Should Married Men Go Home?

Should Married Men Go Home? is a silent short subject co-directed by Leo McCarey and James Parrott starring comedy duo Laurel and Hardy. It was released by Metro-Goldwyn-Mayer on September 8, 1928.

Should Married Men Go Home?
Directed byLeo McCarey
James Parrott
Produced byHal Roach
Written byLeo McCarey
James Parrott
H.M. Walker
Starring
CinematographyGeorge Stevens
Edited byRichard C. Currier
Distributed byMetro-Goldwyn-Mayer
Release date
  • September 8, 1928 (1928-09-08)
Running time
20 minutes
CountryUnited States
LanguageSilent film
English intertitles

Plot

Ollie and his wife are enjoying a quiet Sunday at home until Stan shows up, eager to play some golf. After Stan breaks the Hardys' Victrola and nearly sets fire to their house, Mrs. Hardy chases the boys out. At the golf course, they are partnered with a pair of comely young lasses to complete a foursome. The girls want to be treated to sodas, but the boys are short of money. Stan leaves his watch to settle the thirty-cent bill. On the course, they tangle with rude golfer Edgar Kennedy, and wind up in a mud-throwing battle with several other linksters.

Cast
Credited

Uncredited

Production notes
1928 Lobby card highlighting the presence of 8-foot-9 actor John Aasen.

Should Married Men Go Home? was filmed in March and May 1928. It was the first Hal Roach film to bill Laurel and Hardy as a team. Previous appearances together were billed under the Roach "All-Star Comedy" banner. On-location footage has recently surfaced on YouTube.[1] The film's working title was Follow Through.[2]

8-foot-9 actor John Aasen appears as "Very Tall Golfer."

The soda fountain routine was reworked during the sound era in the film Men O' War, with Jimmy Finlayson assumed the role inhabited by Charlie Hall.

The gag of Stan slipping a note under the door, only to see it get pulled further in from the inside where the Hardys are hiding from him, was reused during the sound era in Come Clean (1931) when the Hardys again pretend not to be home when the Laurels come calling.

Several oil derricks from the Los Angeles City Oil Field are visible during gold course scenes.

The lag time between the primary filming in March and the September release of Should Married Men Go Home? was unusually long. When the company reconvened in Los Angeles in Autumn 1928, the fame and popularity of the Laurel and Hardy team had grown.

Reception

British film critic Leslie Halliwell gave the film a lukewarm reception, commenting that the "preliminary domestic scene is the funniest."[3] while The Films of Laurel and Hardy author William K. Everson wrote in 1967 that the film was "one of the best of the "forgotten" Laurel and Hardy films, Should Married Men Go Home? admittedly overlaps with several other of their films but is no less funny because of it."[4] He cites Ollie's collapsing of the front fence, the soda fountain routine and Edgar Kennedy's toupee woes as high spots.[4]

gollark: I don't actually have a "bible" to open up.
gollark: Oh, so you follow the cobble thing around? Right, that's easier than following a *moving* Jesus.
gollark: It looks ugly and it'd get in the way.
gollark: I don't get it, you just randomly put some cobble in the middle of your base? Why?
gollark: So, you just follow some Jesus or other around, sort of thing? Doesn't that get annoying?

References
  1. Video on YouTube
  2. Skretvedt, Randy (1996). Laurel and Hardy: The Magic Behind the Movies. Beverly Hills: Past Times Publishing. ISBN 0-940410-29-X
  3. Walker, John, ed. (1994). Halliwell's Film Guide. New York: HarperPerennial. ISBN 0-06-273241-2, p.1077
  4. Everson, William K. (1967). The Films of Laurel and Hardy. Secaucus, NJ: Citadel Press. ISBN 0-8065-0146-4, p.65.
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