Simon Segal

Simon Segal (Białystok 1898 – Arcachon 1969) was a French figurative painter and member of the School of Paris. Born in the Russian Empire (now Poland) he emigrated to France in 1925 and was naturalized in 1949. He painted portraits, animals, landscapes and seascapes and created illustrations and mosaics. His scarce work is characterized by an austere but expressive style epitomized by his works from La Hague (1946–1953).

Biography

Segal was born to Jewish parents in Białystok, then in the Russian Empire, but for centuries part of the Polish-Lithuanian Commonwealth. During World War I his family briefly moved to Tver, where he attended a school. After the war, his family returned to Białystok, but soon afterward Segal arrived in Berlin in 1918, where he worked for Spolochi, a journal for Russian expatriates. He left for Toulon in 1926 and met Bruno Bassano, an art dealer who became a close friend until Segal's death. He organized his first exhibition in 1935 at the Billie-Works gallery in Paris. From 1946 to 1953, Segal lives in Jobourg, a village near Cherbourg. From 1953 to his death, Segal lived in Paris. He created illustrations for the Bible (Labergerie, 1957) and the Apocalypse (Michel Kieffer, 1969). He died in 1969. His friend Dr. Pierre Osenat has him buried in Arcachon.

Exhibitions during the artist's lifetime

  • 1935 – Paris – Billiet-Worms Gallery
  • 1950 – Paris – Drouant-David Gallery
  • 1951 – Toulon
  • 1953–55 – Paris – Bruno Bassano Gallery
  • 1956 – AlbiMusée Toulouse-Lautrec (retrospective)
  • 1957 – Paris – Bruno Bassano Gallery
  • 1959 – Paris – Musée Bourdelle (mosaics)
  • 1960 – São Paulo – Museum of Modern Arts (mosaics)
  • 1961 – London – Grosvenor Gallery
  • 1963 – Milan – Stendhal Gallery
  • 1964 – Paris – Bruno Bassano Gallery
  • 1968 – Paris – Drouant Gallery

Posthumous exhibitions

  • 1971 – Brest – Palais des Arts et de la Culture (retrospective)
  • 1972 – Valréas – Château de Simiane (retrospective)
  • 1982 – Paris – Salon de la Rose-Croix (retrospective)
  • 1989 – Paris – Musée du Luxembourg (general retrospective, 160 works)
  • 1990 – Paris – Salon du Dessin & de la Peinture à l'eau (30 works)
  • 1997 – Arcachon (retrospective, 50 works)
  • 1999 – Cherbourg – Musée Thomas Henry, Segal à La Hague (70 works)
  • 2010 – BiałystokMuzeum Podlaskie, The secret child of Białystok (90 works)

Museums

  • Simon Segal Museum, Aups (Var)
gollark: You would still have to spam and read messages very fast, but it wouldn't affect anything else.
gollark: There are linked cards, which are paired card things which can just directly send/receive messages to each other over any distance. If the problem here is that your data has to run across some central network/dispatcher/whatever, then you could use linked cards in the thing gathering data and the thing needing it urgently to send messages between them very fast without using that.
gollark: It would be kind of inelegant and expensive, but maybe for time- and safety-critical stuff like this you could just send the data directly between the computers which need it by linked card.
gollark: You can save cell cost by allocating item types to cells such that you fill up your cells to max "bytes" rather than max "types".
gollark: Or to defragment the system to save space.

References

    This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.