Roberto Fonseca

Roberto Fonseca (born 1975, Havana) is a Cuban jazz pianist. From an early age, Fonseca was surrounded by music: his father was drum player Roberto Fonseca, Sr, his mother, Mercedes Cortes Alfaro, a professional singer (she sings on her son's solo album, Zamazu), and his two older half-brothers from his mother's previous marriage to the pianist and musician Jesús "Chucho" Valdés are Emilio Valdés (drums) and Jesús "Chuchito" Valdés Jr. (piano).

For the football manager, see Roberto Fonseca (football manager).

Roberto Fonseca
Roberto Fonseca
Background information
OriginHavana, Cuba
GenresJazz, hip hop, Latin jazz, drum and bass, urban music, Afro-Cuban music
Years active1999–present

Biography

After an early interest in drums, Fonseca switched to piano at the age of 8, and by 14 was experimenting with fusing American jazz and traditional Cuban rhythms; he appeared at Havana's Jazz Plaza Festival in 1991 when he was 15.

Fonseca studied at Cuba's Instituto Superior de Arte, where he obtained a master's degree in composition, even though he often says that he was a really bad student. After earning his degree, he left Cuba to find his sound.

His first album, En El Comienzo, which he recorded with Javier Zalba and the group Temperamento, was awarded Cuba's Best Jazz Album in 1999. This success encouraged him to work on two solo records: Tiene Que Ver and Elengo, combining Latin jazz, drum and bass, hip-hop, urban music and Afro-Cuban rhythms.

In 2001, Fonseca went to Japan to record No Limit: Afro Cuban Jazz. He also toured with the Buena Vista Social Club the same year and has worked with Rubén González, Ibrahim Ferrer, Cachaito, Guajiro Mirabal and Manuel Galbán.

A Buena Vista Social Club tour spanned the world, with over 400 concerts, promoting Ibrahim Ferrer's records next to musicians such as Cachaíto López, Manuel Guajiro Mirabal and Manuel Galbán, among others, and playing at venues such as the Frankfurt Alte Oper, Palais des Congrès (Paris), Albert Hall (London), Beacon Theatre (New York), and the Sydney Opera House (Australia).

That period of intense work, touring round the world, led Fonseca to realise that his music was ready for creating his own project. He dug deep to compose each of the songs that form Zamazu, the result of the integration of all his influences: Afro-Cuban music, jazz, classical music and traditional Cuban music.

In the words of one reviewer,[1] his recording, Zamazu, is "a deftly varied and well-sequenced set that leaves a strong impression of who Fonseca is and promises plenty for the future."

The track "Llego Cachaito" from the Zamazu album was used in the 2008 Will Smith film Hancock.

With his 2009 album, Akokan, Fonseca wanted to bring the magic, strength and improvisation from a live show to the studio. With a quartet formation and accompanied by his band, the one that he had been playing with for the past 12 years, Fonseca as the record's producer encouraged creativity and chemistry amongst the musicians. There are also two collaborations from artists that Fonseca admires, artists that have very different styles: Mayra Andrade, the Cape Verdean singer who wrote the words and sings on "Siete Potencias", and Raul Midón, the American guitarist, who wrote "Everyone Deserves A Second Chance". On this track Fonseca did the arrangements and Midon accompanied him on guitar.

In 2010 and 2016 Fonseca was the musical director for the support act for Omara Portuondo's USA tour. Fonseca's 2010 album Roberto Fonseca Live in Marciac includes a bonus DVD which features footage of the festival's 2009 show. Fonseca often visits and gives spontaneous performances at La Zorra Y el Cuervo Jazz Club in Havana.[2]

Discography

As leader
Year recorded Title Label Personnel/Notes
1999? Tiene Que Ver
1999? Temperamento: En el Comienzo
2001? No Limit
2001? Elengo
2007? Zamazu Enja With Javier Zalba (saxes, flute, clarinet), Omar González (bass), Ramsés Rodrigues (drums), guests
2008 Akokan Enja With Javier Zalba (clarinet, flute, baritone sax), Omar Gonzalez (bass), Ramsés Rodriguez (bass), Joel Hierrezuelo (percussion), Mayra Andrade (vocals), Raul Midon (vocals, guitar)
2009 Live in Marciac Enja Includes DVD; in concert
2012? Yo Jazz Village
2016? Abuc Impulse!
2019 Yesun Mack Avenue

As sideman
  • Black P. Marabal Soundtrack (2000)
  • Cuando Yo Sea Grande – Augusto Enriquez – 1998 (Egrem)
  • Cachaíto – Orlando "Cachaito" López – 2001 (World Circuit Records)
  • Felicidad – Asa Feeston – 2002 Inter Records Co Ltd
  • Buenos Hermanos – Ibrahim Ferrer – 2003 (World Circuit Records)
  • Buena Vista Social Club Presents Manuel Guajiro Mirabal – Manuel Guajiro Mirabal – 2004 (World Circuit Records)
  • Flor de Amor – Omara Portuondo – 2004 (World Circuit Records)
  • Angá Echumingua – Anga Díaz – 2005 (World Circuit Records)
  • Javier Zalba – Javier Zalba – 2006 (Colibri)
  • Timbalada – Carlinhos Brown – 2006 (Candyall Music)
  • Mi sueño – Ibrahim Ferrer – 2007 (World Circuit Records)
  • Absolument Latino song Zamazamazu – 2007
  • Gracias – Omara Portuondo – 2008 (Montuno / Harmonia Mundi)
  • Omara & Maria Bethânia – 2008 (Biscoito Fino)
  • Etxea – Kepa Junkera – 2008 (Warner Music Spain)
  • Gilles Peterson presents Havana Cultura New Cuban Sound – 2009 (Brownswood Recordings)
  • Gilles Peterson presents Havana Cultura Remixed – 2010 (Brownswood Recordings)
  • Fatoumata Diawara – 2015 At Home (Live at Marciac)
gollark: Not phrased that way, but you know.
gollark: I made a hatchery which stopped sickness (kind of) by taking out eggs at unsafe view levels, and TJ09 just decided "this goes against the grand vision, I must stop it".
gollark: Removing sickness is probably *easier* than keeping it, but it goes against the Grand TJ09 Vision.
gollark: As long as DC has sickness and a system of view-an-image-to-hatch/sicken-stuff, it will not be possible to prevent viewbombing, outside of weird edge cases.
gollark: I mean, it'd be *possible* to stick logins on hatcheries; that wouldn't actually fix it all though.

References
  1. "Roberto Fonseca – Zamazu review". BBC World Music. Retrieved 2 July 2008.
  2. "La Zorra y el Cuervo Jazz Club". Havana Insider. 21 July 2015. Retrieved 4 February 2020.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.