Sunday Morning (poem)

"Sunday Morning" is a poem from Wallace Stevens' first book of poetry, Harmonium. Published in part in the November 1915 issue of Poetry, then in full in 1923 in Harmonium, it is now in the public domain. The first published version can be read at the Poetry web site:[1] The literary critic Yvor Winters considered "Sunday Morning" "the greatest American poem of the twentieth century and... certainly one of the greatest contemplative poems in English" (Johnson, 100).[2]

Summary
Sunday Morning

 Complacencies of the peignoir, and late
 Coffee and oranges in a sunny chair,
 And the green freedom of a cockatoo
 Upon a rug mingle to dissipate
 The holy hush of ancient sacrifice.
 She dreams a little, and she feels the dark
 Encroachment of that old catastrophe,

.
.
.
.

 And in the isolation of the sky,
 At evening, casual flocks of pigeons make
 Ambiguous undulations as they sink,
 Downward to darkness, on extended wings.

About this poem Stevens wrote that it was "simply an expression of paganism".[3] Helen Vendler in the Cambridge Companion to Wallace Stevens summarized the poem as Stevens's search for "a systematic truth that could replace the Christianity of his churchgoing childhood." For Vendler, the stratagem which Stevens employs in attempting to accomplish this purpose is "of writing of himself in the third person, not as 'he' but as 'she', adopting a female persona for reflections that might at the time have seemed too 'unmanly' to be voiced with a masculine pronoun: 'Divinity must live within herself', declares the woman who has decided to celebrate Sunday at home with 'Coffee and oranges' instead of going to church."[4] The critic Robert Buttel sees the poem as establishing the French painter Matisse as "a kindred spirit" to Stevens, in that both artists "transform a pagan joy of life into highly civilized terms."[5]

Notes

[6]

  1. Editor Harriet Monroe chose five of the eight cantos Stevens sent her for the journal Poetry in 1915.
  2. Alison Johnson. Wallace Stevens: A Dual Life as Poet and Insurance Executive. Topsham, Maine: Cumberland Press,2012.
  3. Holly Stevens, p. 290.
  4. Helen Vendler. Cambridge Companion to Wallace Stevens, Cambridge University Press, p. 135.
  5. Buttel, pp. 157-8
  6. https://en.wikisource.org/wiki/Sunday_morning. All quotations from the poem can be found in this source.
gollark: I don't really remember mine as looking different to reality at all, but I read that our impressions/memories of them might be assembled afterwards.
gollark: Your dreams look like that? Weird.
gollark: In 1996, yes.
gollark: Obviously Google logs your history there forever anyway, but at least it isn't associated with your main account such that the recommender algorithm does anything.
gollark: If you want to not break your recommendations I think private browsing works.

References
  • Bates, Milton. Wallace Stevens: A Mythology of Self. 1985: University of California Press
  • Buttel, Robert. Wallace Stevens: The Making of Harmonium. 1967: Princeton University Press.
  • Stevens, Holly. Letters of Wallace Stevens. 1966: University of California Press.
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