String Quartet No. 2 (Carter)

The Second String Quartet by American composer Elliott Carter was completed in 1959. This composition for string quartet was commissioned by the Stanley String Quartet of the University of Michigan, who decided not to play it upon seeing the score, and received its first performance in 1960 by the Juilliard String Quartet.

The quartet is considerably influenced by the music of European avant-garde composers who were gaining celebrity at this time, particularly Pierre Boulez's Le Marteau sans maître. This is a much more fragmentary piece than his earlier quartet (1951): the four instruments play very individual roles and unpredictably bounce off one another. Indeed, Carter has instructed the players to sit as far apart as possible so that they appear to be playing different pieces simultaneously.[1]

Character

Each of the parts has its own different character:

  • First Violin: "mercurical"
  • Second Violin: "laconic"
  • Viola: "expressive"
  • Cello: "impetuous"

Carter has distinguished each character not just by general style, but also by the rigorous assignment of musical materials.[2]

Reception

This work had brought Carter recognition in America comparable to what his First has given him back in Europe. This work was awarded three major prizes, including the Pulitzer Prize.[3]

gollark: Evidently, the first person to realize the power of lace (and cereal bars) achieved financial domination over things via lace wealth, while using mind magic things to prevent knowledge of their secret lace-making activities from existing.
gollark: And magic is able to meddle with people's brains.
gollark: Someone already *realized* the sheer value of lace.
gollark: The obvious explanation is (anti)memetics.
gollark: So there's this thing which is irritating to produce, and a presumably comparatively easy way to make it available to the population of mages, and nobody ever thought "Hmm, maybe I could make lace and exchange goods and services for money"?

References
  1. "Carter, Elliott | Grove Music". www.oxfordmusiconline.com. doi:10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-0000005030. Retrieved 2019-04-16.
  2. Taruskin, Richard. Oxford History of Western Music. Oxford University Press. p. 296.
  3. Taruskin, Richard. Oxford History of Western Music. Oxford University Press. p. 300.
  • Carter, Elliot. “Shop Talk by an American Composer.” In Collected Essays and Lecture, 1937-1995, ed. Jonathan Bernard, 214-224. Rochester, NY: University of Rochester Press, 1997; reprinted from Musical Quarterly 46, no. 2 (April 1960): 189-201.
  • Carter, Elliot. “String Quartets Nos. 1, 1951, and 2, 1959.” In Collected Essays and Lecture, 1937-1995, ed. Jonathan Bernard, 231-235. Rochester, NY: University of Rochester Press, 1997. Reprinted from sleeve notes from Composers String Quartet, Nonesuch Records H-71249 (1970).
  • Schiff, David. The Music of Elliott Carter. Second edition. Ithaca: Cornell University Press, 1998 (1983).
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.