Sofía Álvarez (actress, born 1913)

Sofía Álvarez Caicedo (23 May 1913 – 30 April 1985) was a Colombian-Mexican actress and singer.[1] She is best remembered for her work in the Golden Age of Mexican cinema.

Sofía Álvarez
Álvarez in Here's the Point (1940)
Born
Sofía Álvarez Caicedo

(1913-05-23)23 May 1913
Died30 April 1985(1985-04-30) (aged 71)
Occupation
RelativesSofía Álvarez (granddaughter)

Life and career

Born and raised in Colombia, she moved with her family to Mexico in 1928. Her film debut was a small part, in the role of a prostitute in Santa (1930), the first talkie of Mexican cinema. Popularly known as the lady of the long braids, she enjoyed popularity during the 1930s and 1940s as an actress and singer. Subsequently she performed with Mario Moreno Cantinflas in the popular film Ahí está el detalle (1940). In the 1940s, Álvarez is characterized by her interpretation of elegant ladies in films like El sombrero de tres picos and México de mis recuerdos (1943). She performed with the popular Pedro Infante in three films: Si me han de matar mañana (1946), La barca de oro (1947) and Soy charro de Rancho Grande (1947). One of her most celebrated films was La Reina de la Opereta (1945). In 1950 she left the cinema to continue as a radio singer. She returned to the cinema between 1957 and 1966, when she retired from the scenes. Her last film was El Gángster (1965), with Arturo de Córdova. She was noted for her excellent voice also that delicate features that printed her characters.

Selected filmography

  • Santa (1930)
  • Martín Garatuza (1935)
  • Here's the Point (1940)
  • Flor de fango (1941)
  • El sombrero de tres picos (1943)
  • My Memories of Mexico (1944)
  • Diario de una mujer (1944)
  • La Reina de la Opereta (1945)
  • Si me han de matar mañana (1946)
  • La barca de oro (1947)
  • Soy charro de Rancho Grande (1947)
  • Angels of the Arrabal (1949)
  • El Gángster (1965)
gollark: (also, I'm pretty sure IPFS doesn't guarantee that your file exists forever at no cost, someone has to be pinning it or viewing it)
gollark: It's probably irrelevant though, as I doubt *that* many people actually care about having the arbitrary ownership token™ in the first place and have the technical knowledge to check in much detail whether you actually do have it.
gollark: Smart contracts *have* been known to have complex bugs which are also completely impossible to patch after they've been released onto an unsuspecting public.
gollark: If I actually cared about that for some bizarre reason, it would presumably be possible to just copy the NFT code and patch that out.
gollark: Surely if you want to duplicate it you could just... use the *same* seed, again...?

References

  1. "Sofía Álvarez". La zarzuela (webcindario) (in Spanish). Retrieved 5 October 2018.

Bibliography

  • Agrasánchez Jr., Rogelio (2001). Bellezas del cine mexicano/Beauties of Mexican Cinema. Archivo Fílmico Agrasánchez. ISBN 968-5077-11-8.


This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.