Richard Cowan (bass-baritone)

Richard Cowan (December 24, 1957 – November 16, 2015) was an American operatic bass-baritone. A National Finalist in the 1985 Metropolitan Opera National Council Auditions and winner of the Grand Prize in the 1987 Concours International de Chant de Paris, Cowan sang leading roles in the opera houses of Europe and North America and was the Artistic Director of the Lyrique en Mer opera festival in Belle Île, which he founded in 1998.

Life and career

Cowan was born in Euclid, Ohio and graduated in opera and composition from the Indiana University School of Music in 1981. He apprenticed first with Central City Opera and Michigan Opera Theatre and then joined the Lyric Opera of Chicago's Center for American Artists in 1983. He made his Chicago debut in 1983 as The Priest in the company premiere of Lady Macbeth of Mtsensk and by 1988 had appeared there in Carmen, Arabella, and Die Frau ohne Schatten.[1] He later appeared in two more company premieres: Antony in Barber's Antony and Cleopatra (1991) and John Sorel in Menotti's The Consul (1996).[2]

His European debut came in 1985 when on the invitation of Bruno Bartoletti, he sang The Animal Trainer and The Athlete in Alban Berg's Lulu at the Maggio Musicale in Florence, roles he would later reprise in Chicago and at San Francisco Opera.[1][3] In 1985 he was a National Finalist in the Metropolitan Opera National Council Auditions and in 1987 won the Grand Prize in the Concours International de Chant de Paris.[4][5] Cowan made his Metropolitan Opera debut in 1990 on the opening night of the season as Schaunard in La bohème and went on to perform there as Guglielmo in Così fan tutte and in the title role of Don Giovanni,[4] a role he would sing many times in the opera houses of North America and Europe. His other leading roles have included Bluebeard in Bartók's Bluebeard's Castle (Deutsche Oper in Berlin, Opera de Geneve, Melbourne, Liege, and the RAI National Symphony Orchestra in Turin), Escamillo in Carmen (Chicago, Toronto), Jokanaan in Salome (Miami, Minneapolis, Vancouver), and Nick Shadow in Stravinsky's The Rake's Progress (Spoleto Festival).[6]

Cowan was the Artistic Director of Lyrique en Mer, Festival de Belle Île in France. He founded the festival in 1998, and has directed various works at the island's Citadelle Vauban such as Otello, Rigoletto, La traviata, Don Giovanni, Così fan tutte, Le nozze di Figaro, Dido and Aeneas, La Cenerentola, and Carmen.[7][8] He has taught classical voice at Roosevelt University in Chicago, Northern Kentucky University, and Carnegie Mellon University.[9] He died on November 16, 2015, in Pittsburgh, Pennsylvania.[10][11]

Recordings
  • La Bohème (1988) – Chœur de Radio France and Maîtrise de Radio France; Orchestre national de France; James Conlon, conductor. Label: Erato
  • Madame Butterfly (1995) – Chœurs et Maîtrise de Radio France; Orchestre national de France; James Conlon, conductor. Label: Sony Classical

Filmography
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gollark: Notably, English words do not actually mean the same thing as the roots might imply, in cases where there even are obvious ones.
gollark: Just because your language theoretically has words composed of subwords doesn't mean you can ignore the various problems I mentioned (except possibly the grammar one). And "convert the words to semantic expressions" hides a lot of the complexity this would involve.
gollark: I'm pretty sure I've seen diagrams of pronounceable things of some kind, but they're more complex than just permutations of "high tone, low tone" and do not conveniently map to concepts.

References
  1. Delacoma, Wynne (4 December 1988). "Deep-voiced Richard Cowan gets down to business". Chicago Sun-Times. Retrieved via Highbeam Research 9 January 2013 (subscription required).
  2. Lyric Opera of Chicago Archives. Richard Cowan. Retrieved 9 January 2013.
  3. San Francisco Opera Archives. Richard Cowan. Retrieved 9 January 2013.
  4. Metropolitan Opera Archives. Cowan, Richard (Bass-baritone). Retrieved 9 January 2013.
  5. Central Opera Service Bulletin (Spring/Summer 1987). "Winners", Vol. 27, No. 4, p. 59
  6. Sachs, Harvey (21 July 1993). "Stravinsky Tops Billing at Italian Festival". New York Times. Retrieved 9 January 2013.
  7. Perdoux, Martin (18 October 2001). "Opera in the Raw". Chicago Reader. Retrieved 9 January 2013.
  8. Le Télégramme (22 August 2013). "Lyrique en mer. Richard Cowan, la cheville ouvrière". Retrieved 9 January 2013 (in French).
  9. Carnegie Mellon University (28 August 2008). "Carnegie Mellon's College of Fine Arts Appoints New Faculty Members for 2008-2009 Academic Year".
  10. "Nécrologie. Richard Cowan, du Lyrique en mer". Le Télégramme. November 21, 2015.
  11. Sad news: Death of enterprising baritone and festival director, aged 57
  12. Poppi, Roberto (1991). Dizionario del cinema italiano, Vol. 5, p. 88. Gremese Editore. ISBN 8877424230 (in Italian)
  13. Weiskind, Ron (3 January 1997). "Butterfly has wings". Pittsburgh Post-Gazette. Retrieved 9 January 2013.
  14. Telefilm Canada. Ravel's Brain. Retrieved 9 January 2013.
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