Rudi Martinus van Dijk

Rudi Martinus van Dijk (27 March 1932 – 29 November 2003) was a Dutch and Canadian composer of orchestral, chamber and vocal music.

Rudi Martinus van Dijk
Rudi Martinus van Dijk near his home in Peasmarsh, East Sussex, UK 2003
Born
Martinus van Dijk

(1932-03-27)27 March 1932
Culemborg, The Netherlands
Died29 November 2003(2003-11-29) (aged 71)
Peasmarsh, East Sussex, United Kingdom
OccupationComposer and pianist
Spouse(s)Jeanne van Dijk (née Koning) (1930- )
ChildrenFelix van Dijk (1954- ) Walter van Dijk (1961- )

In all Van Dijk's music, whichever of his stylistic trends it seems immediately to favour, the voice of a highly original creator is to be heard. Sources, as Béla Bartók noted, are much less important in framing a composer's achievement than the use he makes of them.[1] The discriminating ear that makes Van Dijk's orchestral music at once beguiling and immediately recognisable as a personal expression is also to be discerned on the smaller sound-scale of his chamber compositions. And one of Van Dijk's most notable characteristics - a purposeful firmness of the bass line - imbues his music in all genres with an unfailing sense of logical and expressive direction, even in the context of a highly inflected harmonic chromaticism. It would be a bold annotator who ventured to pin Van Dijk's artistic origins down to one or other national or stylistic source. What can be said is that he has, with unusual success, blended an emotional intensity at times evocative of the world of Austro-German expressionism with a fascinating subtlety and indirectness of utterance suggestive rather of French affinities. From time to time, the analyst with a taste for such trouvailles may detect what seem like 12-note series in Van Dijk's writing; but these are the incidental consequence of his avoidance of casual note-repetition, and they are never exploited in systematic serial manner. For Van Dijk is no follower of systems, but rather a creator with the richly endowed imagination of a poet, a thinker, and a voracious reader to bring to expression, and the single mindedness needed to realise that aim.[2]

One of the properties of mercury is that it does not amalgamate with the matter in which it has contact, but rather remains by its very nature intrinsically unadulterated in form. It is this unadulterated quality, which is the watermark of Rudi Martinus van Dijk's compositional creative process; a quality, which marks him as a composer belonging to all ages and, at the same time, to no age at all.[3]

Biography

Childhood and early musical career (1938-1955)
Rudi Martinus van Dijk in 1949

Van Dijk's musical background began on the piano at the age of six. In 1944, he took up preparatory piano studies with Corrie Vierdag [4] at the Royal Conservatory of The Hague. From the age of 18, Van Dijk continued as a full-time student at the conservatory studying piano with Leon Orthel, oboe with Jaap Stotijn, and composition and analysis with Hendrik Andriessen. Van Dijk came to the fore as a composer when his Sonatina for piano was chosen and performed at the International Gaudeamus Music week in 1953.[5] Later that year, he was engaged by the Canadian Army to join the Canadian Grenadier Guards Band as an oboist. He married Jeanne Koning and they moved to Ontario, Canada. As a bandsman, he also became a pupil (summer of 1955) of the American composer Roy Harris.[6]

Early career and middle years in Canada and the United States (1955–1982)

On a regular basis in the 1950s and 60's, Van Dijk not only composed background music for educational programmes but used his improvisational skills as a pianist live on radio for the Canadian Broadcasting Corporation. This relationship would later culminate in the World premiere of his Four Epigrams for Symphony Orchestra (1962) with the CBC Symphony conducted by Walter Susskind as part of the CBC's National School Broadcast series Finding Out about Music.[7] As an original musical work commissioned by the CBC, "The Four Epigrams for Symphony Orchestra point up the two main ingredients in a work composed with young listeners in mind: powerful, shifting rhythms, and dramatic colour contrasts." [8]

Rudi Martinus van Dijk with conductor Walter Susskind

The Canada Council enabled Van Dijk to further his composition studies in Paris (1964-1965) with Max Deutsch, a pupil of Arnold Schoenberg.[9] During this time, he concluded his piano studies with Kendall Taylor in London. Between 1964–1966, Van Dijk also worked at the British Broadcasting Corporation, London [10] in educational television programmes [11] which were broadcast throughout the world. From 1966 onwards, teaching became part of his musical life. Van Dijk returned with his family to Canada and was appointed teacher of piano at the Royal Conservatory of Music in Toronto. He was commissioned by the CBC to write a cantata with librettist George Benson Johnston which Van Dijk would entitle Now is the Prophet's Time (1967). Its premiere took place in The Netherlands at the Philharmonie Haarlem with the Boy's choir of St. Bavo Cathedral, Groot Omroepkoor, and the Symfonieorkest Haerlem for Dutch radio broadcast conducted by Jan Stulen. In 1972, Van Dijk was appointed to the Faculty of Music at Indiana University. At this time, his composition Immobile Eden (1972), set to the composer's own text written for the Toronto Lyric Arts Trio, was first performed on National Public Radio in New York City in November 1975.[12] From 1975-1981, Van Dijk taught Composition and Analysis at Berklee College of Music in Boston, and during this time his Movement for Alto saxophone and piano (1960) was given its premiere.

His Concertante for Flute, Harp, Percussion and Strings (1963) had its World Premiere at the Royal Alexandra Theatre in Toronto with the Toronto Chamber Orchestra and was televised live on CBC television in January 1964. The French flautist Jean-Pierre Rampal wrote in a letter to Van Dijk, "It is a very well constructed work and remarkably written for the flute." [13] Its European premiere was given in the Netherlands in 1965 with flautist Koos Verheul and members of the Netherlands Radio Chamber Orchestra. It has been played numerous times in Canada, Finland,[14] and the United States.[15] Highlights of the 1978-79 season of the Toronto Symphony Orchestra include the world premiere of Van Dijk's The Shadowmaker (1977) [16] under the direction of Mario Bernardi [17] and featuring Canadian baritone Victor Braun.[18][19] It was performed at Massey Hall in Toronto, October 1978. The work was set to a book of poems called The Shadowmaker written in 1969 by the Canadian poet Gwendolyn MacEwan. The biographer of MacEwan, Rosemary Sullivan, quotes Van Dijk in her book: "What attracted me to the poetry was the substance behind the subject matter - namely the dream. The poetry attempts, it seems to me, to lift the veil of 'Maya' (illusion). Is our sensuous experience reality or illusion? MacEwan has something in common with Strindberg and D.H. Lawrence, as an explorer of these dark corners of the soul that most of us shut out conveniently, in order to create a safe but illusory reality." [20] As Dutch musicologist Maarten Brandt writes, "The bold and expressionistic side of Berg and Schoenberg is found in van Dijk’s The Shadowmaker for baritone and large orchestra, written in 1977. Yet, as in every single composition by van Dijk, tonal references are present here as well, demonstrating a kinship not only with Berg, but also with Britten, Henze, Tippett and Martin; all of them composers who have not simply exploited the resources available to them, but rather were grateful ‘inhabitants’ of a rich and saturated musical landscape."[21]

In the summer of 1982, the Van Dijk's received word that their son Felix's fiancé (Leanne Salvucci) had died tragically in a fall. On the day of her death, Van Dijk began composing a violin concerto in her memory. The World premiere of his Violin Concerto (1984) would later be given on September 20, 1991, by the Polish violinist Robert Szreder with the Netherlands Radio Symphony Orchestra conducted by Jan Stulen in the Grote Kerk, Terneuzen as part of the Zeeuws Vlaanderen Festival.[22] Maarten Brandt continues by mentioning the likeness to the Violin Concerto (Berg), "The work is elegiac in tone with musical bursts of hand-wringing tragedy. The regular recurrence of choral melodies inevitably bring to mind associations with the creator of Dem andenken eines Engels. Van Dijk shares with Alban Berg, a liberal and unorthodox treatment of what tradition has handed down. No matter how unshakable the connection between form and content, it is the content that determines the form in the music of van Dijk, and not vice-versa." [23]

His return to Europe and last years in the United Kingdom (1985–2003)

In 1985, Van Dijk returned to Europe with his wife Jeanne. He spent a year focused on his compositions in Casares, Málaga, Spain after which he became composer in residence, taught piano and composition at Dartington Hall in Devon in the United Kingdom. Van Dijk's Irish Symphony (1990) was commissioned for radio broadcast by the RTÉ National Symphony Orchestra to celebrate Dublin as the European Capital of Culture 1991 and was supported by the Dutch funding body, the Fonds voor de Scheppende Toonkunst. It received its broadcast from the National Concert Hall in Dublin with the RTÉ National Symphony Orchestra conducted by Colman Pearce on Raidió Teilifís Éireann.[24] The European premiere of Four Epigrams for Symphony Orchestra (1962) was given September 25, 1993,[25] with the Residentie Orchestra in The Hague conducted by Jac van Steen.[26] The Piano Concerto (1994) was given its world premiere on May 22, 1996,[27] by the North Netherlands Symphony Orchestra with Australian pianist Geoffrey Douglas Madge conducted by Viktor Liberman.[28] Maarten Brandt notes "Van Dijk’s brilliant Piano Concerto (also known as three Pieces for Piano and Orchestra) written for Bernard Jacobson, in which the melodic aspect is always primary and as a rule the harmony quickened by a pleasing melos." [29]

In the United Kingdom, the Raphael Ensemble commissioned and gave the World premiere of his String Sextet in 1998 at the Brighton Festival, and in that same year British violinist Anthony Marwood commissioned and gave the World premiere of his Sonata for Violin and Piano at London's Wigmore Hall. In 2003, Van Dijk's 70th Birthday Concert [30] was given in London's Purcell Room at the South Bank Centre [31] which included performances of his music by pianist Kyoko Hashimoto, the Dante Quartet, and the British tenor Ian Partridge who gave the World premiere of Van Dijk's Songs of the Tao te Ching.[32] Since then Anthony Marwood has performed his music a number of times on BBC Radio 3.[33] In 2000, classical Indian Bharatanatyam dancer Mayuri Boonham [34] commissioned Van Dijk The Triple Hymn based on a mantra from the Vedic literature to be performed on a UK tour and at the Spring Loaded Festival at the Place Theatre in London. Maarten Brandt writes: "The Triple Hymn is a vibrant dance duet. The music is written for cello, soprano, midrangam, tubular bell and gong, depicting a three-part manifestation of the Goddesses Gayatri, Savitri, and Sarasvati. The work plays on a cross-cultural edge and explores valuable territory. The score is rhythmically challenging, dynamically diverse and evocative." [35]

As part of the International Chamber Music Series 2001 at the Concertgebouw in Amsterdam,[36] Hyperion records artists the Florestan Trio [37] performed Van Dijk's Piano Trio (2001) which they especially commissioned for the Florestan Festival of Peasmarsh in East Sussex.

Heinrich Riemenschneider and Rudi Martinus van Dijk in the Tonhalle Düsseldorf at the World premiere of Kreitens Passion 2003
World premiere performance of Van Dijk's Kreitens Passion in the Tonhalle Düsseldorf with the Düsseldorfer Symphoniker, the Städtischer Musikverein zu Düsseldorf with conductor John Fiore and baritone Andreas Schmidt in October 2003

In 2002, Van Dijk was commissioned by the Düsseldorfer Symphoniker to write a large-scale work for baritone, full choir and orchestra to commemorate the German/Dutch pianist Karlrobert Kreiten. Kreiten was hailed by the conductor Wilhelm Furtwängler as one of the most talented pianists of his generation. Kreiten's life and career were tragically cut short when a Nazi neighbour reported him to the Gestapo for making negative remarks about Adolf Hitler and the war effort. He was arrested for treason by Nazi officers before a matinee performance of a Lizst Piano Concerto in Heidelberg. Kreiten was condemned to death and executed by hanging at the Plötzensee prison in Berlin in 1943. In 2003, Van Dijk spent the last year of his life completing the composition to be entitled Kreitens Passion,[38] to text by German dramaturge Heinrich Riemenschneider.[39] Van Dijk lived to attend all three performances at the World premiere of Kreitens Passion in the Tonhalle Düsseldorf performed by the Düsseldorfer Symphoniker, baritone Andreas Schmidt, and the American conductor John Fiore in October 2003. Van Dijk passed away a month later on November 29, 2003 in Peasmarsh, East Sussex.[40][41]

Van Dijk is survived by his wife Jeanne Elisabeth Anna van Dijk- Koning ( born Voorburg, Netherlands September 4, 1930– ) and his two sons Felix van Dijk (born Leidschendam, Netherlands, October 5, 1954–) and Walter van Dijk (born Toronto, Ontario, Canada May 20, 1961–).

The Rudi Martinus van Dijk Foundation [42] is a fundraising charitable music foundation which sponsors aspiring composers and conductors who live in parts of the world where there is political strife and/or economic deprivation.

Notable works
  • Four Epigrams for Symphony Orchestra (1962)
  • Concertante for Flute and String Orchestra (1963)
  • A Christmas Cantata (Now is the Prophet's Time) for solo tenor, school choir, mixed choir and orchestra (1967)
  • Immobile Eden for soprano, flute and piano (1972)
  • The Shadowmaker, four pieces for baritone and orchestra (1977)
  • Concerto for violin and orchestra (1984)
  • Irish Symphony in four movements for orchestra (1990)
  • Concerto for piano and orchestra (1994)
  • Kreiten's Passion for baritone, choir and orchestra (2003)

Chamber works
  • Sonatina for piano (1951)
  • Sonata for Clarinet and piano (1955)
  • Two Lieder for soprano and piano (1958)
  • Movement for Alto saxophone and piano (1960)
  • Le tombeau de Francis Poulenc : for piano four hands or 2 pianos, 1965 (1964)
  • Bagatelle for piano (1969)
  • Lament for a Dying Bird: Three pieces for solo clarinet (1979)
  • Incantation for solo flute (1982)
  • Sonata for Violin and piano (1995)
  • Two pieces with interlude : for soprano, flute/piccolo/bass flute and piano (1995)
  • Red, white and blues : Dutch new blues pieces, for piano (1996)
  • String Sextet (1997)
  • A touch of the Blues : for piano solo (1998)
  • String Quartet in five movements (1999)
  • Piano Trio : for violin, violoncello and piano (2001)
gollark: Hmm, diffing is complexicated™.
gollark: I personally just have my code directly run SQL queries, which is cool and good.
gollark: Maybe there's some sort of optimization occuring.
gollark: Wait, no, that's only in PHP 8.
gollark: Yes, that seems good and blameable.

References
  1. Emergo Classics, Rudi Martinus van Dijk, Immobile Eden. Notes by Bernard Jacobson. Philadelphia, 1996
  2. Emergo Classics, Rudi Martinus van Dijk, Immobile Eden. Notes by Bernard Jacobson. Philadelphia, 1996
  3. Maarten Brandt (2006). "Who was Rudi Martinus van Dijk?". Donemus.
  4. "Geheugen van Nederland".
  5. Peters, Peter (1995). Eeuwige jeugd: Een halve eeuw Stichting Gaudeamus (in Dutch). Amsterdam: Donemus. pp. 34, 230. ISBN 978-90-74560-20-7.
  6. Kallmann, Helmut, ed. (1981). Encyclopedia of Music in Canada (Reprinted 1981 ed.). Toronto Buffalo London: University of Toronto Press. p. 970. ISBN 978-0-8020-5509-5.
  7. John Kraglund (April 21, 1962). "Epigrams for Schools used Big Ben Theme". The Globe and Mail, Canada. p. 17.
  8. Commission for the Young, CBC Times, April 7–13, 1962. page 9
  9. Kallmann, Helmut, ed. (1981). Encyclopedia of Music in Canada (Reprinted 1981 ed.). Toronto Buffalo London: University of Toronto Press. p. 970. ISBN 978-0-8020-5509-5.
  10. Kallmann, Helmut, ed. (1981). Encyclopedia of Music in Canada (Reprinted 1981 ed.). Toronto Buffalo London: University of Toronto Press. p. 970. ISBN 978-0-8020-5509-5.
  11. "Playschool (BBC Two, England February 18th, 1966)".
  12. Emergo Classics, Rudi Martinus van Dijk, Immobile Eden. Notes by Bernard Jacobson. Philadelphia, 1996
  13. Maarten Brandt (2006). "Who was Rudi Martinus van Dijk?". Donemus.
  14. Sinfonietta Pori Sinfoniakonsertti 10, to 6.5.2004 klo 19, Promenadikeskus. Rudi Martinus van Dijk Concertante (1963)
  15. "Orchestra to perform Van Dijk Composition". Fort Wayne News Sentinel. 30 March 1974. p. 3W.
  16. Guy Huot (March 1979). "In the News: Composers". MusiCanada. p. 5.
  17. "Historica Canada".
  18. "Historica Canada".
  19. PRO Canada The Music Scene, May–June 1978, No. 301, ISSN 0380-5131
  20. Sullivan, Rosemary (1995). Shadowmaker: The Life of Gwendolyn MacEwan. United States: Harper Collins Publishers Ltd. ISBN 978-0-00-255406-0.|page=298
  21. Maarten Brandt (2006). "Who was Rudi Martinus van Dijk?". Donemus.
  22. Festival van Vlaanderen International: Programmaboek Gent & Historische Steden. 1991
  23. Maarten Brandt (2006). "Who was Rudi Martinus van Dijk?". Donemus.
  24. Basil Ramsey (September 1989). "World Music News". Music and Musicians. p. 8.
  25. Sytze Smit (September 7, 1993). "Concert Info". Entr'Acte. p. 57.
  26. "Zaterdag tijdens een concert in Den Haag: Werk Rudi van Dijk uit Lelystad gespeeld door resident orkest". FlevoPost. September 22, 1993. p. 1.
  27. Eric Schoones (May 1996). "De Concertagenda". Piano Wereld. p. 20.
  28. Noord Nederlands Orkest, Kom & Luister Magazine NNO Programma 95-96. pg. 12, 17
  29. Maarten Brandt (2006). "Who was Rudi Martinus van Dijk?". Donemus.
  30. Nicky Hersch (March 2003). "Purcell Room. Rudi M van Dijk 70th Birthday Tribute". South Bank Magazine.
  31. Time Out (March 5, 2003). "Dutch Treat". Time Out London. p. 127.
  32. "Ian Partridge, tenor".
  33. "BBC Lunchtime concert Anthony Marwood, violin and Kyoto Hashimoto, piano". Music at St. George's Brandon Hill Bristol. March 23, 1995.
  34. "Mayuri Boonham Atma Dance".
  35. Maarten Brandt (2006). "Who was Rudi Martinus van Dijk?". Donemus.
  36. Martijn Sanders (November 20, 2001). "Abonnementen 2000-2001". Het Concertgebouw. p. 63.
  37. "Musical World, Florestan Trio".
  38. Maarten Brandt (2003). "Lash of the Whip of Rudi van Dijk: An important premiere in Düsseldorf". Mens en Melodie, Edition 5/6. pp. 164–167.
  39. "Programmheft zu Kreiten's Passion".
  40. "Obituary: Rudi Martinus van Dijk The Guardian".
  41. "Seen and Heard, Obituary, Rudi van Dijk in memoriam, a personal reflection by Bernard Jacobson".
  42. "Rudi Martinus van Dijk Foundation".

Further reading
  • Jacobson, Bernard (2015). Star Turns and Cameo Appearances: Memoirs of a Life among Musicians (First published 2015 ed.). Croydon, UK: University of Rochester Press. ISBN 978-1-58046-541-0.
  • Peters, Peter (1995). Eeuwige jeugd: Een halve eeuw Stichting Gaudeamus (First published 1995 ed.). Amsterdam: Donemus. ISBN 978-90-74560-20-7.
  • Kallmann, Helmut, ed. (1981). Encyclopedia of Music in Canada (Reprinted 1981 ed.). Toronto Buffalo London: University of Toronto Press. ISBN 978-0-8020-5509-5.
  • Sullivan, Rosemary (1995). Shadowmaker: The Life of Gwendolyn MacEwan. United States: Harper Collins Publishers Ltd. ISBN 978-0-00-255406-0.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.