Rita McKeough

Rita McKeough (born 1951) is a Canadian interdisciplinary artist, musician and educator[1] who frequently works in installation and performance.

McKeough was born in 1951 in Antigonish, Nova Scotia. McKeough completed her BFA at the University of Calgary in 1975 and her MFA at the Nova Scotia College of Art and Design in 1979.[2] She currently teaches at Alberta University of the Arts and resides in Calgary, Alberta.[3] McKeough was the winner of a 2009 Governor General's Award in Visual and Media Arts[4] and received the 2014 Canada Council for the Art International Residency at Artspace Sydney in Australia.[5]

Work

McKeough's practice uses a variety of analog, electronic and digital technology to create performance, media and sound works. Her pieces engage with feminist narratives, often using objects to perform sound.[6] McKeough has stated the imperative for taking action and fostering a situation for activating agency through her practice: "In my work, it’s not about speaking for anybody, but wanting to create or imagine situations or a society where everyone has a voice and speaks from his or her own position."[7] Much of her work is a call for action by creating a space for introspection, curiosity, humour and awareness. McKeough brings to attention various spectrum of social issues, including the oil industry and its impact on the ecosystem, meat production, human-animal relations, violence against women, and silenced female voices within private and public institutions.

Selected Exhibitions

Veins, 2016

Veins is an interactive environmental installation presented at TRUCK Contemporary Art in Calgary, Alberta in 2016.[8] Veins follows and builds on issues explored in her most recent works, Wilderment, Alternator, The Lion’s Share and H. This work is motivated by McKeough’s sense of unease as it relates specifically to the ongoing planning and construction of the oil and gas pipelines being built across a fragile and vulnerable landscape. This work will look broadly at the sheer complications, multiplications and furtherance of the risks we take. The questioning of these processes will perhaps have an opening, and another layer of understanding of the vulnerability and complexities of the natural landscape.

Oh, Canada: Contemporary Art from North North America, 2015

Oh, Canada: Contemporary Art from North North America, organized by the Massachusetts Museum of Contemporary Art (MASS MoCA), is the largest survey of contemporary Canadian art ever produced outside Canada.[9] Comprising more than 100 artworks by 62 artists and collectives from across the country, Oh, Canada is huge in both scale and scope. This unique collaboration will encourage dialogue, debate, and a deeper understanding of local, regional, and national contemporary practice.

H, 2014

"H" was a performance that took place in an old barber shop in Sackville, New Brunswick from July 24 to August 2, 2014. Residents of Sackville were requested to bring their "sick" (i.e., outdated) cell phones to the temporary emergency hospital set up in the barber shop, where, in tiny hospital beds, they were attended by a larger-than-life squirrel and a tree that used a variety of techniques to help the cell phones recover. The public could visit recovering cell phones or simply watch the process.

The Lion's Share, 2012

University of Lethbridge Art Gallery, 2012; Doris McCarthy Art Gallery, Scarborough, Ontario; Dalhousie Art Gallery, Halifax, 2013 , Kenderdine Art Gallery at University of Saskatchewan, 2014[10] and Illingworth Kerr Gallery at Alberta College of Art and Design, Calgary, 2014.[11]

Wilderment, 2010

Art Gallery of Alberta, Timeland: Alberta Biennial of Contemporary Art, 2010; Neutral Ground, Solo Exhibition, May, 2013

Alternator, 2008-2012

2008, Nuit Blanche, Toronto; 2009, ArtCity Festival, Calgary; 2009, Art in the Streets Festival, Lethbridge; 2012, Oh Canada! Massachusetts Museum of Contemporary Art, Boston.

In bocca al lupo—In the mouth of the wolf, 1991–92

Inspired by French feminist writers Hélène Cixous and Luce Irigaray and the punk icon Patty Smith, McKeough created a ninety-minute operatic performance/installation with a six piece choir, two solo vocalists, three musicians, six dancers, a prerecorded audio tape and slide and video projections. Audience and performers were engulfed by a large wooden figure. The work was created to foster a collective, tangible voice to women's anger.

Take it to the Teeth, 1993

This work, created with her collaborator Cheryl L'Hirondelle, was an installation and performance at the Glenbow Museum in 1993. Here McKeough and L'Hirondelle literally chewed through the museum walls to expose eight concealed audio tapes. The work poignantly created a dynamic between domestic abuse and empowered the female agency that recovers silenced voice.[12]

Collections

McKeough's work is included in many public and private collections including Canada Council Art Bank, Ottawa; Glenbow Museum, Calgary; Walter Phillips Gallery at The Banff Centre; Banff, University of Lethbridge, Lethbridge;[13] Dunlop Art Gallery, Regina[14]

Music/bands

McKeough is also a musician. She has played drums/percussion for a number of bands including Sleepy Panther, The Permuters, Sit Com, Mode d'Emploi, Almost Even, Demi Monde, Confidence Band, and Books All Over the Bed.

Bibliography
  1. Wark, Jayne (2004). Tanya Mars and Johanna Householder (ed.). Caught in the Act: Canadian Women in Performance. Toronto: YYZ Books. pp. 344–51.
  2. Hurtig, Annette (1994). Rita McKeough: An Excavation. Glenbow. p. 12. ISBN 1895379148.
  3. Beaumont, Hillary (Spring 2014). "Industrial Feast". Visual Arts News. 35 (3): 14–16.
  4. Anderson, Heather (2007). Wilderness Acts. Halifax: Eyelevel Art Gallery. pp. 11–12. ISBN 978-0-9682601-4-2.
  5. Markonish, Denis (2012). Oh, Canada : contemporary art from north North America. MIT Press. p. 399. ISBN 9780262018357.
  6. Laviolette, Mary-Beth (2006). Alberta art chronicle : adventures in recent & contemporary art. Altitude Publishing. pp. 544. ISBN 9781551539409.
  7. Mars, Tanya (2004). Caught in the act : an anthology of performance art by Canadian women. YYZ Books. p. 428. ISBN 0920397840.
  8. Kjorlien, Melanie; Moir, Lindsay (2016). Made in Calgary: An Exploration of Art from the 1960s to the 2000s. Calgary, Alberta: Glenbow Museum. p. 375. ISBN 978-1-895379-64-8.
  9. Sherlock, Diana (ed.) (2018). Rita McKeough: Works. Calgary: EMMEDIA Gallery & Production Society, M:ST Performative Art Festival, TRUCK Contemporary Art in Calgary. ISBN 9780986736926

Notes
  1. http://www.gallery.ca/en/see/collections/artist.php?iartistid=3666 Archived 2014-02-03 at the Wayback Machine Accessed February 1, 2014
  2. Hurtig, Annette (1994). Rita McKeough: An Excavation. Glenbow. p. 12. ISBN 1895379148.
  3. https://acad.ca/faculty-staff/faculty/rita-mckeough Archived 2019-02-07 at the Wayback Machine Accessed February 26, 2016
  4. http://ggavma.canadacouncil.ca/en/archive/2009/winners Archived 2014-02-03 at the Wayback Machine Accessed February 1, 2014
  5. Sandals, Leah (July 23, 2013). "Canada Council International Residencies go to 14 Artists". Canadian Art. Archived from the original on February 20, 2014. Retrieved March 7, 2014.
  6. Rita McKeough : works. Sherlock, Diana,, Emmedia Gallery & Production Society. Calgary, Alberta. October 2018. ISBN 978-0-9867369-2-6. OCLC 1080210369.CS1 maint: others (link)
  7. "Rita McKeough: Subversive at Work," Canadian Art. https://canadianart.ca/features/rita_mckeough-2/ Archived 2018-06-22 at the Wayback Machine
  8. "Archived copy". Archived from the original on 2017-03-27. Retrieved 2019-11-30.CS1 maint: archived copy as title (link)
  9. Oh, Canada: Contemporary Art from North North America Official Website http://www.ohcanadaeast.com/ Archived 2019-05-11 at the Wayback Machine
  10. Diggon, Elizabeth; Mills, Josephine (2012). The Lion's Share. Lethbridge: University of Lethbrdige Art Gallery. p. 64. ISBN 9780919555457.
  11. "Rita McKeough: The Lions Share". Alberta College of Art and Design. Alberta College of Art and Design. March 7, 2015. Archived from the original on September 22, 2014. Retrieved March 7, 2015.
  12. Kjorlien, Melanie; Moir, Lindsay (2016). Made in Calgary: An Exploration of Art from the 1960s to the 2000s. Calgary, Alberta: Glenbow Museum. p. 375. ISBN 978-1-895379-64-8.
  13. Rita McKeough:Graphic Works. Lethbridge: Southern Alberta Art Gallery. 1985. p. 9.
  14. Rita McKeough: an excavation. Calgary, Canada: Glenbow. 1994. p. 78. ISBN 1895379148.
gollark: Mine is incrementing it.
gollark: ... no.
gollark: Maybe I should improve the protocol for added performance.
gollark: That would be me, via the LAN.
gollark: This is using a *significant* amount of my CPU and possibly network.
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