Saya (artform)


The Saya is a music and dance that originated in the Collao Meseta region of Peru- Bolivia|Afro-descent population]]. The artform's name comes from the Kikongo term nsaya, which means communal work led by a singing voice, akin to a work song. The Saya's instrumentation and dance also reflects the influence of traditional Andean music.

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Enslaved Africans were taken to South America to work in a range of industries. Their customs, music, was merged with the native cultures gave rise to mixtures. The specific history of many of these practices has disappeared, but many authors have worked to identify cultural survivals in Afro-descended groups throughout South America.[1]

Many dances have been derived from the Saya. Caporales was based on these dances, created and presented to the public for the first time in 1969 by the Estrada brothers who were inspired in the Afro-Bolivian Saya character of the Caporal .[2] This character was, in turn, inspired by the foreman on the haciendas of the Yungas.

In the present day, Afro-Bolivians have used the Saya in their struggle to reclaim their rights within Bolivian society. In this movement, the Saya has functioned both as a way of expressing and solidifying Afro-Bolivian identity among black Bolivians, and as a way to express their identity in the context of national social movements based on ethnic identities.[3][4]

Many festivals where the dance is performed have a prominent religious aspect. One supposedly dances for The Virgin Mary and promises to dance for three years of one's life.

Dances derived from the Saya

In Caporales, the male dancer looks near identical to his Caporal counterpart. However, while the Caporal outfit is usually larger and constricting, a Saya uniform is usually made from lighter material and fitted to the body for better, more fluid arm movement. Sometimes a whip may be used like in Caporales, but this is the exception and is more popular to dance simply with white or black gloves (depending on the uniform colors). Female dancers also have a more fitted and relaxed outfit compared to their Caporal counterparts. The differences in that case, however, are more subtle (lighter material, less skirt, laced sleeves, etc.)

The Caporales is usually considered very masculine: men will move and use their arms with much emphasis on looking strong and "macho". Women, while emulating the men's moves, will simply concentrate on showing off their legs and skirts in a flirtatious manner.

The rhythms of all of these dances are different from the Saya as well as the whole dance. Caporales is especially appreciated by young people of the middle and upper class who form huge Caporales groups for Carnival, Gran Poder and other "entradas".

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References
  1. Walker, Sheila. African Roots of American Cultures: Africa in the Creation of the Americas. Rowman and Littlefield. ISBN 978-0-7425-0165-2.
  2. "Danzas autóctonas de Bolivia". http://www.unet.univie.ac.at. Archived from the original on 2012-02-22. Retrieved 2009-10-22. External link in |publisher= (help)
  3. "Project on Connections between Bolivia and Brazil". http://projetoparaleloquinze.blogspot.com/. Archived from the original on 2014-06-03. External link in |publisher= (help)
  4. "We of the Saya: Pushing for Afro-Bolivian Existence". Archived from the original on 2014-05-31.
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