Robert Ozn

Robert Ozn (born Robert M. Rosen, April 24, 1964 New York City), Award winning screenwriter and Top 5 Billboard USA & Top 10 Music Week UK singer/rapper/writer/producer who records under the name DaDa NaDa; Broadway credits as Robert Rosen; nickname OZN, (pronounced "OH-zen") is also a film producer and Broadway actor, and was the vocal half of 1980s synthpop duo EBN-OZN of MTV fame, widely credited as the creators of the first-ever commercially charted record produced on a computer. After a long absence from the music industry, Dada Nada saw major chart comebacks in the US & UK between 2016-2019. As a screenwriter he is best known for his work as co-producer and co-writer with Colin Greene of the award-winning, human rights-themed feature film I Witness starring Jeff Daniels, James Spader and Portia de Rossi.

Robert Ozn
Born
Robert Mitchell Warfield Frank Rosen

April 24, 1964
New York, N.Y
NationalityUS, Canada
Other namesOZN, DaDa NaDa
OccupationRecording Artist, Actor, Screenwriter, Film Producer, Songwriter, Record producer, Activist
Known forOne of the early pioneers of computer music sampling,[1] producing, with partner Ned Liben (EBN of EBN-OZN), the first commercially released record ("AEIOU Sometimes Y", Elektra Records/1983) ever made on a computer, a Fairlight CMI, in the United States. One of the music industry's first white rap artists (Elektra/1983) and the first white House Music artist (One Voice/1989) to chart in North America [2] One of just a handful of Broadway/West End performers to transition into successful music industry careers

He is also a prominent American bisexual activist.

Biography

Early life and career

As a child, he was a member of the New York City Metropolitan Opera Children's Chorus, appearing in numerous productions in both the "Old Met" and the "New Met" at Lincoln Center. At the age of 16, he was the youngest student to receive a Key Scholarship award from Herbert Berghof acting school (HB Studio) in Greenwich Village.[3] At 17, he was accepted as a voice and theater major at the Indiana University School of Music, where he studied with Norwegian Bass/Baritone Roy Samuelson of the New York City Opera.

As a teenager, he went on the road as a singer with Doc Severinsen and The Tonight Show Band, working with Lew Tabackin, Ed Shaughnessy, Snookie Young, Tommy Newsom, Ross Tompkins, Buddy Rich and Mel Tormé.

His first professional musical theatre role was that of Hero in a tour of A Funny Thing Happened on the Way to the Forum with Zero Mostel. Shortly after, he created the role of Henry Anderson in the original Broadway cast of the Tony Award-winning musical Shenandoah[4] starring John Cullum, which originally premiered at the Goodspeed Opera House. Subsequent acting work: leads in Vagabond Stars a pre-Broadway piece at the Berkshire Theater Festival with lyrics written by the Newsroom's Executive Producer/Director Alan Poul, Pirates of Penzance with Karla DeVito, and the LA company of Sam Shepard's Curse of the Starving Class with Gary Sinise and James Gammon.

However, it was not until his supporting lead in a small National Endowment for the Arts film No Regrets directed by Ruth Charny and produced by Ellen Sherman and his subsequent lead in the Broadway rock musical Marlowe[5] along with Patrick Jude and Lisa Mordente that he came to the attention of the New York music industry, in particular Ron Delsner, who encouraged him to begin his own recording career.

EBN-OZN and DaDa NaDa

In 1981, Rosen met Ned Liben, then the owner of New York's Sundragon Recording Studios. Liben had built his first professional studio at the age of 14 and by the time he met Rosen had worked with Jimi Hendrix, The Talking Heads, The Ramones and a host of New York's rockers.

Their initial collaboration, "AEIOU Sometimes Y" was recorded in 1981–1982 (released in 1983) and was the first American record to be entirely produced on a computer (a Fairlight CMI). "AEIOU" was a mix of rap, spoken word, digital sampling, rock and R&B dance music. Liben and Rosen cut their own 12-inch dance single, which was signed by Arista Records in London and in New York by Elektra Records' President Bob Kraznow before the band even had a name,[6] which eventually became Ebn-Ozn. "AEIOU" went top 20 on the Billboard Club Chart, establishing OZN as one of the first white rappers in the industry. "AEIOU"'s video, a Los Angeles Times Top 10 Video of the Year, received domestic and international exposure and was featured on Beavis and Butt-head through the '90s.

Ebn-Ozn's first full-length album, Feeling Cavalier, released by Elektra in 1984, went Top 20 on the College Radio Chart and their second single, "Bag Lady (I Wonder)" went Top 40 on the Billboard Club Chart. The video for "Bag Lady" starred Tony and Emmy Award winner Imogene Coca and like "AEIOU," enjoyed worldwide television and club play.

EBN/OZN received rave reviews for their album, singles, videos, live shows and versatile musicianship. EBN played guitar, bass, keyboards and programmed. OZN, sang, rapped, played keyboards and performed in spoken word "character voices," in a variety of accents. They were covered in Time magazine,[7] People,[8] US[9] and The New York Post.[10] Ozn was declared the "greatest white rapper alive" by Playboy[11] and called the "new American sex symbol" by the Boston Globe.[12] EBN was also featured in Guitar Player magazine.[13]

After the duo's split up in 1985, EBN went on to run his exclusive SOHO studio working with Scritti Politti and Arif Mardin, while OZN moved to Los Angeles and started his own label, One Voice Records and his own solo act, Dada Nada.

Dada Nada received a distribution deal with Polydor/UK and he distributed it himself in North America, landing two top five Billboard dance hits, "Haunted House" (the first House record by a white artist to chart in North America) and "Deep Love".

His 1991 UK release "The Good Thing/Give It All I Got", written & produced by OZN, Steve Wight and Bob Greenberg and mixed by Bad Boy Bill OZN & Steve Wight, was a two-song, 12-inch single, which as an import, hit No. 3 on the Record Mirror Cool Cuts Chart and No. 25 on the Record Mirror Mainstream Dance Chart.

OZN's collaborators on Dada Nada tracks included the legendary Godfather of House the late Frankie Knuckles and House music pioneers Bad Boy Bill, David Morales, Mike "Hitman" Wilson, Steve Wight (now an associate professor of recording arts at Cal State), and Bob Greenberg.

OZN's last public appearance was the 1990 US Dada Nada tour, which suffered a shooting incident during a show in Chicago.

EBN died in 1998 of a heart attack in Soho, New York and is survived by his wife Sallie Moore Liben and son Max Liben.

In April 2015, OZN announced on Facebook[14] and Twitter that he was making his first record in 25 years inspired by the Charlie Hebdo assassinations, Je Suis Paris!. An anthem for the growing, global pro-peace, anti-terror movement, he produced and wrote the track with Gabe Lopez, who works with Belinda Carlisle, supported by Julian Coryell, son of jazz legend Larry Coryell and guitarist for (Alanis Morissette), Chris Golden bass player for hip hop star Exzibit, Gibi Dos Santos Sergio Mendes' long-time Brazilian percussionist, and background vocalists Mindy Jones of Moby and Mark Strom of the boy band Innovate.

Released in summer 2016 with remixes by Richard Cutmore, House of Virus and American, 19 year-old newcomer Mntna, the record's U.K. release peaked at #13 on the Music Week Commercial Pop Dance Chart in October 2016, after OZN recorded additional vocals with the lyric "I Am Orlando" in reference to the Orlando, Florida Pulse nightclub anti-gay terror attack, establishing it as an LGBT anthem through the United Kingdom, where it received widespread play on Gaydio.com, the largest internet radio station in the United Kingdom. And in the July 16, 2016 edition of Music Week (U.K.) journalist Victoria Dowling called him a "white Pharrell Williams." [15] - all of which thrust OZN back into the spotlight. In an interview with Scottish journalist Scott McGlynn he said, "This was supposed to be a personal outlet for expressing my outrage by singing a song that protested the murder of innocent people - and somewhere along the line it morphed into a hit record. But there's no record label - I released it myself. There are no significant resources supporting it nor is there any industry political leverage behind it. Hell, I've been out of that world for 25 years. And now people want interviews, photos - they want my time and to pull me away from my place behind the camera and push me in front of it again - in front of a microphone again. This is totally unexpected. How is this even possible?" [16] In the 16 July 2016 edition of Music Week OZN was quoted, "I no longer care about things that used to be important to me when I was young: fame, extravagant materialism, self-aggrandizement...all that matters to me is my spiritual life, my family, love, my creativity, reframing my narrative, friends and the end of suffering for all beings." [17]

His followup track, the 2017 record "We Can Feel It" had 1.2 Million listens on SoundCloud.com; reached Number 9 on the Music Week Commercial Pop Dance Chart in December 2017, Number 15 on the Billboard Dance Club Songs chart in February 2018, and in spring 2019 hit #44 on the US Alternative Radio "Sub Modern" Chart his first American release since 1990. Again, OZN proved to be a darling of the music press garnering rave reviews for his singing, song writing and production from WeRaveYou.com, iHouseYou.com, BroadwayWorld.com, VentsMagazine and Gigslutz.co.UK and others.


Film industry career highlights

OZN went on to a producing and screenwriting career in the film business.

He worked first for free for Oliver Stone and Janet Yang's Ixtlan Films, trading his time in exchange for learning the development and production end of the movie business. He went on to become a paid first-call reader for A-list material for Stone. He was then hired at Miramax, as reader for Pulp Fiction under Oscar-winning producer Richard Gladstein and as contract development exec for much of their European fare and some of horror division Dimension Films' material. He also served as script analyst at Creative Arts Agency (CAA) on projects for Sydney Pollack, Louis Malle, Paula Weinstein and James Cameron's Lightstorm Entertainment.

OZN partnered with Ted Danson as executive producers to option Elegies for Angels Punks and Raging Queens, playwright Bill Russell's West End London AIDS drama, for Anasazi/Paramount Television. Danson and OZN attached Michael Douglas, Richard Gere, Patrick Stewart, Whoopi Goldberg, Jason Priestley and Elizabeth Taylor as well as Danson. However, it remains un-produced;

OZN and writer/producer Colin Greene (now a Vice-President at Sony Studios) sold Storm Warning, a $100 million-plus film, to Paramount for producer Mario Kassar, making the front page of the Daily Variety.[18]

OZN and Greene's I Witness, (originally titled "God's Witness") (Universal/Promark) starring Jeff Daniels, James Spader and Portia de Rossi, received the 2003 Method Fest Best Screenplay Award. Director: Rowdy Herrington, Producers: Jon Eramer, David Bixler, Shelly Strong, Ed Cathell III, Julia Verdin, Robert Ozn & Colin Greene, Paul De Souza.

OZN left the industry in 2003 to raise his children and returned in 2008, as part of the production team of "Turned Towards the Sun," a UK documentary about the British aristocrat, war hero, London Times correspondent, author and out bisexual Micky Burn.[19] The film premiered at the British Film Institute in London in October 2012 to excellent reviews, earning director Greg Olliver a Grierson Award nomination.

2011/2012: Screenwriter Sy Fy Channel's "Earth's Final Hours]," (pseudonym Robert Wescott) (Cinetel 2011) (Airdate 2012).

2015: One of the Executive Producers, along with Julian Lennon of BAFTA Board member Julia Verdin's film short "Lost Girls," which won awards at the 2016 Los Angeles Independent Film Festival and IndieFEST.[20]

Social/Political Activism

A guest at the Obama Administration's 2016 White House Bisexual Community Briefing,[21] OZN served as the Chairperson as well as the Advocacy Chair of the Los Angeles Bisexual Task Force (LABTF),[22] a bisexual advocacy non-profit operating out of the Los Angeles LGBT Center, presenting workshops for LGBT youth at the Center and University of Southern California as well as pressing for political change within and without the LGBT community. http://www.bicenter.org.

In 2017, he was the first male bisexual to ever speak at a Los Angeles LGBT Pride March (to over 100,000 people) in its 47-year history. "It was a short pre-recorded video shown on huge projection screens along the parade route - it wasn't live - but I'll take it as a solid first step for the community."

In October 2015, OZN founded The Je Suis Charlie Movement (JSCMovement) a social media project on Twitter, Facebook and Instagram, launched in response to continued worldwide terror attacks, created to show solidarity with all victims of terror.

Awards and honors

Judge: Writers Guild of America Awards (longform) 2006, 2005, 2004

  • LA Times Video Top 10 of the Year for EBN-OZN's "AEIOU Sometimes Y"
  • Method Fest 2003 Best Screenplay for "I Witness"
  • IFP Emerging Narrative Voices (Independent Feature Project) Screenplay (unproduced) 2002: Deadbeats
  • City of West Hollywood's "Celebrate Bisexuality Day" September 23, 2017, Proclamation Awarded to Robert Ozn on Behalf of the Los Angeles Bi Task Force.
gollark: I don't think a centrally planned system would work *better*.
gollark: I roughly agree with that. Though competence is hard to measure, so people tend to fall back to bad metrics for it.
gollark: Yes, since if you try and talk about nuance or tradeoffs that's interpreted as "you do not agree and therefore must be part of the outgroup". Sometimes.
gollark: There are arguments both ways. On the one hand you're trying to make sure that the people you have match the population, but on the other you're going about hiring people based on factors other than how well they can do the job (though that was... probably going to happen anyway, considering), and people may worry that they got in only because of being some race/gender.
gollark: Also, more than that, political polarization generally.

References
  1. "Fairlight – The Whole Story". Audio Media magazine (January 1996
  2. MTV News March 1989
  3. Playbill Issue "A Funny Thing Happened on the Way to the Forum starring Zero Mostel
  4. ibDb)
  5. ibDb
  6. MTV/USA Interview with Martha Quinn, 1983
  7. Time, Issue Date 1984, August
  8. People, Issue Date 1984, August
  9. US, Issue Date 1984, August
  10. The New York Post, Sept. 23, 1983
  11. Playboy, Issue Date 1984, August
  12. The Boston Globe, July 15, 1984
  13. Guitar Player, Issue Date 1984, September
  14. Facebook page of Robert Ozn April 27, 2016
  15. Music Week 16 July 2016
  16. ScottMcGlyn.net July 2016
  17. Music Week 16 July 2016
  18. Daily Variety, January 26, 1996
  19. Michael Burn’s wartime exploits to be made into Hollywood blockbuster, The Times, March 29, 2008
  20. https://pro.imdb.com/title/tt4884188/awards
  21. http://www.whitehouse.gov
  22. http://www.windycitymediagroup.com/lgbt/MAP-report-shows-shocking-disparities-in-the-bisexual-community/56817.html
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