Ruyi Jingu Bang

Ruyi Jingu Bang (Chinese: 如意金箍棒; pinyin: Rúyì Jīngū Bàng), or simply Ruyi Bang or Jingu Bang, is the poetic name of a magical staff wielded by the immortal monkey Sun Wukong in the 16th-century classic Chinese novel Journey to the West. Anthony Yu translates the name simply as "The Compliant Golden-Hooped Rod",[1] while W.J.F. Jenner translates it as the "As-You-Will Gold-Banded Cudgel".[2]

A 19th-century drawing of Sun Wukong featuring his staff.

Origin and general description

The staff first appears in the third chapter when the Monkey King goes to the underwater kingdom of Ao Guang, the Dragon King of the East Sea, looking for a magic weapon to match his strength and skill. When all of the traditional magic weapons—swords, spears, and halberds weighing thousands of pounds each—fail to meet his standards, the dragon queen suggests to her husband that they give Sun a useless iron pillar taking up space in their treasury. She claims that the ancient shaft had started producing heavenly light days prior and suggests that the monkey is fated to own it. The novel never explains how the pillar was made, only that it was originally used by Yu the Great to measure the depths of the world flood during times immemorial.[3]

The staff is initially described as a pillar of black iron twenty feet in height and the width of a barrel. It is only when Monkey lifts it and suggests that a smaller size would be more manageable that the staff complies with his wishes and shrinks. After this, it is only a little taller than him, and as thick as a rice bowl. This is when Sun sees that the weapon is banded with a gold ring on each end, as well as the inscription along the body reading "The Compliant Golden-Hooped Rod. Weight: thirteen thousand five hundred [catties]" (如意金箍棒重一萬三千五百斤).[4] The inscription indicates that the staff follows the commands of its owner, shrinking or growing to his whim, make copies of itself, and that it is immensely heavy, weighing 17,550 lbs (7,960 kg).[5]

When not in use, Monkey shrinks it down to the size of a needle and keeps it tucked behind his ear.

Literary predecessor

The oldest edition of Journey to the West, the 13th-century Kōzanji Version (高山寺) published during the late Song Dynasty,[6] diverges in many points from the final version published during the Ming. For instance, the episode where Monkey acquires the staff is completely different, as is the staff itself. Sun takes the monk Tang Sanzang to heaven to meet the supreme god Mahabrahma Deva. After the monk impresses the gods with his lecture on the Lotus Sutra, Monkey is given a golden monk's staff (among other items) as a magical weapon against the evils they will face on their journey to India. Sun later uses the staff in a battle with a white-clad woman who transforms into a tiger demon. He changes the staff into a titanic red-haired, blue-skinned Yaksha with a club, showing that the predecessor of the Compliant Golden-Hooped Rod has more magical abilities.[7]:32, 35

A weapon that predates the Compliant Rod from the Ming version is mentioned in passing early on in the tale. Monkey mentions that the Queen Mother of the West had flogged him with an "Iron Cudgel" (铁棒) on his left and right sides for stealing 10 peaches from her heavenly garden. He later borrows the cudgel to use in tandem with the monk's staff to battle 9 dragons.[7]:37–38 The rings on the latter may have influenced the bands on the former.[7]:38

  • The staff influenced the weapon used by Son Goku (himself based on Sun Wukong),[8] the main character of the Dragon Ball franchise. It is named "Nyoi Bo," the Japanese transliteration of Ruyi Bang (Chinese: 如意棒; lit.: 'Compliant Rod'), and is commonly called "Power Pole" in English-language media.[9] Like its original counterpart, the Nyoi Bo can grow to tall lengths, which Goku uses to his advantage for mobility and combat. However, he cannot duplicate it. The staff is given to him as a child by his adoptive grandfather Son Gohan, a human who takes him in and teaches him martial arts.[10]
  • In the anime and manga Naruto, the character Enma, who is based on Sun Wukong, is able to transform into a multiplying and size-shifting staff.[11]
  • In the manga Negima! Magister Negi Magi, the character Kū Fei gets the artifact "Shintetsu Jizaikon", which is able to change its size.[12]
  • In the Korean webtoon The God of High School, the protagonist Jin Mo-Ri, who is based on Sun Wukong, wields Ruyi Jingu Bang.[13]
  • In the light novel and anime High School DxD, The Ruyi Jingu Bang was wielded by Bikou, the current Monkey King and the grandson of Sun Wukong.
  • The Ruyi Jingu Bang was mentioned in The Librarians episode "And the Broken Staff" as one of the missing staffs. A later episode reintroduces the staff as a possession of the Monkey King and whomever wields it at sundown is the rightful ruler of Shangri-La.[14]
  • In the Rooster Teeth animated series RWBY, the character Sun Wukong (a monkey Faunus named and styled after the mischievous-yet-heroic Monkey King) wields twin "gun-chakus" named Ruyi Bang and Jingu Bang, which can combine to form a polearm.
  • The main weapon of those who wield the Monkey Miraculous (which was previously wielded by Sun Wukong and Sasuke Sarutobi) in Miraculous Ladybug is Ruyi Jingu Bang.
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References
  1. Wu, Cheng'en, and Anthony C. Yu. The Journey to the West (Vol. 1). Chicago, Ill: University of Chicago Press, 2012, p. 104
  2. Wu, Cheng'en, and W.J.F. Jenner. Journey to the West (Vol. 1). [S.l.]: Foreign Languages Press, 2001, p. 56.
  3. The less accurate W.J.F. Jenner translation says the pillar was used to fix the milky way in place (Wu and Jenner, Journey to the West (Vol. 1), p. 55).
  4. Anthony Yu's original translation uses the word "pounds" (Wu and Yu, Journey to the West (Vol. 1), 104). However, Chinese versions of the novel use jin (斤). Jin and pound are two different measures of weight, the former being heavier than the latter. Therefore, the English text has been altered to show this.
  5. The jin during the Ming Dynasty when the novel was compiled equaled 590 grams (Elvin, Mark. The Retreat of the Elephants: An Environmental History of China. New Haven (Conn.): Yale university press, 2004, p. 491 n. 133).
  6. This edition is named after the Japanese temple in which housed a 17th-century document mentioning the work (Mair, Victor H. The Columbia Anthology of Traditional Chinese Literature. New York: Columbia University Press, 1994, p. 1181).
  7. Dudbridge, Glen. The Hsi-Yu Chi: A Study of Antecedents to the Sixteenth-Century Chinese Novel. Cambridge: Cambridge Univ. Press, 1970.
  8. West, Mark I. The Japanification of Children's Popular Culture: From Godzilla to Miyazaki. Lanham: Scarecrow Press, 2009, p. 203.
  9. Camp, Brian, and Julie Davis. Anime Classics Zettai!: 100 Must-See Japanese Animation Masterpieces. Berkeley, Calif: Stone Bridge Press, 2007, p. 112.
  10. Toriyama, Akira, and Gerard Jones. Dragon Ball (Vol. 2). San Francisco, Calif: Viz LLC, 2003, 4.
  11. Naruto (Vol. 14)
  12. Negima! Magister Negi Magi (Vol. 30)
  13. God of High School (Vol. 2)
  14. The Librarians (Season 2, Episode 2) (Vol. 30)
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