Shanthamani Muddaiah

Shanthamani Muddaiah is a sculptural artist who uses ephemeral natural materials in her visual art work such as paper and charcoal to create, install and display exhibits. Her sculptures have been exhibited in many Biennial art shows in India and at many international centres. She has received many awards.[1][2]

Shanthamani Muddaiah
Born1967
Mysore, Karnataka, India
NationalityIndian
OccupationSculptor
Years activeFrom 1984
Known forSculpture and installation artist

Biography

Muddaiah was born in Mysore, Karnataka in 1967. She has graduated with a Bachelor of Fine Arts (BFA) in Painting from Chamarajendra Academy of Visual Arts, Mysore. She graduated with Master of Fine Arts (MFA) degree in painting from the M. S. University Baroda. She studied for one year in 2004 for a course in paper-making under the fellowship of the Charles Wallace Scholarship in Glasgow, Scotland. She has also received the National Junior Fellowship from Ministry of Tourism and Culture, New Delhi for 2006-08.[2]

Work and Exhibits

The sculpture titled the "Backbone" made of cement and luminous cinder in the form of a large spinal column was exhibited at the Kochi-Muziris Biennale in 2014.[3][4] It measured 7x5x70 ft sculpted in the shape of a meandering river. The inspiration for this art work came from her three months tour along the meandering Ganges river during 2010, and is considered a metaphor as the "backbone of our culture". Muddaiah also said that an anesthesia injection to her spine when in labour gave her the idea for the sculpture.[1][5][6] Jitish Kallat, the curator of the Kochi-Muziris Biennale 2014 where the sculpture was displayed in Kochi said "as if some long gone history is invoked in the form of this seemingly unearthed fossil" and that "the use of volcanic rock like cinder is especially very interesting as the porous surface of the material bears some geological traces, and itself appears like fossils".[1]

Another notable sculpture is titled "Metamorphosis Favourite" is a sculpture of pupa that represents the evolution stage between the pupa and the butterfly. It is made from charcoal of wood and pulp of cotton rags. It is suggestive of "decay, morbidity and death".[7]

Over the years, some of her other sculptural exhibits are the "Frozen Phoenix", "Silent Speak", "Gestures Speak" and "Turning wheel -Tradition unbound" in India and Sri Lanka. Her sculptures are permanent exhibits at the Venkatappa Art Gallery, of the Karnataka State Museum, Bangalore. Her works are also part of many private galleries.[2]

In 2019 she collaborated with Settle Stories and people of the Yorkshire Dales to create a new work Life in our Hands[8].

gollark: The link goes to an `Alternative` thing, yes.
gollark: Hoogle says it's part of `MonadPlus`...?
gollark: *but you must*
gollark: Then I have no idea how it works, yay!
gollark: Oh, it's one of those evil `fail`-using things?

References
  1. "Spinal fragments fuse Shanthamani's thoughts at biennale". Daily India Mail. 5 March 2015. Retrieved 3 March 2016.
  2. "Shantamani M". crimsonartgallery.com. Retrieved 3 March 2016.
  3. ‘Back Bone’ reminds the menace of carbon use, Mathrubhumi News
  4. "Interview: Artist Shantamani Muddaiah in conversation with CB Editor-in-Chief K.G", YouTube, Creative Bands, 31 March 2015, retrieved 31 May 2019
  5. Jacob, Rahul (21 February 2015). "Kochi Biennale: Art al fresco". Business Standard. Retrieved 3 March 2016.
  6. Madhukar (13 December 2014). "The big fat Indian art show - Bangalore Mirror". Bangalore Mirror. Retrieved 3 March 2016.
  7. "Colombo Art Biennale 2014:Shanthamani Muddaiah". Colombo Art Biennale. 2014. Retrieved 3 March 2016.
  8. https://www.cravenherald.co.uk/news/17894972.life-stories-told-hand-sculptures/

9. https://www.deccanherald.com/content/641042/a-silver-celebration.html

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