Slobodan Peladić

Slobodan Peladić (Serbian Cyrillic: Слободан Пеладић; Serbo-Croatian pronunciation: [slobodan peladitɕ]; 8 February 1962 – 2 February 2019) was a Serbian painter, sculptor and multimedia artist.

Slobodan Peladić
Slobodan Peladić
Born8 February 1962
Šabac, SR Serbia, SFR Yugoslavia
(now Republic of Serbia)
Died2 February 2019(2019-02-02) (aged 56)[1]
NationalitySerb
Known forMultimedia artist, painter, sculptor, photographer
Spouse(s)TKP
WebsiteOfficial website

Biography

He was born in Šabac (Yugoslavia, now Serbia) and studied painting (1983–1987) and received his degree in 1987 from the Academy of Arts in Novi Sad in the class of professor Jovan Rakidžić.

Gallery of SKC Belgrade (Serbia), Peladić Exhibition, 1989

Worked at the School of Art Crafts in Šabac from 1994 to 2000. He was founder of Independent Artistic Association Kolektiv and director of The Association of Fine Artists of Šabac since 2000. His artworks can be found in private collections and in the Museum of Contemporary Art in Belgrade and Museum of Contemporary Art Vojvodina in Novi Sad and his name in several books on Modern Art.

He has lived and worked in Šabac, Serbia and Atlanta, USA.

He died in Belgrade, Serbia, on 2 February 2019 after a short and severe illness.[1]

Exhibitions

On several occasions, he exhibited his works at personal (Belgrade, Šabac, Zagreb, Ljubljana, Rijeka, Subotica, Novi Sad) and group exhibitions in the country and abroad, among which the following ones deserve to be singled out: Controlled Gestures, displayed in Koprivnica, Ljubljana, Maribor, Subotica, Sarajevo and Rijeka, in 1988, Yugoslav Documents displayed in Sarajevo, 15th Yugoslav Youth Biennial in Rijeka and Meeting of Differences – Art at the end of the 80's, (in Zenica in 1989), Innovations in the Painting of the Eighties (Zadar, 1990), Kunst Europa (Siegen, Germany 1991), 1st Yugoslav Youth Arts Biennial, (Vršac, 1994), 1st International Biennial of Sketches and Projects (Novi Sad, 1997), Transgressor Forms (Vršac, 1998), Syntaxes of Deaths (Belgrade, 2001), and Konkordija – Ten years after (Belgrade, 2004), JLK[2] (Belgrade, 2005), 50th October Salon (Šabac, 2006); next exhibitions The Policies of The Other (Šabac), and DoDai (Ljubljana, Slovenia, 2008), Trajković Collection and Vujičić Collection (Belgrade and Novi Sad, 2010), 20th Century Serbian History of Art (Šabac, 2011), The Personal Escort Trajković Collection (Belgrade, 2012), Praise of Fully (Šabac, 2015) and The Legacy of 1989/ Case study: the second Yugoslav Documents, (Ljubljana, Slovenia, 2017)

Further reading
  • PhD Merenik, Lidija (1995). Belgrade: The Eighties-New Phenomena in Painting and Sculpture in Serbia in the Period from 1979–1989 [Осамдесете – Нове појаве у сликарству и скулптури 1979–1989 у Србији] (in Serbian). Novi Sad (Serbia): Prometej. ISBN 978-86-7639-148-6. External link in |publisher= (help)
  • PhD Denegri, Ješa (1997). The Eighties: Serbian Art Themes (1980–1990) [Осамдесете: Теме српске уметности 1980–1990] (in Serbian). Novi Sad (Serbia): Svetovi. ISBN 978-86-7047-274-7.
  • PhD Šuvaković, Miško (1999). Belgrade: Concepts in Modern and Post - Modern Visual Art and Theory After 1950 [Појмовник модерне и постмодерне ликовне уметности и теорије после 1950.] (in Serbian). Novi Sad (Serbia): Prometej. ISBN 978-86-7639-391-6. External link in |publisher= (help)
  • PhD Denegri, Ješa (1999). The Nineties: Serbian Art Themes (1990–1999) [Деведесете: теме српске уметности (1990–1999)] (in Serbian). Novi Sad (Serbia): Svetovi. ISBN 978-86-7047-320-1.
  • Despotović, Jovan (2006). New Painting [Nova slika] (in Serbian). Novi Sad (Serbia): Clio. ISBN 978-86-7102-236-1. External link in |publisher= (help)
  • PhD Šuvaković, Miško, ed. (2010). Istorija umetnosti u Srbiji – XX vek [History of Art in The Twentieth Century Serbia] (in Serbian). The Team of Associates: PhD Nevena Daković, PhD Aleksandar Ignjatović, PhD Ana Vujanović, PhD Vesna Mikić, Msc Jelena Novak, PhD Ješa Denegri, PhD Nikola Dedić, Msc Irena Šentevska, Msc Bojan Đorđev, Msc Iva Nenić. Belgrade (Serbia): Orion Art. ISBN 978-86-83305-52-0.
  • Without Without Title, 1989, Oil on canvas, Dimensions (H × W): 200 × 320 cm, Collection Trajković (Belgrade, Serbia)
  • Without Without Title, 1990, Oil on canvas, 200 × 160 cm, Collection Trajković (Belgrade, Serbia)
  • Without Without Title, 1991, Oil on canvas, 200 × 300 cm, Collection Trajković (Belgrade, Serbia)
  • Without Without Title, detail of picture
  • Double Ellipse of Full and Empty Form, 1997, Aluminum, Dimensions: 3300 × 975 × 38 mm/180 kg. 2780 × 367 × 38 mm/120 kg, Collection: Museum of Contemporary Art, Belgrade, Serbia
  • Corner Sculpture, 1997, Aluminium, 1400 × 500 × 80 mm, 50 kg
  • Span, 1998, Duralumin, 755 × 450 × 205 mm, 87 kg, Milan Marović Collection (Šabac, Serbia)
  • Ready - Made, 1998, Duralumin, 1500 × 120 × 150 mm, Collection Publikum Printing House (Belgrade, Serbia)
  • Two Summer Days, 2008, Sand, Dimensions: 1300 × 1000 × 1000 mm
gollark: *Laughs in basically not doing exercise*
gollark: It's for audiophiles to do audiophile things.
gollark: > Real pros use EL84Real pros amplify sound by hand by spinning potentiometers very fast.
gollark: The sound quality is bad there because there are people shouting and non-optimal audio setups and whatnot.
gollark: Lots of people?

References
  1. "Preminuo Slobodan Peladić". SEEcult. Retrieved 3 February 2019.
  2. Selection from the collection of JAC 2002–2005, Big Gallery of the SKC, Belgrade
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