Shantrelle P. Lewis

Shantrelle Patrice Lewis (born June 13, 1978)[1] is a curator, historian, critic and filmmaker. She is a 2012 Andy Warhol Curatorial Fellow and a 2014 United Nations Programme for People of African Descent Fellow.[2][3][4]

Shantrelle P. Lewis
Born
Shantrelle Patrice Lewis

(1978-06-13) June 13, 1978
New Orleans, Louisiana U.S.
CitizenshipAmerican
Alma materHoward University
Temple University
OccupationCurator
Historian
Critic
Filmmaker
WebsiteShantrellePLewis.com

Early life and education

Lewis was born in New Orleans, Louisiana, to computer analyst father Wayne Lewis and retired social worker mother Patricia Scott.

Lewis was introduced to African American history by her father through her own genealogy as a child where she learned she was a descendant of Henri Christophe, the first king of free Haiti in 1811. She comes from a family of teachers: Her paternal great grandfather, Nathan Lewis, was a student at Tuskegee University, and later taught at Southern University A&M and her paternal great grandmother, Della Atkinson, was a professor at Straight College, which is known today as Dillard University.

In 2000, Lewis received a bachelor's degree from Howard University in African American Studies. By then, her childhood experience with Black history grew into a career, teaching African-American Studies at Hyde Leadership Public Charter School in Washington, D.C. Lewis then earned a master's degree in African American Studies from Temple University in 2006. She returned to her hometown after the Hurricane Katrina disaster to help with revitalization and taught African World Studies at Dillard University.[2]

Career

After returning home to Louisiana in 2007, Lewis became Executive Director and Curator of the McKenna Museum of African American Art.[2]

From 2009 to 2013, Lewis was the Director of Exhibitions and Programs at the Caribbean Cultural Center African Diaspora Institute (CCCADI) in New York City.[2]

In 2010, Lewis began working on The Dandy Lion Project, curating images of black dandies that has taken the form of an international traveling exhibition, a film series and a book.[5][6] The project connects the subversive contemporary fashion and lifestyle movement to historical images and has dated the movement that blends African aesthetics with European menswear back to the fifteenth century in Africa.[7] Women dandies and trans men are also featured, further complicating the idea of black masculinity.[8][9] Lewis focused on curating images authored by over 30 photographers of the African Diaspora, thus reclaiming the authorship of images that in another context might have historically been seen as exploitive. This project has been exhibited at Museum of Contemporary Photography at Columbia College Chicago, Silver Eye Center for Photography in Pittsburgh, the Museum of the African Diaspora in San Francisco, the Brighton Photo Biennial, and Lowe Museum of Art in Miami.[10][11][12][13][14][14][15][16][17]

Lewis gained attention as a cultural critic when Beyoncé's Formation video went public, critiquing its colorism, use of Bounce music, and the use of images from New Orleans that viscerally evoked the Hurricane Katrina storm where Lewis lost her grandmother and great-grandmother.[18][19][20]

Lewis has also curated: SOS: Magic, Revelry, and Resistance in Post-Katrina New Orleans Art, Life After Death: A Multi-Media Analysis of the Persona that Was/Is Fela Anikulapo Kuti, Wearing Spirit: Aesthetically Personifying the Feminine in African Sacred Traditions, Sex Crimes Against Black Girls, and Black Pete, Zwarte Piet: The Documentary. [2][21][22][23][24]

Lewis is also on the Board of Directors for the Black Star Film Festival and is the Chief Philadelphia Dream Director at The Future Project.[25][26]

Personal life

Lewis lives and works in Philadelphia, Pennsylvania.

Lewis' exhibition, "Sex Crimes Against Black Girls," was partly inspired by her personal experience with abuse as a child.[23]

In 2016, Lewis married business owner Tony Oluwatoyin Lawson with a wedding they called the "Royal Wedding of Zamunda" inspired by the blend of their Yoruba Nigerian, New Orleanian and Lucumi cultures with a nod to the film, Coming to America. The wedding included a traditional second line.[27][28]

Works and publications
  • Lewis, Shantrelle (14 October 2013). "American Apparel, Our Culture Is Not Your Trick, Nor Your Treat". Ebony.
  • Lewis, Shantrelle P. (January 2014). "The Devil is a Liar: The Diasporic Trickster Tales of Jean-Michel Basquiat and Kendrick Lamar". Art Papers (Vol. 38, No. 1 (The Hip Hop Issue)). p. 10.
  • Lewis, Shantrelle P. (5 February 2014). "Bow Ties and Rude Boys: The Rise of the Global Black Dandy". AfroPunk.
  • Lewis, Shantrelle P. (5 January 2016). "Fashioning Black Masculinity: The Origins of the Dandy Lion Project". Nka Journal of Contemporary African Art. 2015 (37): 54–61. doi:10.1215/10757163-3339871.
  • Lewis, Shantrelle (10 February 2016). ""Formation" Exploits New Orleans' Trauma". Slate.
  • Wilson, Riley; Lewis, Shantrelle P. (2 February 2016). "'The Birth of a Nation': The Biggest Clapback in Hollywood History or Yet Another Slave Movie?". ColorLines.
  • Lewis, Shantrelle P. (2017). Dandy Lion The Black Dandy and Street Style. Aperture. ISBN 978-1-597-11389-2. OCLC 962550028.
gollark: Just because Unix does things doesn't make those things sensible.
gollark: But one which shellscripts can't deal with easily.
gollark: I think it has a JSON option actually, though, which is an example of a *good* format.
gollark: Look at ffprobe/ffmpeg output.
gollark: You have to write flaky parsing code to deal with whatever format they produce, which is often designed as human-readable more than machine-readable.

References
  1. "Shantelle Lewis - United States Public Records". FamilySearch. 2009.
  2. Richardson, Clem (19 November 2010). "Student of diaspora mixes art and activism". New York Daily News.
  3. "The Andy Warhol Foundation for the Visual Arts - Curatorial Fellowships". warholfoundation.org. Retrieved 2016-05-17.
  4. "International Decade for People of African Descent - Fellowship Programme". www.un.org. Retrieved 2016-05-17.
  5. "'Dandy Lion' Exhibition Explores The Rise Of Global Black Dandyism". Okayafrica. 2016-05-02. Retrieved 2016-12-11.
  6. Kane, Peter Lawrence. "Grace and Style at MoAD". SF Weekly. Retrieved 2016-12-11.
  7. Berger, Maurice. "Black Dandies, Style Rebels With a Cause". Lens Blog. Retrieved 2016-12-11.
  8. Artlyst. "Brighton Photo Biennial's Seventh Edition Focuses On Identity And Representation". Artlyst London. Retrieved 2016-12-11.
  9. Ferguson, Charlise (2015-05-10). "It's Not Just Clothes That Maketh The Black Dandy". The Daily Beast. Retrieved 2016-12-11.
  10. Nosmot Gbadamosi, for. "The artists exploring Africa's style battles". CNN. Retrieved 2016-12-11.
  11. "Exhibit | Dandy Lion: (Re)Articulating Black Masculine Identity - CraveOnline". CraveOnline. 2015-10-07. Retrieved 2016-12-11.
  12. "Dandy Lion Project Spotlights Female Masculinity | artnet News". artnet News. 2016-08-16. Retrieved 2016-12-11.
  13. Arts, Katherine Brooks Senior; Editor, Culture; Post, The Huffington (2016-08-22). "Vibrant Photos Of 'Masculine' Men Around The World Defy Black Stereotypes". The Huffington Post. Retrieved 2016-12-11.CS1 maint: extra text: authors list (link)
  14. "Black Men in Suits Counter Popular Media Narratives in MoAD's 'Dandy Lion'". KQED Arts. Retrieved 2016-12-11.
  15. Youssef, Onastasia. ""Inside the image of their making": Dandy Lion explores black masculinity at Silver Eye". Pittsburgh City Paper. Retrieved 2016-12-11.
  16. "Bows and brogues: Why female black dandies are the ultimate rebels". The Independent. 2016-08-31. Retrieved 2016-12-11.
  17. "Black Men: Dandyism, masculinity and homophobia". Washington Post. Retrieved 2016-12-11.
  18. "Watching Beyoncé From New Orleans". NPR.org. Retrieved 2016-12-11.
  19. "Strange Fruit: Love And Criticism For Beyoncé's 'Formation' | 89.3 WFPL News Louisville". 89.3 WFPL News Louisville. 2016-02-13. Retrieved 2016-12-11.
  20. "Beyonce Super Bowl halftime show leads to protests, boycotts, conversations". NOLA.com. Retrieved 2016-12-11.
  21. "Shantrelle P. Lewis | ArtSlant". www.artslant.com. Retrieved 2016-12-11.
  22. "The Most Controversial Holiday Tradition Ever?". The Huffington Post. 2013-02-27. Retrieved 2016-12-11.
  23. cl_admin (2011-02-21). "'Sex Crimes Against Black Girls' Exhibit Uses Art to Confront Incest". Colorlines. Retrieved 2016-12-11.
  24. "Being Black in a Country That Embraces Blackface for the Holidays". ELLE. 2013-12-27. Retrieved 2016-12-11.
  25. "Board - BlackStar Film Festival". BlackStar Film Festival. Retrieved 2016-12-11.
  26. Team, Indiewire; Team, Indiewire (2014-08-07). "2014 BlackStar Film Festival Award Winners – 'Evolution of a Criminal,' 'Dreams Are Colder Than Death'". IndieWire. Retrieved 2016-12-11.
  27. "How This Couple Combined New Orleanian and Nigerian Culture to Create the Wedding of a Lifetime". The Root. 2016-12-09. Retrieved 2016-12-11.
  28. "The Biggest, Blackest Wedding of All Time Will Make Your Day". Okayafrica. 2016-11-28. Retrieved 2016-12-11.
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