Richard Leech (tenor)

Richard Leech (born March 26, 1957) is an American operatic tenor, recipient of the Richard Tucker Award in 1988, and particularly associated with lyric roles of the Italian and French repertories.

Raised and educated in Binghamton, New York, he attended Eastman School of Music but dropped out after a semester. He began his career in the early 1980s, appearing with the Tri-Cities Opera.

Leech made his debut at the New York City Opera in 1984 as Rodolfo in La bohème. He soon added the roles of the Duke in Rigoletto and Alfredo in La Traviata.

On March 25, 1987, Leech began a two-decade affiliation with Cincinnati Opera with his debut as Hoffmann in Les contes d'Hoffmann. He went on to sing Roméo in Roméo et Juliette in 1989 and 1994, Riccardo in Un ballo in maschera in 1991, Cavaradossi in Tosca in 1993, Don José in Carmen in 2004, and the title role of Gounod's Faust in 2007. Cincinnati Opera presented him in a solo recital for its 75th anniversary in 1995.

For San Diego Opera, where he appeared in twelve seasons between 1988 and 2008, his roles included his first Don José (Carmen), Werther (Werther) and Turridu (Cavalleria rusticana).

He sang over 175 performances at The Metropolitan Opera where he made his debut in 1989 as Rodolfo. Other roles included Pinkerton in Madame Butterfly and Faust in Boito's Mefistofele. His last appearance at The Metropolitan Opera in 2012 in The Makropulos Affair.

He also appeared at the Lyric Opera of Chicago, the San Francisco Opera, Los Angeles Opera, and Houston.

On the international scene, he made a sensational debut in Berlin, as Raoul in Les Huguenots, in 1987, and has since appeared at the Paris Opera, the Royal Opera House in London, La Scala in Milan, etc.

Leech established himself as one of the world's leading tenors in lyric roles such as Edgardo, Duke of Mantua, Alfredo, Faust, Roméo, Hoffmann, des Grieux, Werther, Pinkerton, et al. Possessing a beautiful clear voice with a thrilling upper register, was compared to Jussi Björling and Luciano Pavarotti by critics.

In 2015, he began a new affiliation with Michigan Opera Theatre as Director of Resident Artist Programs.

Sources

Le guide de l'opéra, Mancini & Rouveroux, (Fayard, 1996), ISBN 2-213-59567-4

gollark: Some people don't even have a publicly routable IP.

gollark: Also CGNAT now.

gollark: Like I said, it's not really very hard to do that (at least at a small scale, making stuff run with the volume of data Facebook deals with is a different issue), the hurdles are more, er, social and possibly legal.

gollark: The average person really does not want to do anything remotely complicated with a computer, which is problematic, and it doesn't really *help* that a bunch of stuff (down to the balance of upload/download speeds available on home network connections) on the internet is set up now to encourage using big walled gardens and discourage running your own stuff.

gollark: Well, you can't easily, which is the problem.

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.