String Quartet No. 15 (Mozart)

Wolfgang Amadeus Mozart's String Quartet No. 15 in D minor, K. 421/417b is the second of the Quartets dedicated to Haydn and the only one of the set in a minor key. Though undated in the autograph,[1] it is believed to have been completed in 1783, while his wife Constanze Mozart was in labour with her first child Raimund.[lower-alpha 1] Constanze stated that the rising string figures in the second movement corresponded to her cries from the other room.[3]

Structure

Average performances of the whole string quartet vary in length from 23 to 33 minutes. It is in four movements:

  1. Allegro moderato
  2. Andante (F major)
  3. Menuetto and Trio (the latter in D major). Allegretto
  4. Allegretto ma non troppo

The first movement is characterized by a sharp contrast between the aperiodicity of the first subject group, characterized by Arnold Schoenberg as "prose-like," and the "wholly periodic" second subject group.[4] In the Andante and the Minuet, "normal expectations of phraseology are confounded."[5] The main part of the Minuet is in minuet sonata form,[6] while "the contrasting major-mode Trio ... is ... almost embarrassingly lightweight on its own ... [but] makes a wonderful foil to the darker character of the Minuet."[7] The last movement is a set of variations. The movement ends in a picardy third.

Notes
  1. "There is an anecdote, reported by Constanze to Vincent and Mary Novello in 1829, that Mozart wrote the D minor quartet while she was in labour with their first child, Raimund, and therefore around 17 June 1783."[2]

References

  1. Finscher 2007, p. X.
  2. Irving 1998, p. 13
  3. Wolfgang Hildesheimer, Mozart. Oxford: Oxford University Press (1977, 1985): "...we are probably right in assuming that it was the sudden forte of the two octave leaps and the following minor tenth (bars 31–32 of the andante), a brief uproar that quiets down, in a syncopated passage, to piano. These are figures that otherwise do not occur in Mozart."
  4. Irving 1998, p. 33
  5. Irving 1998, p. 35
  6. Rosen 1988, pp. 112–114
  7. Irving 1998, p. 36

Sources
  • Irving, John (1998). Mozart: The 'Haydn' Quartets. Cambridge: Cambridge University Press. ISBN 0-521-58475-2.CS1 maint: ref=harv (link)
  • Mozart, Wolfgang Amadeus (2007). Ludwig Finscher (ed.). The Ten Celebrated String Quartets. Translated by Anderson, Kinloch. Kassel: Bärenreiter. ISMN 9790006201181.
  • Wilks, Alexa Vivien (2015). The Biography of a String Quartet: Mozart's String Quartet in D minor, K. 421 (417b) (PDF) (D.M.A). University of Toronto. Retrieved 2018-01-14.
  • Rosen, Charles (1988). Sonata Forms. New York: W. W. Norton. ISBN 9780393302196.
gollark: You MAY have to actually store information.
gollark: Doesn't Haskell not like infinite types?
gollark: This is a bad explanation because this takes away any ability to make meaningful statements about god. For example, let's say you say "god is good". Well, if they can just entirely ignore laws of logic, they can be good, bad and potatOS at the same time.
gollark: It's not a very good spec.
gollark: Oh, that's Rust, not macron.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.