Sally McLaren

Frances Sally McLaren, (professional name Sally McLaren) is a British painter, printmaker and etcher who was born in London in 1936. She lives and works in East Knoyle, Wiltshire.

Sally McLaren
RE
Born
Frances Sally McLaren

(1936-09-21) 21 September 1936
London, England
NationalityBritish
Education
Known forPainter, printmaker and etcher
Elected

Art education

McLaren studied at the Ruskin School of Art in Oxford from 1956 to 1959 where she won two prizes for painting.[1]

She then completed her postgraduate training at the Central School of Art and Design in London from 1959 to 1961 under the tuition of Merlyn Evans and Tony Harrison where she gained a thorough grounding in etching techniques.[2]

McLaren won a French Government scholarship to study at Atelier 17 in Paris from 1961 to 1962 with Stanley William Hayter.[1] She found Hayter's personality electrifying and this had a lasting influence on her work.[3]

Career

McLaren was elected to associate membership (ARE) of the Royal Society of Painter-Etchers and Engravers (now the Royal Society of Painter-Printmakers) in 1961 while she was still a student and subsequently became a Fellow of the Royal Society of Painter-Printmakers in 1973, which entitles McLaren to use the post-nominal letters RE after her name.[4] McLaren was also an original member of the Printmakers Council of Great Britain, becoming a Fellow in 1971.[5]

Teaching: McLaren taught etching at Goldsmiths College of Art in London from 1962 to 1965.[1]

Work

In 1971 the Arts Review critic commented that her earlier work was influenced by Hayter, and although she had absorbed his techniques she subsequently 'turned it to her own ends'.[6]

Largely abstract, McLaren's work has been described as a 'vision of a rural idyll rooted in the bold sweeps' of the countryside, which rarely dissolves into total abstraction, but treads a path between abstract and a realistic view of nature.[7]

Her work takes inspiration from the land, seascape and the elements, with her priority being to 'simplify'.[8] She is influenced by the feeling of 'walking inside a painting', something she experiences when looking at Mark Rothko's work.[8] Her colour palette echoes the landscape: Cinnabar Green and Raw Umber reflects the Wiltshire countryside with Ultramarine and Cobalt blue representing flax fields.[8] McLaren's etching observes the marks made on the land and on rock faces, with studio based drawings of graphite-stick and pencil often made from her subconscious.[8]

Her work in either oils or watercolour projects a pattern of surface colour and her considerable experience of printmaking, using texture to build shapes and colour, results in bold expressive work.[7]

McLaren has exhibited extensively in the UK and abroad - see below for examples.

Solo exhibitions

Selected solo exhibitions include:

Group exhibitions

Selected group exhibitions include:[1][5][10]

Galleries and museums

McLaren's work is in the Scarborough Art Gallery and Salisbury Library & Galleries. These works can be seen on the Art UK website.[16]

Her work is also held in the following collections, galleries and museums:[5][17]

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gollark: You're wrong then.
gollark: It's defined that way in the heavserver axioms.
gollark: If heavserver "sucks", this implies it's bad, but it's actually good; disproof by contradiction.
gollark: You are, in fact, wrong, Tux1.

References
  1. Who’s Who in Art, 'McLaren, Sally', 15th Edition. Havant, Hants: The Art Trade Press Ltd, 1970. pp. 358-359. SBN No. 900083026
  2. Dyson, Anthony (2009). Printmakers' secrets. London: A&C Black Publishers Ltd. pp. 100–101. ISBN 9780713689112.
  3. Twohig, Edward (2018). Print Rebels: Haden, Palmer, Whistler and the origins of the RE. London: The Royal Society of Painter-Printmakers (RE). ISBN 9781527217751.
  4. Hopkinson, Martin J. (1999). No day without a line : the history of the Royal Society of Painter-Printmakers, 1880-1999. Tilbury, Clare., Royal Society of Painter-Printmakers., Ashmolean Museum. Oxford: Ashmolean Museum. pp. 72 & 121. ISBN 1854441191. OCLC 43089488.
  5. Addison, Amanda (27 November 1993). "Artists' biographies". The Guardian. p. A44. ProQuest 187476829.
  6. Arts Review critic (5 June 1971). "Sally McLaren, Studio Prints". Arts Review. 23 (11): 346.
  7. Swann, Oliver (27 November 1993). "Artists in focus: Sally McLaren". The Guardian: A41.
  8. Robinson, Fiona (2006). Fifty Wessex Artists. Sherborne, England: Evolver Books. ISBN 0955450306.
  9. Richmond, Una. Catalogue for this exhibition, entitled Etchings and watercolours by Sally McLaren, is available in the Tate Library, London. Class mark MACLAR. Item ID 46708. Accessed 6 July 2019.
  10. "Sally McLaren". Messums, Wiltshire. Retrieved 6 July 2019.
  11. "Royal Academy Summer Exhibition: A Chronicle, 1769-2018". Royal Academy 1962 Catalogue No. 805. Retrieved 5 July 2019.
  12. Richmond, Una, (2016). Women's International Art Club (WIAC). Archives Hub. Accessed June 2019.
  13. "Royal Academy Summer Exhibition: A Chronicle, 1769-2018". Royal Academy 1978 Catalogue No. 1243. Retrieved 5 July 2019.
  14. "Royal Academy Summer Exhibition: A Chronicle, 1769-2018". Royal Academy 1983 Catalogue No. 940. Retrieved 5 July 2019.
  15. "Royal Academy Summer Exhibition: A Chronicle, 1769-2018". Royal Academy 2003 Catalogue No. 939. Retrieved 5 July 2019.
  16. "Art UK website". Art UK. July 2019. Retrieved 3 July 2019.
  17. Desmet, Anne; Dyson, Anthony (2006). Printmakers: The Directory. Royal Society of Painter-Printmakers. London: A&C Black Publishers Ltd. p. 88. ISBN 0713673877.

Further reading

Turner, Silvie & Webster, Ruaridh (eds), The Art of Sally McLaren, 2016. Available at the National Art Library, Victoria and Albert Museum, London. General collection number 604.AT.0086. OCLC No. 1008178796.

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