Standing in the Dark (album)
Standing in the Dark was the first full-length album by Platinum Blonde. Released by Columbia/CBS Records Canada in 1983, it expanded on the band's original six-track EP. With the addition of four new tracks ("Standing in the Dark", "Sad Sad Rain", "Cast A Shadow", and "Leaders In Danger"), the album garnered the band their first taste of attention after going triple platinum in Canada. It reached a high of 23 on the Canadian charts.
Standing in the Dark | ||||
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Studio album by | ||||
Released | 1983 | |||
Recorded | Metalworks, Mississauga, Ontario | |||
Genre | ||||
Label | CBS Canada | |||
Producer | David Tickle | |||
Platinum Blonde chronology | ||||
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Singles from Standing in the Dark | ||||
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Source | Rating |
Allmusic |
Two of the music videos for this album, "Standing in the Dark" and "It Doesn't Really Matter", were nominated for Juno Awards for Video of the Year in 1984.
The album spawned four singles: "It Doesn't Really Matter," "Standing In The Dark," "Not In Love" and "Take It From Me". "Not In Love" was covered by Toronto-synth duo Crystal Castles, who are friends of lead Blonde Mark Holmes.
Track listing
- Side 1
- "Doesn't Really Matter" (Mark Holmes, Sergio Galli) - 4:05
- "Standing In The Dark" (Holmes) - 3:19
- "Sad Sad Rain" (Holmes, Galli) - 3:50)
- "Take It From Me" (Holmes, Galli) - 4:01
- "Cast A Shadow" (Holmes) - 3:40
- Side 2
- "Leaders In Danger" (Holmes) - 4:19
- "Not In Love" (Holmes, Galli) - 4:07
- "Video Disease" (Holmes) - 3:46
- "All Fall Down" (Holmes) - 4:15
- "Cinderella Story" (Galli) - 1:54
Credits
Platinum Blonde:
- Sergio Galli: guitar, backing vocals
- Mark Holmes: lead vocals, bass, keyboards
- Chis Steffler: drums, percussion
with "assisting musicians":
- Bruce Barrow
- Claude Desjardins
- Steve Sexton
- Jo-Anne Bates - backing vocal
The instruments these musicians played are not noted on the actual album package, but Barrow is normally a bassist, Desjardins a drummer/keyboardist, and Sexton a keyboard player.
Engineer:
- David Tickle, assisted by Hugh Cooper