Short Trip Home

Short Trip Home is an album of classical chamber music by a quartet unusual both for its membership and its instrumentation. Double bassist Edgar Meyer wrote the majority of the compositions recorded on the album for a quartet of violin, double bass, mandolin, and guitar. Classical violinist Joshua Bell joins bluegrass musicians Sam Bush and Mike Marshall and Meyer on the album. In addition to classical music in an American vernacular, the quartet occasionally breaks out on more traditional instrumental bluegrass tunes.

Short Trip Home
Studio album by
Joshua Bell, Edgar Meyer, Sam Bush, Mike Marshall
ReleasedSeptember 7, 1999
RecordedAugust 1998
GenreClassical
Length64:46
LabelSony Classical
ProducerEdgar Meyer
Professional ratings
Review scores
SourceRating
Billboardfavorable[1]
Gramophonefavorable[2]

Track listing
  1. "Short Trip Home" (Edgar Meyer)
  2. "Hang Hang" (Meyer, Mike Marshall)
  3. "BT" (Meyer)
  4. "In the Nick of Time" (Meyer)
  5. Concert Duo. Prequel (Meyer)
  6. "BP" (Meyer)
  7. "If I Knew" (Meyer)
  8. "OK, All Right" (Meyer)
  9. "Death by Triple Fiddle" (Meyer, Sam Bush, Marshall, Joshua Bell)
  10. Concert Duo. 1 (all movements by Meyer)
  11. Concert Duo. 2
  12. Concert Duo. 3
  13. Concert Duo. 4

Personnel
  • Joshua Bell, violin
  • Edgar Meyer, bass
  • Sam Bush, mandolin; violin on "Death by Triple Fiddle"
  • Mike Marshall, guitar; mandola on "BT"; violin on "Death by Triple Fiddle"

The track "Short Trip Home" is heard in the Richard Proenneke documentary Alone in the Wilderness.

The track “In the Nick of Time” is heard in the Ken Burns documentary “The War.”

The track "BT" was used as the theme song for WUNC (FM)'s The State of Things (radio show) from 2004 until 2010.

gollark: ?tag blub
gollark: ?tag create blub Graham considers a hypothetical Blub programmer. When the programmer looks down the "power continuum", he considers the lower languages to be less powerful because they miss some feature that a Blub programmer is used to. But when he looks up, he fails to realise that he is looking up: he merely sees "weird languages" with unnecessary features and assumes they are equivalent in power, but with "other hairy stuff thrown in as well". When Graham considers the point of view of a programmer using a language higher than Blub, he describes that programmer as looking down on Blub and noting its "missing" features from the point of view of the higher language.
gollark: ?tag blub Graham considers a hypothetical Blub programmer. When the programmer looks down the "power continuum", he considers the lower languages to be less powerful because they miss some feature that a Blub programmer is used to. But when he looks up, he fails to realise that he is looking up: he merely sees "weird languages" with unnecessary features and assumes they are equivalent in power, but with "other hairy stuff thrown in as well". When Graham considers the point of view of a programmer using a language higher than Blub, he describes that programmer as looking down on Blub and noting its "missing" features from the point of view of the higher language.
gollark: > As long as our hypothetical Blub programmer is looking down the power continuum, he knows he's looking down. Languages less powerful than Blub are obviously less powerful, because they're missing some feature he's used to. But when our hypothetical Blub programmer looks in the other direction, up the power continuum, he doesn't realize he's looking up. What he sees are merely weird languages. He probably considers them about equivalent in power to Blub, but with all this other hairy stuff thrown in as well. Blub is good enough for him, because he thinks in Blub.
gollark: Imagine YOU are a BLUB programmer.

References
  1. Billboard Aug. 21, 1999 (p. 5)
  2. Gramophone Jan. 2000
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.