Spontaneous Music Ensemble

The Spontaneous Music Ensemble (SME) was a loose collection of free improvising musicians convened beginning in the mid-1960s by the late South London-based jazz drummer/trumpeter John Stevens and alto and soprano saxophonist Trevor Watts. SME performances and recordings could range from Stevens-Watts duos to gatherings of more than a dozen players.

The SME playing in Islington, London, 1991. Roger Smith plays guitar and Nigel Coombes plays violin. John Stevens plays drums and cornet out of frame.

Ethos

As critic Brian Olewnick writes, the SME emphasised an "extremely open, leaderless aspect where a premium was placed on careful and considered listening on the part of the musicians. Saxophonist Evan Parker observed that Stevens had two basic rules: (1) If you can't hear another musician, you're playing too loud, and (2) if the music you're producing doesn't regularly relate to what you're hearing others create, why be in the group? This led to the development of what would jocularly become known as 'insect improv' -- music that tended to be very quiet, very intense, arrhythmic, and by and large atonal."[1]

History

The SME began an intensive six nights per week residency at the Little Theatre Club in London in January 1966 and recorded their first album Challenge the following month.[2]

One can loosely divide the group's history into two periods: the more horn-oriented earlier ensembles (typically with some combination of Watts, saxophonist Evan Parker and trumpeter Kenny Wheeler), and the later string-based ensembles with guitarist Roger Smith (who became as central to the second edition of SME as Watts was to the first) and violinist Nigel Coombes. The transitional point is the quartet album Biosystem (Incus, 1977), which also featured cellist Colin Wood.

Countless other musicians passed through the SME over the years, including Derek Bailey, Paul Rutherford, Maggie Nichols, Dave Holland, Barry Guy, Peter Kowald and Kent Carter. The final edition of the group was a trio of Stevens, Smith, and the saxophonist John Butcher, a configuration documented on A New Distance (1994).

Inspired both by American free jazz and by the radical, abstract music of AMM, as well as influences as diverse as Anton Webern and Samuel Beckett (two Stevens touchstones), the SME kept at least a measure of jazz in their sound, though this became less audible in the later "string" ensembles.

Stevens' death in 1994 brought an end to the SME.

Discography
  • Challenge (1966, Eyemark Records; reissued on Emanem Records) (featuring Kenny Wheeler, Paul Rutherford, Trevor Watts, Bruce Cale, Jeff Clyne, John Stevens) (plus Evan Parker & Chris Cambridge on track 10)
  • Karyobin (1968, Island Records; reissued 1993 on Chronoscope) (featuring John Stevens, Evan Parker, Kenny Wheeler, Derek Bailey, Dave Holland)
  • Frameworks (1968/1971/1973, Emanem Records) (featuring various lineups, including Stevens, Norma Winstone, Trevor Watts, Kenny Wheeler, Paul Rutherford, Julie Tippetts, Ron Herman)
  • John Stevens/Spontaneous Music Ensemble (1969, Marmalade Records) (featuring John Stevens, Kenny Wheeler, Derek Bailey, Trevor Watts, Peter Lemer, Johnny Dyani, Maggie Nichols, Carolann Nichols, Pepi Lemer)
  • The Source - From and Towards (1971, Tangent Records) (recorded 18 November 1970; featuring Trevor Watts, Ray Warleigh, Brian Smith, Ken (sic) Wheeler, Bob Norden, Chris Pyne, Mick Pyne, Ron Mathewson, Marcio Mattos, John Stevens)
  • So What Do You Think? (1971, Tangent Records) (featuring John Stevens, Trevor Watts, Kenny Wheeler, Derek Bailey, Dave Holland)
  • Birds of a Feather (1971, BYG Records (featuring John Stevens, Trevor Watts, Ron Herman, Julie Tippetts [Driscoll])
  • Bobby Bradford, John Stevens and the Spontaneous Music Ensemble Live Vols. 1 & 2 (1971, Nessa Records)
  • 1.2. Albert Ayler (1971, Affinity) (featuring John Stevens, Trevor Watts, Ron Herman, Julie Tippetts)
  • Face to Face (1973, Emanem Records) (featuring John Stevens and Trevor Watts)
  • Quintessence (1973–74, Emanem Records) (featuring John Stevens, Trevor Watts, Evan Parker, Derek Bailey, Kent Carter)
  • Biosystem (1977, Incus Records; reissued by Psi Records in 2006 with additional material) (featuring John Stevens, Nigel Coombes, Roger Smith, Colin Wood)
  • Hot and Cold Heroes (1980/91, Emanem Records) (featuring John Stevens, Nigel Coombes, Roger Smith)
  • A New Distance (1994, Acta; reissued by Emanem Records in 2005 with additional material from 1993) (featuring John Stevens, John Butcher, Roger Smith)
gollark: The problem is:* Lua bytestrings being encoded as JSON strings requires correct encoding* The JSON library didn't serialize that way* It appears to not *de*serialize that way? I don't know.
gollark: Er, hmm, that makes a bit of sense.
gollark: Well, it runs over websockets, to my backend server, because that doesn't require modems or anything.
gollark: He's talking about my backend server.
gollark: It relies on Switchcraft, which people seem fine with.

References
  1. Olewnick, Brian. "Spontaneous Music Ensemble: Biography". Allmusic. Retrieved 2010-12-28.
  2. Case, Brian (23 August 1975), "Digestible wig bubbles explained", NME, pp. 24–25
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.