String Quartet No. 4 (Babbitt)

String Quartet No. 4 is the fourth of six chamber-music works in the string quartet medium by the American composer Milton Babbitt.

Babbitt’s Fourth Quartet was written in 1970, almost immediately after the Third Quartet. It is in a single movement, divided into twelve sections marked by (amongst other things) five different metronomic tempos, distributed 1-2-3-1-4-5-1-2-5-3-4-1. In contrast to its predecessor, the Fourth Quartet makes extensive use of coloristic instrumental effects, such as col legno, sul ponticello, and pizzicato glissando. Octave relations are especially important in this work. Contrasts of register, instrumental setting, timbre, duration and dynamics serve to articulate modes of set partitioning (Swift 1977).

The basic pitch structure of the Fourth Quartet is an array containing 77 statements of the aggregate (Mead 1984, 325). It is the first of Babbitt's works to employ weighted aggregates (Mead 1984, 320).

Discography
gollark: I'll try and explain explanatorially then; with null terminated strings you basically go through the string incrementing the length until you see \\0, right?
gollark: Why? Maybe implementing it would help. Hmm.
gollark: If you MUST store all values, just intermix something as a placeholder periodically.
gollark: [REDACTED]
gollark: I should implement this in C or something.

References
  • Mead, Andrew. 1984. "Recent Developments in the Music of Milton Babbitt". Musical Quarterly 70, no. 3 (Summer): 310–31.
  • Swift, Richard. 1977. "String Quartet No. 4, 1970 by Milton Babbitt; String Quartet No. 3 by Seymour Shifrin". Notes, second series, 34, no. 1 (September): 203.

Further reading
  • Barkin, Elaine, and Martin Brody. 2001. "Babbitt, Milton (Byron)". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers.
  • Lake, William E. 1986. "The Architecture of a Superarray Composition: Milton Babbitt's String Quartet No. 5". Perspectives of New Music 24, no. 2 (Spring–Summer): 88–111.
  • Mead, Andrew W. 1983. "Detail and the Array in My Complements to Roger". Music Theory Spectrum 5 (Spring): 89–109.
  • Mead, Andrew. 1987. "About About Time's Time: A Survey of Milton Babbitt's Recent Rhythmic Practice". Perspectives of New Music 25, nos. 1–2 (Winter–Summer): 182–235.
  • Mead, Andrew Washburn. 1994. An Introduction to the Music of Milton Babbitt. Princeton: Princeton University Press. ISBN 0691033145.
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