Sue Kneebone

Dr Sue Kneebone is an Adelaide-based artist and arts educator who lectures at Adelaide Central School of Art.

Sue Kneebone
NationalityAustralian
EducationVictorian College of the Arts, University of South Australia
Known forCeramics, Assemblage, Photomontage
AwardsQantas Contemporary Art Award (2011)
Websitehttps://suekneebone.com/

Biography

Sue Kneebone has a Bachelor of Fine Art (Hons) (1998) and a Masters in Fine Arts (2000) from Victorian College of the Arts (2000) as well as a PhD from the University of South Australia (2010).[1][2] She features in Episode 2 of Hannah Gadsby’s three-part series on Australian art, Oz.[3][4] She has held exhibitions in Australia and the Republic of Ireland.[5][6]

Artistic style and subject

Kneebone began as a ceramicist but expanded her art practice to include photomontage and other mixed media. Through her ceramics, photomontages and assemblages, she explores questions of cultural identity through her own family history,[7][8] as well as the impact of empire on the Australian landscape.[9][10] She has been described as combining “a hypnotic storyteller with the backbone of an archaeologist”.[11]

Awards/Prizes/Residencies

Kneebone was the South Australian recipient of the Qantas Foundation Contemporary Art Travel Award in 2011.[12][13]

Collections

Kneebone's works are held in the collection of The Art Gallery of South Australia.[14]

Further reading
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References
  1. Kneebone, Sue; Jones, Philip G (2010). Naturally disturbed. Adelaide, SA: SASA Gallery, University of South Australia. ISBN 9780980726145. OCLC 670029015.
  2. Kneebone, Sue (12 November 2015). "Dark Manners". Craft + Design Enquiry (7). doi:10.22459/cde.07.2015.02.
  3. "HANNAH GADSBY'S OZ - Episode 2 Trailer - Airs March 18th 10pm ABC1". 12 February 2014. Retrieved 27 March 2019.
  4. "Hannah Gadsby's Oz - Artist Q &A: 'Why is it important to challenge history'?". 12 February 2014. Retrieved 27 March 2019.
  5. "Border Crossings exploring colonialism". Wayback Machine. Galway International Festival of Arts. 21 October 2016. Archived from the original on 21 October 2016. Retrieved 27 March 2019.
  6. Dunne, Aidan (19 July 2016). "When Ballymun was all towering promise; Vulnerable bodies and the dispossessed also feature in three exhibitions at Galway International Arts Festival". The Irish Times. p. 10.
  7. Nunn, Louise (1 March 2014). "Interpretation of colonial days also addresses present". The Advertiser (Adelaide). p. 69.
  8. "Sue Kneebone: Spurious Natures - Art Collector". www.artcollector.net.au. Retrieved 28 March 2019.
  9. "Testing Ground Salamanca Arts Centre". www.salarts.org.au. Retrieved 28 March 2019.
  10. Jacket, Amy (2013). "Testing Ground". Artlink. 33 (2): 134.
  11. Evans, Annika (2010). "Naturally Disturbed". Eyeline. 72: 95.
  12. Nunn, Louise (9 May 2013). "Artwork that can be devoured with logic". The Advertiser (Adelaide). p. 31.
  13. "Manifest 2: Sue Kneebone Dark Manners (CACSA) | South Australia | Australia". Scribd. Retrieved 28 March 2019.
  14. "Sue Kneebone". Art Guide Australia. 14 June 2016.
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