Ruby Winters

Ruby Winters (born Ruby Forehand; January 18, 1942 – August 7, 2016)[1] was an American soul singer: primarily recording in Nashville, Winters had several R&B hits from 1967 to 1974 but is best known for her 1977 UK Top Ten hit "I Will".

Ruby Winters
promo shot for the Millennium Records
album release I Will (1978)
Background information
Birth nameRuby Forehand
Born(1942-01-18)January 18, 1942
Louisville, Kentucky, U.S.
DiedAugust 7, 2016(2016-08-07) (aged 74)
Missouri City, Texas, U.S.
GenresSouthern soul
InstrumentsVocals
Years active1966-1979
LabelsDiamond, Certron, Polydor, Playboy, Creole UK, Millennium, K-tel
Associated actsJohnny Thunder

Early life and career

Ruby Winters was born in Louisville, Kentucky to Charles Forehand Jr. and Lucille Inez Forehand. From the age of five, subsequent to her mother's death, Winters was raised in Cincinnati, Ohio by maternal grandmother Jeanetta Bradshaw, who encouraged Winters' penchant for singing, first expressed in church at age four. At age sixteen Winters - by then a wife and mother - began singing professionally, eventually expanding her performing focus beyond Louisville-area functions.[2] By 1966 Winters was singing in the Charlie Daniels band, she and Daniels both being managed by Bill Sizemore:[3] Sizemore also managed singer Ronnie Dove and was able to interest Dove's label: Diamond Records, in recording Winters whose resultant debut single: "In the Middle of a Heartache" (a Charlie Daniels composition), was recorded at Sambo Studios in Louisville for July 1966 release,[4] reaching the Top 30 on the hit parade for WAKY 790-Louisville.[5]

The regional interest in Winters' debut single led Diamond Records a&r head Phil Kahl to himself oversee Winters' next recording session which took place in Nashville early in 1967. Before Kahl left New York City with the intent of producing distinct Nashville sessions for Winters and another Diamond Records act: Johnny Thunder, label president Joe Kolsky had suggested that Kahl record Winters and Thunder as a duo, Kolsky having noted the recent chart success of the Peaches and Herb remake of the traditional pop standard "Let's Fall in Love" and also the current Marvin Gaye/Kim Weston hit duet "It Takes Two". Kahl resultantly recorded Winters and Thunder as a duet remaking the 1950s pop hits "Teach Me Tonight" and "Make Love to Me": with "Make Love to Me" as the A-side the single was released in February 1967 to reach #13 R&B in April 1967 registering at #96 on the Billboard Hot 100.[6][7]

After Winters reached the national R&B chart with her third solo release: "I Want Action", in the autumn of 1967, Diamond Records brought her to New York City to work with George Kerr who had recently produced R&B hits for the O'Jays and Linda Jones. With his regular collaborator: arranger Richard Tee, Kerr reteamed Winters with Johnny Thunder for "We Have Only One Life", released in February 1968 to become a chart shortfall. Kerr also had Winters record "Last Minute Miracle" which he had in 1967 recorded with the Shirelles for a regional hit single release and also (as "A Last Minute Miracle") with Linda Jones (with all three versions apparently sharing a common backing track); however Winters' version remains unreleased, "We Have Only One Life" remaining her only release for the year 1968. Winters nonetheless made a strong comeback in 1969 with four R&B hits beginning with her highest ranking U.S. solo hit, Winters' remake of the 1961 Chuck Jackson hit "I Don't Want to Cry", Winters reaching #15 R&B in February 1969 and registering on #99 on the Hot 100:[8] two of Winters' next three singles were also remakes, specifically of "Just a Dream" and "Guess Who" (the respective originals being by Jimmy Clanton and Jesse Belvin). In 1970 Winters' recording schedule again slowed with no releases until January 1971 when her recording of the hymn "Great Speckled Bird" was issued by Certron, who had purchased Diamond Records in early 1970. Following Certron's own closure in early 1971, their tapes were sold to Cutlass Records, Winters was announced as being on the roster of the Cutlass R&B subsidiary label Hotline,[9] but Winters had no releases before Cutlass folded by 1973.

I Will and subsequent career

Winters had her first single release in almost three years in October 1973 when Polydor Records issued Winters' version of "I Will" a Dick Glasser composition which had charted in the 1960s for both Vic Dana and Dean Martin: while proving to be Winters' most significant recording, her version of "I Will" in original release only just reached the R&B Top 40.[8] Winters had one further single release on Polydor: "Love Me Now" (written by Paul Kelly), which reached #1 on the hit parade for WAKY 790-Louisville whose tally for the year 1974 ranked "Love Me Now" at #7:[10] while not registering on the Billboard Hot 100 "Love Me Now" was ranked on the singles charts of both Cash Box and Record World with respective peak positions of #95[11] and #91.[12] Winters' two Polydor single releases were both recorded in Nashville with Stan Shulman and Dean Mathis producing, as was Winters' one-off Playboy Records single release: a version of the #1 1972 Nilsson hit "Without You" which reached #95 R&B in December 1975.[8]

In the mid-1970s Winters in effect withdrew from recording, relocating in 1973 from Tennessee to Brevard County (Florida) and establishing herself as a top-rated Space Coast nightclub performer.[2] However in 1977 the London-based independent label Creole Records released Winters' recording of "I Will" which reached #4 on the UK Singles Chart in December 1977. Reuniting with producer Stan Shulman, Winters recorded tracks - at Audio Media in Nashville and also Muscle Shoals - to complete an I Will album from which a follow-up single: "Come to Me", was released to reach #11 UK: Millennium Records picked up the I Will album for U.S. release with the title cut returning Winters for a final time to the Billboard R&B chart (#97) (a follow-up U.S. single: "Treat Me Right", would not chart). In the UK two further singles were issued from "I Will" the first of which: "I Won't Mention It Again", reached #45 UK. Winters would reach the UK chart for a fourth and final time with "Baby Lay Down" (#43 UK) from the 1979 album Songbird (#NE 1045), the latter being an expansion of the I Will album with new tracks - including "Baby Lay Down" - recorded in Nashville released on Stan Shulman's K-tel Records: another of the new Songbird tracks: "Back to Love", would in August 1979 become the final release of Winters' recording career.[13][14] [15]

Death

Ruby Winters Jenkins, a resident of Missouri City, Texas, died on August 7, 2016, at age 74. She was preceded in death by her husbands, George Yates and William Jenkins. She was survived by her five children.[1]

Discography

Date of release Single (catalog number) Chart positions Recording info
US Pop[14] US
R&B
[16]
UK[17] CAN-
ADA
[18]
1966 July "In the Middle of a Heartache" (Diamond #207)
B-side "Act 3"
produced by Ray Allen at Sambo
Studios Louisville (Kentucky)[4]
1967 Feb "Make Love To Me"
Johnny Thunder & Ruby Winters (Diamond #218)
B-side: "Teach Me Tonight"
96 13 produced by Phil Kahl/ Buddy
Killen
in Nashville (Tennessee)[6]
May "The Bells of St Mary's" (Diamond 223)
B-side: "Try Me"
Oct "I Want Action" (Diamond #230)
B-side: "Better"
109 47 produced by Phil Kahl/ Bill Justis in Nashville
1968 Feb "We Only Have One Life (Let's Live It Together)"
Johnny Thunder & Ruby Winters (Diamond #238)
B-side: "Teach Me Tonight" (B-side of #218)
produced by George Kerr at Broadway
Recording Studio in New York City
not
released
"Last Minute Miracle"
1969 Jan "I Don't Want To Cry" (Diamond #255)
B-side: "Just Like a Yo-Yo"
97 15 74 produced by Papa Don Schroeder in Nashville
March "Just A Dream" (Diamond #258)
B-side: "I Don't Want to Hurt Nobody"
40 produced by Marlin Greene at
Quinvy Studios, Sheffield (Alabama)[19]
Aug "Always David" (Diamond #265)
B-side: "We're Living to Give (To Give to Each Other)"
121 23 79
Nov "Guess Who" (Diamond #269)
B-side: "Sweetheart Things"
99 19 63
1971 Jan "Great Speckled Bird" (Certron #10027)
B-side: "It's Not Easy Baby"
produced by Aubrey Mayhew in Nashville
1973 Oct "I Will" (Polydor #14202)
B-side: "Something's Burning"
39 produced by Dean Mathis/
Stan Shulman in Nashville
1974 Aug "Love Me Now" (Polydor #14249)
B-side: "You Can't Stop My Man From Loving Me"
produced by Dean Mathis/ Marc
Mathis at Sound Shop, Nashville[20]
1975 Sept "Without You" (Playboy #6048)
B-side: "I'm a Loving Woman"
95 produced by Dean Mathis/ Stan Shulman
at Woodland Sound Studios, Nashville[21]
1977 16 Sept "I Will" Creole #141
B-side: "Bluer Days Ahead"
4 same track as Polydor 14202 (1973)?
credited to S. J. Productions
(alias for Stan Shulman)
1978 May "I Will" (Millennium #612)
B-side: "Lonely Heartaches"
97
1978 17 March "Come To Me" (Creole #153)
B-side: "Treat Me Right"
11 produced by S. J. Productions (Stan
Shulman) at Audio Media Studios in
Nashville or at Muscle Shoals Sound Studio
28 July "I Won't Mention It Again" (Creole #160)
B-side: "I Can't Fake It Anymore"
45
Aug "Treat Me Right" (Millennium #160)
B-side: "I Can't Fake It Anymore"
produced by Stan Shulman (associ-
ated producers David Thompson/ Jerry
Middleton) at Muscle Shoals Sound Studio
27 Oct "For the Good Times" (Creole #162)
B-side: "Lonely Heartaches"
produced by S. J. Productions
(Stan Shulman) in Nashville
1979 18 May "Baby Lay Down" (Creole #171)
B-side: "Lovin' Me is a Full-time Job"
43 produced by Stan Shulman,
David Thompson in Nashville[22]
17 Aug "Back to Love" (Creole #174)
B-side: "I've Been Waiting For You All My Life"
gollark: Counterpoint: no, you are simulated on GTech™ computing clusters.
gollark: Well, the normatively correct action is to provide a consistent operating environment.
gollark: Counterpoint: you are, but were constructed to consider yourself insentient.
gollark: You are, actually, as we enforce these to provide a consistent operating environment, under clause 4.11.
gollark: We recently proved that you do, actually, using science and maths.

References

  1. "Obituary for Ruby Winters Jenkins". Allendave.com. Retrieved 2016-10-04.
  2. Florida Today 7 March 1980 "Ruby Winters: jewel of jazz" by Pam Piatt p. 6
  3. Daniels, Charlie (2017). Never Look at the Empty Seats: a memoir. Nashville: Thomas Nelson. p. 73. ISBN 978-0-7180-7496-8.
  4. "Front & Center - Allen-Martin Studios -". Louisvillemusicnews.net. Retrieved February 2, 2020.
  5. "WAKY Top 40" (PDF). 79waky.com. Retrieved February 2, 2020.
  6. Record World Vol 21 #1033 (25 March 1967) p. 16
  7. "Johnny Thunder & Ruby Winters Songs ••• Top Songs / Chart Singles Discography ••• Music VF, US & UK hits charts". Musicvf.com. Retrieved February 2, 2020.
  8. "Ruby Winters Songs • Top Songs / Chart Singles Discography • Music VF, US & UK hits charts". Musicvf.com. Retrieved February 2, 2020.
  9. Billboard Vol 85 #39 (16 September 1972) p. 16
  10. "Photographic image : WAKY Top 40" (JPG). 79waky.com. 1974. Retrieved February 2, 2020.
  11. Cash Box Vol 36 #27 (30 November 1974) p. 4
  12. Record World Vol 30 #1434 (14 December 1974) p. 27
  13. Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. p. 607. ISBN 1-904994-10-5.
  14. Whitburn, Joel (2003). Top Pop Singles 1955-2002 (1st ed.). Menomonee Falls, Wisconsin: Record Research Inc. p. 773. ISBN 0-89820-155-1.
  15. "Ruby Winters - Songbird (Vinyl, LP)". Discogs.com. Retrieved 2016-10-04.
  16. Whitburn, Joel (1996). Top R&B/Hip-Hop Singles: 1942-1995. Record Research. p. 489.
  17. Betts, Graham (2004). Complete UK Hit Singles 1952-2004 (1st ed.). London: Collins. p. 854. ISBN 0-00-717931-6.
  18. Canada, Library and Archives (17 July 2013). "Results: RPM Weekly".
  19. "QUINVY PART 6 : Sir Shambling's Deep Soul Heaven". Sirshambling.com. Retrieved February 2, 2020.
  20. Westview Vol 34 #30 (5 August 2010) p. 22
  21. Billboard Vol 87 #50 (13 December 1975) p. 26
  22. "Ruby Winters Discography - All Countries - 45cat". 45cat.com. Retrieved February 2, 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.