Stephen Dwoskin

Stephen Dwoskin (15 January 1939 – 28 June 2012)[1] was an accomplished experimental filmmaker[2] whose work had a decisive effect on the British film theorists of the early 1970s.[3] His films are held at the BFI and distributed by LUX. His archive is held at The University of Reading.

Stephen Dwoskin
BornJanuary 15, 1939
Brooklyn, United States
DiedJune 28, 2012
London, United Kingdom
NationalityAmerican
EducationParsons The New School for Design
New York University
Known forFilm

Early life

Dwoskin was born in Brooklyn. He contracted polio at the age of nine and underwent a grueling rehabilitation that entailed confinement in an iron lung, muscle transplants and relearning to walk, painfully, with crutches. He spent four years in the hospital before he was discharged. Dwoskin used crutches for much of his life. Poliomyelitis progressively restricted his mobility and in later life he used a wheelchair.[4]

He studied at Parsons The New School for Design as a student of Willem de Kooning and Josef Albers, and at New York University. After working as a graphic designer and art director for CBS and Epic Records, he made two short films, 'Asleep' and 'American Dream', in 1961 and became part of the bohemian world of New York 'underground' filmmakers.[5] He received a Fulbright Scholarship to move to London in 1964, where he remained until his death.

Career

Dwoskin became a key figure in British avant-garde cinema.[6] He was a co-founder of the London Film-Makers' Co-op.[7]

He was also a co-founder of the film collective 'Spectre' that included Vera Neubauer, Simon Hartog, Anna Ambrose, Michael Whyte, John Ellis, Phil Mulloy, Thaddeus O'Sullivan and Keith Griffiths.

He wrote two books: Film Is... in 1975 about the International Free cinema (published by Peter Owen, UK and Overlook Press, US) and Ha Ha! in 1993 (published by The Smith, New York, 1993).[8]

In 1967–1968 he won the Solvey Prize at the Knokke Experimental Film Festival in Belgium for a series of short films which established his reputation. His films have been screened worldwide including festivals at Cannes, Berlin, Rotterdam, Toronto, Lucarno, Pesaro, Mannheim, Oberhausen, Sydney, Melbourne, Hamburg, San Francisco, Turin, Riga, Madrid, Barcelona, and Benalmádena amongst other places. In 2009, the BFI Southbank in London presented a season of his work.

Dwoskin also made documentaries: ‘’Tod und Teufel‘’, ‘’Behindert‘’, ‘’Pain Is...’’, ‘’Age is...‘’, "Ballet Black" and ‘’Face of Our Fear’’. ‘’Face of our Fear’’, a film that addresses attitudes about disability, was commissioned by Channel Four, UK, and broadcast in 1992.[9]

Awards include L'Âge d'or prize, Brussels Film Festival 1982, the prestigious DAAD Fellowship (Berlin) in 1974, and the Rockefeller Media Fellowship in 1994.

He was a respected teacher and lecturer, holding positions at London College of Printing and Royal College of Art, London; San Francisco Art Institute and San Francisco State University, USA; University of Geneva and l'École Supérieure d'Art Visuel, Switzerland.

Retrospectives of his work were held in New York, London, Madrid, Barcelona, Paris, Brussels, San Francisco, Geneva, Lucerne, Digne, Berlin, Marseille (1995), Bilbao (1996), Strasbourg (2002), Paris/Pantin (2004), Rotterdam (2006), Lucca,(2006), Bruxelles (2006), Lussas (2008), London (2009), and Berlin (2009).

His work is represented in London by Vilma Gold gallery.[10]

Filmography
  • Asleep (1961)
  • American Dream (1961)
  • Naissant (1964/6)
  • Chinese Checkers (1964/6)
  • Alone (1964/6)
  • Soliloquy (1964/7)
  • Me Myself and I (1967/8)
  • Take Me (1968/9)
  • Moment (1969/70)
  • Trixi (1970/1)
  • To Tea (1970)
  • C-Film (1970)
  • Times For (1970)
  • Dirty (1971)
  • Dyn Amo (1972)
  • Girl (1972)
  • Jesus' Blood Never Failed Me Yet (1972)
  • Tod und Teufel (1973)
  • Behindert (1974)
  • Laboured Party (1975)
  • Just Waiting (1975)
  • Kleiner Vogel (1976)
  • Central Bazaar (1973/6)
  • Silent Cry (1977)
  • Outside In (1981)
  • Shadows from Light (1983)
  • Ballet Black (1986)
  • Further and Particular (1988)
  • The Spirit of Brendan Behan (1990)
  • Face Anthea (1990)
  • Face of Our Fear (1992)
  • Trying to Kiss the Moon (1994)
  • Pain Is... (1997)
  • Video Letter (with Robert Kramer) (1991-2000)
  • Another Time (2002)
  • Some Friends (apart) (2002)
  • Intoxicated By My Illness (2001)
  • Dear Frances (In Memorium) (2003)
  • Dad (2003)
  • Lost Dream (2003)
  • Grandpere's Pear (2003)
  • Visitors (2004)
  • Oblivion (2005)
  • Nightshotw 1,2,3(2006/7)
  • The Sun and the Moon (2007)
  • Phone Strip (2007)
  • Phone Portrait (2007)
  • Mom (2008)
  • Ascolta! (2008)
  • Dream House (2009)
  • Age Is... (2012)
gollark: Oh, so manipulation is fine if it doesn't work that well?
gollark: Yep!
gollark: They are annoying. They take up valuable screen space. They're cognitohazards which try and manipulate you into buying things you don't want.
gollark: Especially a *paid-for* OS.
gollark: Well, to some extent, but they *should not be in my OS.*

References
  1. Hudson, David. "Stephen Dwoskin, 1939 – 2012". Keyframe. Fandor. Retrieved 3 July 2012.
  2. Adrian Martin (July 12, 2012). "Stephen Dwoskin obituary | Film | guardian.co.uk". London: Guardian. Retrieved 2012-07-15.
  3. Stephen Dwoskin 1939-2012. Movie Journal by Jim Hoberman. ARTINFO
  4. NY Times obituary
  5. BFI Stephen Dwoskin biography
  6. Variety (magazine), obituary
  7. Knight, Julia; Thomas, Peter (2011). Reaching Audiences: Distribution and Promotion of Alternative Moving Image. Intellect Books. p. 68. ISBN 9781841501574. Retrieved 25 December 2018.
  8. Stephen Dwoskin. Ha Ha!
  9. "Face of Our Fear – Information, Clips and Stills". Luxonline. Retrieved 2011-03-30.
  10. Vilma Gold. Stephen Dwoskin
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