Sarah Aroeste
Sarah Aroeste is a Manhattan-based[1] Judaeo-Spanish musician.[2] Her music is often referred to as “feminist Ladino rock.”[3]
Sarah Aroeste | |
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Background information | |
Born | 1976 Washington, D.C. |
Genres | Ladino music, Sephardic music, world fusion, indie rock |
Occupation(s) | Musician |
Years active | 2001–present |
Labels | Aroeste Music |
Associated acts | Frank London Tamir Muskat Shai Bachar Y-Love Diwon |
Website | SarahAroeste.com |
Early life
Aroeste grew up in Princeton, New Jersey.[1] Her family roots can be traced to the formerly vibrant Greek Jewish community of Thessaloniki, which was almost completely destroyed in the Holocaust. In 1927, her family built a synagogue in Thessaloniki, which today remains one of the only synagogues there. Her family immigrated to the United States from Bitola (then Yugoslavia) and Greece in the early 20th century.[4][5]
Aroeste trained in classical opera singing at Westminster Choir College and Yale University.[6][7] She attended the Israel Vocal Arts Institute in 1997, first learning traditional Ladino songs while studying with Nico Castel.[8]
Career
Ladino beginnings
In the late-90s, Aroeste was working for the Foundation for Jewish Culture in New York, where she created The New Jewish Musics Initiative. She was disappointed that, while there was a revival of Ashkenazi klezmer music, there was no similar revival for Sephardic music.[4][7] Unable to find any modern Judaeo-Spanish ("Ladino") music, she started her own Judaeo-Spanish rock band in 2001.[4] At the time, there were very few people playing Ladino music.[9] Born Sarah Silverman, she adopted her mother's maiden name when she began performing as a Ladino musician.[10] Her goal was to obtain a wider, younger audience for Ladino music, by rearranging the traditional music of her ancestors to give it a hip, modern spin.[4] Aroeste has been at the forefront of the contemporary Ladino music revival.[11][12]
Developed by Spanish Jews following their expulsion from Spain, the Ladino language dates back to the 15th century.[13] Because it is rooted in the dispersal of its people, Ladino music is not from one particular region, but rather from a variety of geographies and ethnicities.[8] Its origins lie in Castilian Spanish, with shades of Hebrew, Aramaic, Arabic, Turkish, Greek and other languages.[7][9] As of 2012, Judaeo-Spanish is spoken by fewer than 100,000 people, the majority of whom reside in Israel.[2]
A la Una and Puertas
Aroeste's first two albums, 2003's A la Una: In the Beginning and 2007's Puertas, were primarily Ladino updates of traditional Sephardic standards.[1] Produced by Frank London, Puertas features standard rock instruments like guitar, bass and drums, along with Middle Eastern ones like the oud and dumbek.[14] It was described as “traditional Ladino music updated with rock, funk and jazz.”[12]
Gracia
Aroeste's third album, Gracia, is named after Gracia Mendes Nasi, a 15th-century Jewish woman who helped Jews who had converted to Catholicism in order to flee the Spanish Inquisition.[8] Produced and arranged by Shai Bachar,[15] it features the rapping of poet Vanessa Hidary, and its opening track samples from a 1971 speech by Gloria Steinem.[8] Unlike her first two albums, many of the Ladino songs on Gracia are originals written by Aroeste.[15] She has stated that it is her most experimental album to date.[16] With this release, she “developed a style that borrows liberally from all sorts of unexpected places, from Santigold fusion-pop to gothic metal,” while taking care to insure that “during these genre experiments the Ladino influences don’t disappear, but are integrated.”[2] Gracia has been labeled “the strongest case around for the ongoing relevance of Ladino music.”[2]
In 2012, music from Gracia was featured on Alt.Latino on NPR,[3] Transpacific Sound Paradise on WFMU[16] and WBEZ Chicago Public Radio.[17]
Ora de Despertar
Aroeste's fourth album is an all-original Ladino children's album, the only known contemporary recording of its kind.[18] The songs teach simple concepts in Ladino and range in themes from learning about mealtimes to body parts to animals on a farm. With this recording, Aroeste has been credited for helping to perpetuate Ladino culture for a new generation.[19]
In July 2017 Aroeste released a bilingual illustrated children's book as a companion to the recording. The book teaches about morning rituals and what to be grateful for upon waking up. It is considered to be the first of its kind.[20]
Together/Endjuntos
Aroeste's fifth album is an all-original bilingual (Ladino/English) holiday album that cycles the Hebrew calendar.[20]
Performances
Aroeste has performed all over the world, including the Balkans,[1] Cuba,[21] Sevilla for International Women's Day,[22] the Sephardic Music Festival in New York[23] and the Gibraltar World Music Festival in the Rock of Gibraltar.[8]
In 2008, she was a finalist in the Festiladino, the international new Ladino song competition. As a part of the competition, she performed at the Jerusalem Theater with the Jerusalem Symphony Orchestra.[24] In 2014, Aroeste won the Sephardic Prize at the International Jewish Music Festival in Amsterdam, and in 2015 she represented the US in the International Sephardic Music Festival in Cordoba, Spain.[25]
Discography
Albums
- A la Una: In the Beginning (2003)
- Puertas (2007)
- Gracia (2012)
- Ora de Despertar (2016)
- Together/Endjuntos (2017)
Compilations
- Sephardic Music Festival, Vol. 1 – “Hija Mia (Tamir Muskat Remix)” (2010)
- Sephardic Music Festival, Vol. 2 – “Gonna Light” (feat. Y-Love) and “La Comida La Manana” (2012)
Publications
- Ora de Despertar/Time to Wake Up (2017)
- Buen Shabat, Shabbat Shalom (Kar-Ben) (2020)
References
- Elissa Strauss, “Sarah Aroeste, keeping Ladino music alive,” New York Daily News, November 11, 2008.
- Mordechai Shinefield, “Monday Music: The Face of Ladino Dream-Pop,” The Forward, May 21, 2012.
- Felix Contreras and Catalina Maria Johnson, hosts, “Latin Music That Breaks Barriers And Pushes Boundaries,” NPR, June 21, 2012.
- Dmitri Ehrlich, “’Jewish Shakira’ Gives Her Songs a Sexy Spin,” The Forward, August 15, 2003.
- Children of the Inquisition, “Sarah Aroeste - Children of the Inquisition” childrenoftheinquisition
- “Sarah Aroeste – Biography,” All About Jazz. Accessed November 12, 2012.
- Aaron Cohen, “Sarah Aroeste’s modern spin on tuneful tradition,” Chicago Tribune, April 9, 2004.
- Mordechai Shinefield, “For Ladino Musicians, World’s A Stage,” The Forward, July 2, 2012.
- Emma Alvarez Gibson, “You Just Don’t Do That: Sarah Aroeste and Ladino Rock,” Jack Move Magazine, September 13, 2012.
- Sandee Brawarsky, “Vows: Sarah Silverman and Jeffrey Blaugrund,” New York Times, July 8, 2011.
- Seth Rogovoy, “Sarah Aroeste: Where Ladino Lives – and Rocks,” Berkshire Jewish Voice, May 15, 2012.
- Renée Montagne, host, “Morning Edition,” NPR, December 19, 2003.
- Howard Reich, “Middle East fest a unique celebration, artistic treat,” Chicago Tribune, August 30, 2004.
- Margaret Teich, “The World in My Voice: Jewish Music Goes Multiethnic,” PresenTense, Issue 4, April 2008.
- Aaron Howard, “Aaron Howard reviews Two Ladino CDs,” Jewish Herald-Voice, June 7, 2012.
- Rob Weisberg, host, “Transpacific Sound Paradise,” WFMU, May 19, 2012.
- Jerome McDonnell and Catalina Maria Johnson, hosts, “Global Notes: Retrofitting traditional sounds for a modern fit,” WBEZ, March 28, 2012.
- “Sarah Aroeste Brings Ladino Music To A New Generation,” Rural Intelligence, March 28, 2016.
- “Jewish mom perpetuates Ladino with kid-friendly music,” The Times of Israel, April 3, 2016.
- M Music Magazine, Sept 19, 2017.
- Margaret Teich, “Notes to Cuba: A Musical Project,” The Forward, March 6, 2009.
- “La Fundacion Tres Culturas dedica a la mujer un ciclo de musica y cine,” El Pais, February 24, 2005.
- Ben Jacobson, “Spreading the Hanukka Spirit,” Jerusalem Post, December 18, 2006.
- “The 5th Festiladino (The International New Ladino Song Competition) is on its way,” festiladino.co.il, January 2008.
- "La cantante americana Sarah Aroeste, mañana viernes, en el XIV Festival de Música Sefardí," June 11, 2015.