Robin Kankapankatja

Robin Kankapankatja (born c. 1930) is an Australian Aboriginal artist. He worked for most of his life as a labourer and conservationist. He is the manager and senior traditional owner of Walalkara, a homeland and Indigenous protected area on the Aṉangu Pitjantjatjara Yankunytjatjara Lands. He began work as an artist in 2004, aged in his 70s. His artworks are now held in several major galleries in Australia.

Robin Kankapankatja
Bornc. 1930
Walalkara, near
Kaltjiti, South Australia
NationalityAustralian
OccupationArtist
Years active2004–present
OrganizationKaltjiti Arts
StyleWestern Desert art
Spouse(s)Tjayangka Antjala Robin

Life

Robin was born at Walalkara, a place in the Great Victoria Desert near Kaltjiti, South Australia. His father was Pitjantjatjara from the land west of Watarru; his mother was Yankunytjatjara from Makiri, northwest of Walalkara.[1] Robin grew up living a traditional, nomadic life in the area around Kaltjiti. The first time he saw a whitefella was when he was a young teenager. As a young man, he worked on the cattle stations at Welbourne Hill and Everard Park.[2]

When he was much older, Robin moved back to Walalkara and set up an outstation for his family on his homelands. He lives there with his wife, Tyayangka, and his children. Kankapankatja is the senior traditional owner (nguraṟitja) of Walalkara.[3] The people that live on this outstation are all part of his family.[4] They are the land managers of Walalkara Indigenous Protected Area,[5] a federally protected reserve created from an agreement between the Robin family and the Australian government.[4] It covers 700,000 hectares (7,000 km2) of the Great Victoria Desert.[6] Until 2008, Kankapankatja and his wife Tyayangka worked as rangers of the reserve. When they retired, their children took over its management.[7]

Artwork

Robin began working as an artist in July 2004,[8] while he was at home recovering from surgery.[2] His paintings and drawings are about Walalkara. They depict the landscape, animals, and spiritual Dreaming stories associated with it.[1] He is also known for carving traditional tools, such as boomerangs, spears, spear-throwers and shields.[8]

Since 2006, Robin's work has been shown in many exhibitions alongside other Kaltjiti artists. In 2007, he was featured at the Mossenson Galleries in Collingwood, Victoria.[9] His work was featured as part of the annual Desert Mob exhibition in Alice Springs, in 2006, 2007, 2008 and 2009.[10] It was also exhibited in Adelaide at the Flinders University City Gallery in 2009, and the South Australian Museum in 2010.[6]

In 2012, the Cross Cultural Art Exchange in Darwin held a solo exhibition of Robin's work.[1][2] The exhibition was called Nyangatja ngayuku aṟa irititja: this is my life from long ago.[11] It showcased a series of drawings that depict Robin's memories from growing up in the bush, and the legendary journeys of his ancestors.[1] In the same year, his work was also shown at the annual Our Mob exhibition in Adelaide,[12] at an exhibition of Kaltjiti Arts in the Darwin Aboriginal Art Fair,[13] and in Germany, in an exhibition at the ArtKelch gallery in Freiburg im Breisgau.[6]

Examples of Robin's work are held in the collections of the Araluen Arts Centre, Flinders University, and the National Gallery of Australia.[14] Others are held in the national Artbank collection, and several private collections, such as the Gallery Gabrielle Pizzi in Melbourne.[8]

gollark: Basic Computer (computercraft): 7 stone, 1 redstone, 1 glass pane.
gollark: `to fecovon`: to complain about syntactic purity or too much of it equally
gollark: `to vocovon`: to derail the Esolangs discord.
gollark: `to voconon`: to covfefe only when other people are convoning.
gollark: `to covonon`: to ask about correct usage of `to convon`.

References
  1. Volich, Pete (2012). "Robin Kankapankatja, Nyangatja ngayuku ara irititja: this is my life from long ago" (PDF). Darwin: Cross Cultural Art Exchange. Retrieved 11 January 2013.
  2. Rothwell, Nicolas (25 October 2012). "Desert memories come into vogue". The Australian. Darwin: News Limited.
  3. Ananguku Arts (ed.). Tjukurpa Pulkatjara: The Power of the Law. Wakefield Press. p. 78. ISBN 9781862548909.
  4. "Walalkara". Waru. PY Media. Retrieved 11 January 2013.
  5. Institute for Professional Practice in Heritage and the Arts (14 November 2011). "People". Songlines of the Western Desert. Australian National University, College of Arts & Social Sciences. Retrieved 11 January 2013.
  6. "Robin Kankapankatja" (PDF). ArtKelch. September 2011. Retrieved 11 January 2013.
  7. "Indigenous Protected Areas and Working on Country Program". Anangu Pitjantjatjara Yankunytjatjara. Retrieved 11 January 2013.
  8. "Robin Kankapankatja". Gallery Gabrielle Pizzi. Retrieved 11 January 2013.
  9. Farrer, Gordon (6 December 2006). "Tracing songlines through town". The Age. Melbourne: The Age Company Ltd.
  10. Rothwell, Nicolas (8 September 2009). "Shifting strands of the desert". The Australian. Alice Springs: News Limited.
  11. "Robin Kankapankatja". Art Guide Australia. Retrieved 11 January 2013.
  12. "Catch it before it ends: Our Mob 2012". Aboriginal Art News. Aboriginal Art Directory. 22 November 2012. Retrieved 11 January 2013.
  13. "Kaltjiti Arts". Darwin Aboriginal Art Fair. Retrieved 11 January 2013.
  14. "Para / Ghost Gum Trees (2012)". Collection Online. National Gallery of Australia. Retrieved 11 January 2013.
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