Soundtracks Volume 2

Soundtracks Volume 2 is a 2003 album of film music by Marc Ribot released on Tzadik Records.[1]

Soundtracks Volume 2
Soundtrack album by
Marc Ribot
ReleasedSeptember 23, 2003
GenreAvant-garde jazz, experimental music
Length52:33
LabelTzadik
ProducerMarc Ribot
Marc Ribot chronology
Scelsi Morning
(2003)		 Soundtracks Volume 2
(2003)		 Spiritual Unity
(2005)

Reception

The Allmusic review by Sean Westergaard states, "The already eclectic Marc Ribot may have released his widest-reaching album to date with Soundtracks, Vol. 2. From neo-Dixieland to spooky electronica to solo shakuhachi, Ribot turns in a head-spinning program of disparate genres that hang together surprisingly well as an album... Ribot's guitar credentials have never been in doubt, but his recent works for Tzadik is showing him to be an impressive composer with a broad palette as well".[2]

Professional ratings
Review scores
SourceRating
Allmusic[2]

Track listing

All compositions are by Marc Ribot.

  1. "Small Consolation" – 0:52
  2. "Prowler" – 2:57
  3. "House of Mirrors" – 1:48
  4. "Urbanight" – 2:38
  5. "Shockuhachi" – 1:23
  6. "Blue Party" – 1:07
  7. "The Beast in the Jungle" – 2:27
  8. "Nausea" – 2:57
  9. "Savannah" – 2:15
  10. "Miles to Go" – 1:01
  11. "The Dream of the Other" – 1:02
  12. "Green Party" – 0:52
  13. "Pensando" – 3:52
  14. "Blurry in Brooklyn" – 1:48
  15. "The Killing Zone" – 5:07
  16. "Flatbush Eye" – 1:27
  17. "Miles Behind" – 0:57
  18. "Requiem for Eitan" – 3:03
  19. "Penitant Skyline" – 0:40
  20. "The Persistence of Memory" – 7:35
  21. "Lost Children" – 5:18
  22. "Green Party (Radio Mix)" – 0:50
  • Tracks 1, 3, 6, 8, 10, 12, 17, 19 and 22 were recorded at Sperry Sound, New York City and written for Gregory Feldman's Joe Schmo (1999).
  • Tracks 2, 5, 13, 15, 16, 20 and 21 were recorded at Ribosound Studios, New York City and written for Michele Stephenson's The Killing Zone (2003), except track 20, which was written for Jennifer Reeves' The Time We Killed (2004).
  • Tracks 4, 7, 9, 11, 14 and 18 were recorded at The Magic Shop, New York City and written for Michele Stephenson's The Killing Zone (2003).

Personnel
  • Marc Ribot – guitars, trumpet, Eb horn, sequencer
  • Anthony Coleman (3, 6, 8, 10, 12, 22) – sampler, piano, organ
  • Matt Darriau (1, 3) – clarinet
  • Alex Foster (3, 6, 10, 12, 17, 19, 22) – clarinet, saxophone
  • JD Foster (1, 3, 6, 10, 12, 17, 19, 22) – bass
  • Roberto Rodriguez (1, 3, 6, 10, 12, 17, 22) – drums
  • Steven Bernstein (7, 18) – trumpet
  • Mark Feldman (4, 7, 11, 14, 18) – violin
  • Jill Jaffe (4, 7, 11, 14, 18) – viola
  • Francois Lardeau (16, 20) – drum sequencing
  • Frank London (2, 5, 7, 9, 11, 13–16, 18, 21) – trumpet
  • Jay Rodriguez (14) – saxophone
  • E.J. Rodriguez (4, 7, 14) – percussion
  • Ned Rothenberg (5, 15, 20) – shakuhachi flute, flute, alto
  • Peter Scherer (4, 7, 11, 14, 18) – sampler, piano, synthesizer
  • Sebastian Steinberg (4, 7, 9, 11,14–16) – bass
gollark: 3.
gollark: It also means to have multiple copies of stuff in case of problems.
gollark: I *technically* have offsite backups of some stuff, but I have 300GB of associated data and 50GB of cloud™ backup capacity, so a lot of stuff is just not redundant except on my spare old laptop disk.
gollark: If your data storage stuff explodes, you can read it off the stone tablets.
gollark: Well, my backup system isn't great.

References
  1. Tzadik catalogue
  2. Westergaard, S. Allmusic Review accessed August 3, 2009
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