Spyglass Guest

Spyglass Guest is the third studio album by British progressive rock band Greenslade, released in 1974. It is their most commercially successful album to date, having reached number 34 in the UK Albums Chart. It was the final recording bassist Tony Reeves made with the group, leaving Greenslade shortly after the LP was completed.[2][3]

Spyglass Guest
Studio album by
Greenslade
ReleasedAugust 1974
RecordedMorgan Studios No. 3, London
GenreProgressive rock
Length39:10
LabelWarner Bros.
Mercury
Vertigo
ProducerGreenslade, Jeremy Ensor
Greenslade chronology
Bedside Manners Are Extra
(1973)		 Spyglass Guest
(1974)		 Time and Tide
(1975)
Professional ratings
Review scores
SourceRating
Allmusic(favorable)[1]

Cover art

Wanting to move away from the style of artwork exemplified by Roger Dean's covers for their first two albums, Greenslade had Marcus Keef do the cover for Spyglass Guest, with the idea of using a live black panther suggested by Dave Lawson.[4]

Background and recording

As with their first two albums, Greenslade prepared for Spyglass Guest by extensively rehearsing at a church hall in Middlesex.[4] However, whereas half of the songs on their first albums were written collaboratively, on Spyglass Guest the band members did not give any input into each other's songs, writing them individually. Dave Greenslade said he could not say why this was, since they were all getting along well with each other.[4]

Their recording efforts were also more individualized: Dave Greenslade did not play on any of the three Dave Lawson compositions, Tony Reeves was absent from all but one of them, and Dave Lawson in turn did not play on "Spirit of the Dance". This was in part because, due to the band being worked so hard by their management, Dave Greenslade asked Dave Lawson to write a song to be used as a solo spot for himself, in order to reduce rehearsal time. Lawson came up with several pieces, with "Red Light" being selected as his solo spot, but another, "Rainbow", was also put on the album due to a shortage of material.

While Greenslade had produced their previous album, Bedside Manners Are Extra, by themselves, they felt they needed someone in the studio to provide an outside opinion. They selected Jeremy Ensor (formerly bassist of the Principal Edwards Magic Theatre), who was their roadie at the time.[4] Unlike their previous recording sessions, the band were doing concerts at the time, and so the album took considerably longer to record. Scheduled to start on 13 May 1974, recording actually commenced on 15 May and ended on 6 June.[4] The sessions also broke from the "live" style of recording used for their first two albums; for example, Dave Lawson's parts on "Joie De Vivre" were recorded after all the other tracks for the song had already been laid down.[5]

Spyglass Guest includes the only cover song Greenslade ever recorded, "Theme for an Imaginary Western", which Dave Greenslade and Tony Reeves had already performed with their previous band Colosseum both live and in the studio. The song was recorded against the objections of Dave Lawson, who felt it did not suit his playing style.[4] Despite his objections, and despite the fact that he recorded all of the vocals for Spyglass Guest while being treated for a collapsed lung,[4] most fans regard Lawson's vocal performance on "Theme for an Imaginary Western" to be a highlight of the track.

The album also includes one of only two Greenslade songs to employ an outside songwriter (the other is "Hallelujah Anyway" from Large Afternoon), "Joie De Vivre". After coming up with the music and title for the song, Dave Greenslade asked around for someone who could write lyrics that would suit the title and overall atmosphere, and the band's publishing company recommended Martin Hall.[4] When Andrew McCulloch suggested the phrase "spyglass guest" from Hall's lyrics for the song be used as the album title, the rest of the band happily agreed, though Dave Greenslade admitted in a 2018 interview that he still has no idea what the phrase means.[4]

Feeling that they had proven the concept of two keyboardists and no guitars with their first two albums, the band decided to bring in guitarists when they felt the songs called for it. Clem Clempson was Greenslade's former bandmate in Colosseum, while Andy Roberts and violinist Graham Smith both came at the recommendation of Greenslade's wife, who worked as a secretary for Tony Stratton-Smith, founder of the Charisma Records label which Roberts and Smith had both recorded for.[4]

Track listing
  1. "Spirit of the Dance" (music: Dave Greenslade) – 5:08
  2. "Little Red Fry Up" (music and lyrics: Dave Lawson) – 5:11
  3. "Rainbow" (music and lyrics: Dave Lawson) – 4:20
  4. "Siam Seasaw" (music: Tony Reeves) – 4:43
  5. "Joie De Vivre" (music: Dave Greenslade, lyrics: Martin Hall) – 8:25
  6. "Red Light" (music and lyrics: Dave Lawson) – 2:27
  7. "Melancholic Race" (music: Dave Greenslade) – 4:15
  8. "Theme for an Imaginary Western" (music: Jack Bruce, lyrics: Pete Brown) – 3:52

Personnel
Greenslade
Additional personnel
gollark: You didn't actually ask me not to, I decided to quickly make improvements.
gollark: Well, yes, when I was VERY BRIEFLY admin and wished to capitalize on it.
gollark: I think we agreed on gibson as our "candidate".
gollark: *I* should be the owner.
gollark: > it should now be clear that he should not be ownerWhy?

References
  1. Allen, Jim. "Spyglass Guest - Greenslade | Songs, Reviews, Credits, Awards | AllMusic". allmusic.com. Retrieved 18 March 2014.
  2. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 236. ISBN 1-904994-10-5.
  3. "GREENSLADE | Artist | Official Charts". officialcharts.com. Retrieved 18 March 2014.
  4. Dome, Malcolm (2018). Spyglass Guest (Booklet). Greenslade. Cherry Red Records Ltd. pp. 4–11.
  5. Spyglass Guest press kit, 1974.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.