]

Select Filmography
gollark: ...
gollark: > “This stuff is funny!” giggles your niece, squishing her fingers in the goop. “It’s all warm, gluey, and bouncy! Someone should be turning out this stuff for kids to play with, or as sticky putty to stick posters to walls, or whatever. You’ve got, like, an infinite supply of it, so that’s good economics, right?”
gollark: > “No! ElGr cells are a scientific miracle!” cries biologist Jack Ponta, jiggling a beaker full of purplish goop as he waves his arms in exasperation. “These cells have been a breakthrough; not only in testing cures for cancer, but also in understanding how cancer develops and functions! All these years later, these cells keep chugging along, outliving all the others! Who knows, with these cells, we might even one day unlock a path to immortality! Are you going to let bureaucracy get in the way of SCIENCE?”
gollark: > “We thought my poor grandmother’s remains had been buried in accordance with her wishes,” growls Elizabeth’s direct descendant, Catherine Gratwick. “Can’t you let her rest in peace? This is her body that you’re messing with. You can’t just irradiate and poison her; you must ask me first! How would you like it if your family’s remains were exhumed and mutilated? You must never use cells from deceased people without the explicit pre-mortem consent of the patient or their relatives. As for granny - I insist that all remaining samples of her be buried, and that you financially compensate her family for the pain and grief you have caused!”
gollark: > Two generations ago, scientists took a biopsy of a tumor from a cancer patient named Elizabeth Gratwick, who died soon after. Without her knowledge or consent, these cells were preserved in the laboratory and proved to be exceptionally stable in replication. As stable cancer cell lines are highly useful for medical research, “ElGr cells” have been sent to and used by scientists all over the world. However, objections are now being raised by Elizabeth’s descendants.

References
  1. adb.anu.edu.au Tasman George Higgins
  2. Tasman Higgins at Australian Dictionary of Biography
  3. C. E. Chauvel, In the Wake of "The Bounty": To Tahiti and Pitcairn Island (Sydney, 1933)
  4. Andrew Pike and Ross Cooper, Australian Film 1900–1977: A Guide to Feature Film Production, Melbourne: Oxford University Press, 1998, 193.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.