Robert Award for Best Screenplay
The Robert Award for Best Screenplay (Danish: Robert Prisen for årets manuskript) is one of the merit awards presented by the Danish Film Academy at the annual Robert Awards ceremony. The award has been handed out since 1984, but except in 1991 and 1993. On two occasions, in 2005 and in 2015, the Academy handed out two awards in the category, one for best original screenplay (Danish: Årets originale manuskript), and one for best adapted screenplay (Danish: Årets adapterede manuskript).[1]
Honorees
1980s
- 1984: Nils Malmros – Beauty and the Beast
- 1985: Bjarne Reuter & Bille August – Twist and Shout
- 1986: Jon Bang Carlsen - Ofelia kommer til byen
- 1987: Helle Ryslinge - Coeurs flambés
- 1988: Bille August – Pelle the Conqueror
- 1989: Søren Kragh-Jacobsen – Emma's Shadow
1990s
- 1990: Åke Sandgren & Stig Larsson – The Miracle in Valby
- 1991: Not awarded
- 1992: Marianne Goldman – Freud's Leaving Home
- 1993: Not awarded
- 1994: Bille August – The House of the Spirits
- 1995: Lars von Trier & Niels Vørsel - Riget
- 1996: Carsten Rudolph – The Beast Within (1995 film)
- 1997: Lars von Trier – Breaking the Waves
- 1998: Nikolaj Scherfig - Eye of the Eagle
- 1999: Thomas Vinterberg & Mogens Rukov – Festen
2000s
- 2000: Kim Fupz Aakeson – Den eneste ene
- 2001: Lone Scherfig – Italiensk for begyndere
- 2002: Ole Christian Madsen & Mogens Rukov – Kira's Reason: A Love Story
- 2003: Nils Malmros & John Mogensen – At kende sandheden
- 2004: Lars von Trier – Dogville
- 2005: Anders Thomas Jensen – Brødre (Best original screenplay) & Nikolaj Arcel & Rasmus Heisterberg - King's Game (Best adapted screenplay)
- 2006: Anders Thomas Jensen – Adam's Apples
- 2007: Niels Arden Oplev & Steen Bille – Drømmen
- 2008: Bo Hr. Hansen - The Art of Crying
- 2009: Dunja Gry Jensen & Henrik Ruben Genz – Frygtelig lykkelig
2010s
- 2010: Lars von Trier – Antichrist
- 2011: Tobias Lindholm & Michael Noer – R
- 2012: Lars von Trier – Melancholia
- 2013: Tobias Lindholm – A Hijacking
- 2014: Thomas Vinterberg and Tobias Lindholm – The Hunt
- 2015: *Lars von Trier – Nymphomaniac Director's Cut (Best original screenplay); Lærke Sanderhoff & Søren Balle – The Sunfish (Best adapted screenplay)
- 2018: *Gustav Möller - The Guilty (Original Screenplay); *Anders Matthesen - Ternet Ninja
gollark: Am I better at resisting peer pressure than other people: well, I'd *like* to think so, but so would probably everyone else ever.
gollark: Anyway, I have, I think, reasonably strong "no genocide" ethics. But I don't know if, in a situation where everyone seemed implicitly/explicitly okay with helping with genocides, and where I feared that I would be punished if I either didn't help in some way or didn't appear supportive of helping, I would actually stick to this, since I don't think I've ever been in an environment with those sorts of pressures.
gollark: Maybe I should try arbitrarily increasing the confusion via recursion.
gollark: If people are randomly assigned (after initial mental development and such) to an environment where they're much more likely to do bad things, and one where they aren't, then it seems unreasonable to call people who are otherwise the same worse from being in the likely-to-do-bad-things environment.I suppose you could argue that how "good" you are is more about the change in probability between environments/the probability of a given real world environment being one which causes you to do bad things. But we can't check those with current technology.
gollark: I think you can think about it from a "veil of ignorance" angle too.
References
- John Sundholm; Isak Thorsen; Lars Gustaf Andersson; Olof Hedling; Gunnar Iversen; Birgir Thor Møller (20 September 2012). Historical Dictionary of Scandinavian Cinema. Scarecrow Press. pp. 328–. ISBN 978-0-8108-7899-0.
External links
- Official website (in Danish)
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