Ron Linden

Ron Linden (born 1940, Chicago, Illinois) is a California abstract painter, independent curator, and associate professor of art at Los Angeles Harbor College, Wilmington. He lives and works in the San Pedro area of Los Angeles.

Ron Linden
Born(1940-12-08)December 8, 1940
Chicago, IL
NationalityAmerican
Known forPainting
MovementAbstract expressionism
Awards1978 National Endowment for the Arts, individual artist's grant in painting
WebsiteOfficial website

Background

Linden received his Bachelor of Fine Art and Masters in Fine Art at the University of Illinois. His classmates included artists William Wegman, Guy Goodwin. Louise Fishman, William Mahan, Al Loving, Robert H. Cumming, and Gerald Hayes. Linden also attended the School of the Art Institute of Chicago.

In 1972, Linden relocated to California. He worked as a scenic artist in the Hollywood film industry for 25 years. He helped establish artist communities in Pasadena, downtown Los Angeles and San Pedro, California.

In 1978, Linden received the individual artist's grant in painting from National Endowment for the Arts.

Criticism and commentary

In 1975, Jeff Perone wrote in Artforum magazine about Linden's work in "Both Kinds: Contemporary Art in L.A.": "... Precious objects are precious objects and my personal preferences from Diebenkorn 1945, to Linden 1975 means the same thing; the works resemble each other closely, only Linden's a little more loose in technique and tighter in concept. It does not matter how far the distance traveled, chronologically or psychologically. The new looks like the old, and the good things, new or old, are tradition, as in the new tradition, a tradition that looks good. Linden is expressing himself, goddamnit."[1]

Also writing on the "Both Kinds: Contemporary Art in L.A." in Artweek, Judith Dunham observes: "Linden works with acrylic and graphite, combining both to make a sooty, crusty, intentionally rough and ugly surface. He limits color to graphite blacks and grays, warm acrylic neutrals so that the motions of painting are paramount in the final products."

In the Los Angeles Times, Suzanne Muchnic writes: "We read them but can not be sure we grasp all their meaning. (The artist draws on literary sources but does not reveal them.) Instead of putting us off, Linden pulls us in to wonder. If all else fails, the paintings work as abstract compositions. They are built of various combinations of acrylic, wood, and fabric in gray, black and ochre."[2]

"Ron Linden is a significant painter because he resists convenience and, sometimes, even himself. But integrity will out. In the end, Linden makes the difficulty of making the difficult look easy," writes Peter Plagens in the catalog essay for the Cue Foundation.[3][4]

From Mario Naves' article "Picasso's Ghost," about paintings by Ron Linden exhibited at the CUE Foundation, in the New York Observer, January, 2008: "Riddled by the ghosts of Cubism and Pop's cool ironies, painter Ron Linden's milky investigation of surface, space and denuded biomorphism are only nominally sensual paint-as-stuff chases after painting as intellectual pursuit. Mr. Linden's gift is that brainy impatience doesn’t quell a fractured and elusive poetry - if anything it engenders it."[5]

In 2016, Los Angeles art critic Mat Gleason wrote, "One Southern California art veteran, Ron Linden, is also curating in the South Bay. His TransVagrant / Warschaw Gallery in San Pedro has hosted exhibitions for almost a decade now, specializing in rigorous, almost scholarly shows, primarily of painting. Be they solo or group shows, Linden’s space has a severe eye for the reductive, the historical and the dedicated. Fearlessly championing Modernist forms and playing the long game with art history, TransVagrant and Warschaw exists in a context free from art world tropes that chase what was on the cover of last month's ArtForum. It is one of the crowning achievements of the South Bay, inspiring and informing the whole scene."[6]

Influences

Early in his career Linden was highly influenced by other contemporary artists in his sphere. The abstract expressionism of Willem de Kooning, Philip Guston, the neo-dadaist Jasper Johns, and in particular Richard Diebenkorn, permeates the minimalist style that Linden is known for. Artweek Magazine wrote that Linden's work has been compared to Diebenkorn to the extent that the work of both artists is both intellectual and emotional.[7]

In literature, Minds Meet by the meta-fiction writer Walter Abish has been cited as influencing Linden's experimental style, as well as the work of novelist/playwright Samuel Beckett, and that of the poet Charles Olson.

In the field of music, the experimental composer John Cage was influential with his 'chance related' form of music, challenging assumptions of musicianship and musical experience. Linden also cites Philip Glass, Brian Eno, John Cale, Frank Zappa, and Don Van Vliet as influences.

Exhibitions

Solo
  • 2016: Warschaw Gallery, in the MEANtime, San Pedro, California
  • 2014: Stone Rose Gallery, Long Beach, California
  • 2013: California State University, Dominguez Hills, Ron Linden with Craig Antrim
  • 2010: Gallery 478, San Pedro, California
  • 2008: Cue Project,Cue Art Foundation, New York City, New York[8]
  • 2007: Jancar Gallery, Los Angeles, California
  • 2002: Storage, Santa Monica, California
  • 2001: Storage, Santa Monica, California
  • 2000: Gallery 478, San Pedro, California
  • 1989: Ovsey Gallery, Los Angeles, California
  • 1987: Ovsey Gallery, Los Angeles, California
  • 1986: Ovsey Gallery, Los Angeles, California
  • 1985: Ovsey Gallery, Los Angeles, California
  • 1983: Ovsey Gallery, Los Angeles, California
  • 1982: Downtown Gallery, Los Angeles, California
  • 1981: Downtown Gallery, Los Angeles, California
  • 1979: LAICA (Los Angeles Institute of Contemporary Art), Los Angeles

Group
  • 2015: Warschaw / Winter, San Pedro, California
  • 2014: Warschaw / Winter, San Pedro, California
  • 2014: Kamikaze @ POST, Los Angeles, with Elizabeth Medina
  • 2014: ex-cerpt, Craig Antrim & Ron Linden, Warschaw Gallery, San Pedro, California
  • 2013: 14:…Featuring, Warschaw Gallery, San Pedro, California
  • (Southern) California Drawing, Orange Coast College Arts Pavilion Gallery, Costa Mesa, California
  • 2012: PSST: Art in San Pedro, 2000 – 2012, Warschaw Gallery, San Pedro, California
  • 2009: Mt. St. Mary's College, Brentwood, California, "Insight/Inside LA"
  • 2007: Warschaw Gallery, San Pedro, California
  • 2006: Riverside Art Museum, Riverside, California, Driven to Abstraction: Southern California and the Non-Objective World, 1950-1980
  • 2006: The Brewery Project, "praxis", Los Angeles
  • 2004: Santa Monica Museum of Art, "Incognito"
  • 2002: Arts Manhattan, "Close Proximity", Manhattan Beach, California
  • 1999: Pasadena Armory Center for the Arts, Radical Past: Contemporary Art & Music in Pasadena, 1960 - 1974
  • 1998: Laguna Art Museum, Laguna Beach, California
  • 1992: Laguna Art Museum, Laguna Beach, California
  • 1991: Fine Arts Gallery, University of California, Irvine
  • 1990: Angles Gallery, "Squaresville", Santa Monica, California
  • 1989: Riverside Art Museum, "The Metaphoric Chair’, Riverside, California
  • 1988: Ovsey Gallery, Los Angeles, California
  • 1987: Fine Arts Gallery, University of California, Santa Barbara
  • 1986: Ovsey Gallery, Los Angeles, California
  • 1985: Ovsey Gallery, Los Angeles, California
  • 1985: Design Center of Los Angeles, "To the Astonishing Horizon", L.A. Visual Art '85
  • 1984: Ovsey Gallery, Los Angeles, California
  • 1982: Laguna Art Museum, "Changing Trends: Content/Style", Laguna Beach, California
  • 1982: Mt. St. Mary's College, "3 Painters", Los Angeles, California
  • 1982: Orange Coast College, "Painting", Orange, California
  • 1982: MoMA PS1, "Critical Perspectives", Long Island, New York[9]
  • 1981: Art Center College of Design, "Decade: L.A. Painting in the Seventies", Pasadena, California
  • 1978: Baum-Silverman Gallery, "The Subject is Object", Los Angeles, California
  • 1975: University Art Museum, "Both Kinds: Contemporary Art from Los Angeles", Berkeley, California
  • 1973: Fine Art Gallery, California State University, Northridge
  • Curator / Director, TransVagrant Projects, Los Angeles (2009–present)[10]
  • Curator / Director, Warschaw Gallery, a project partly funded by the California Redevelopment Agency, San Pedro, CA (2005–2016)[11]
  • Gallery Director, Los Angeles Harbor College, Wilmington, CA (2000–present)[12][13]

Awards and citations
  • 1978: National Endowment for the Arts, individual artist's grant in painting

Academic positions
  • Los Angeles Harbor College, Gallery Director and adjunct faculty (2000–present)
  • Long Beach City College, adjunct faculty (2002–present)
  • University of California at Irvine, graduate faculty (1989-1993)
  • San Francisco Art Institute, visiting artist (1978-1979)
  • Vancouver College of Art, visiting artist (1977)
  • Art Center College of Design, faculty, Pasadena, CA (1974-1976)
  • California State University, Northridge, adjunct faculty (1972-1973)
  • Bradley University, Assistant Professor of Art, Peoria, IL (1966 - 1972)
gollark: You could actually do something about homelessness or whatever. Most people could. Capitalism mostly aggregates people's preferences into results, ish. But most people do not seem to care about poverty/homelessness enough to act on it, beyond sometimes saying that if you go along with [DRASTIC CHANGE TO ENTIRE ECONOMIC/SOCIAL/POLITICAL SYSTEM] the whole problem will magically evaporate.
gollark: Produce a thing people like, sell it, and obtain cashmoney.
gollark: Or you can just offer a thing people like.
gollark: ...
gollark: Well, you might want workers in general to unionize if you think it means better outcomes generally.

References
  1. Jeff Perrone, "Both Kinds: Contemporary Art from Los Angeles", Artforum, Summer, 1975
  2. Suzanne Muchnic, L.A. Times, March 27, 1981
  3. Plagens, Peter: Curator's Catalogue Essay, Ron Linden Solo Exhibition curated by Peter Plagens, CUE Art Foundation, New York, NY, December, 2007
  4. http://cueartfoundation.org/ron-linden/
  5. Mario Naves, New York Observer, "Picasso's Ghost", Ron Linden @ the CUE Foundation, 2007
  6. http://diversionsla.com/?p=2754
  7. Artweek Magazine, December 12, 1987
  8. "Ron Linden catalogues. 2007". Retrieved 25 July 2016.
  9. "Critical Perspectives: Curators and Artists (January 17–March 14, 1982)". Retrieved 25 July 2016.
  10. http://www.randomlengthsnews.com/winter-reflects-the-season-of-cool-at-warshaw/
  11. http://diversionsla.com/?p=2754
  12. http://www.randomlengthsnews.com/hyung-mo-lee-a-witness-to-change/
  13. https://thephotoexchange.wordpress.com/2016/01/02/los-angeles-harbor-college-fine-arts-gallery/
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