Angénieux retrofocus

The Angénieux retrofocus photographic lens is a wide-angle lens design that uses an inverted telephoto configuration. The popularity of this lens design made the name retrofocus synonymous with this type of lens. The Angénieux retrofocus for still cameras was introduced in France in 1950 by Pierre Angénieux.

Angénieux retrofocus
Introduced in1950 (stills)
AuthorPierre Angénieux (1950)
Construction6 elements in 5 groups
Aperturef/2.5

Inverted telephoto concept

The telephoto lens configuration combines positive and negative lens groups with the positive at the front, so as to reduce the back focal distance of the lens (the distance between the back of the lens and the image plane) to a figure shorter than the focal length. This is for practical, not for optical reasons, but rather because telephoto lenses can then be made shorter and less cumbersome.

The inverted telephoto configuration does the reverse, employing one or more negative lens groups at the front to increase the back focal distance of the lens possibly to a figure greater than the focal length in order to allow for additional optical or mechanical parts to fit behind the lens.

'Inverted telephoto' lens designed by H.W. Lee (1930), GB 355,452[1] and US 1,955,590[2]

The inverted telephoto design was first employed in the 1930s by Taylor-Hobson for the early Technicolor "3-strip" cameras since the beam splitter unit behind the lens required significant space, so that a long back focal distance was essential.[3] Horace Lee patented an inverted telephoto lens design in 1930 with an angle of view of 50° and maximum aperture of f/2 which afforded a distance between the rear element and the film plane approximately 10% greater than the focal length.[1][2] Joseph Ball showed how a beam-splitting apparatus could be fitted in the space gained.[4] Also, wide-angle lenses for narrow-gauge movie cameras had to be of this type because of the shutter mechanism that had to fit in between.

In still photography, a single-lens reflex camera requires a space for the reflex mirror, imposing a limit on the use of wide-angle lenses of symmetric designs. The retrofocus lens addressed this situation by increasing the distance between the rear element and the focal plane, thus making wider-angle lenses usable while retaining normal viewing and focusing. Unless the reflex mirror were locked in the "up" position, blacking out the viewfinder, the rearmost element(s) of a non-retrofocus (symmetric wide-angle) lens would interfere with the movement of the mirror as it flipped up and down during exposure.

Implementation

Pierre Angénieux applied for a patent in 1950. In the original patent, he presented two lenses with an angle of view of 65°, approximately equal to the view of a f=35mm lens on the 35mm format for still cameras; the first example had a maximum aperture of f/2.5, while the second example had a maximum aperture of f/2.2.[5]

At approximately the same time, Harry Zöllner and Rudolf Solisch applied for a similar patent on an inverted telephoto lens design, branded Flektogon, for Carl Zeiss Jena.[6][7] Carl Zeiss Oberkochen also created an inverted telephoto design branded Distagon (5.6/60mm) for the Hasselblad 1000F in 1952.[3]

Made in focal lengths of 24 mm, 28 mm, and 35 mm, the Angénieux retrofocus lens inspired other lens makers to produce wide-angle lenses of this type for almost every 35mm SLR, and helped to make it the definitive camera type of the late 20th century.

gollark: I thought France was traditionally insulted in Britain.
gollark: I can't place it specifically.
gollark: Their accent sounded quite British.
gollark: I ran out of apioform music videos to play at them in voice chat, so I'm using `espeak` to TTSize random bytestrings.
gollark: Sometimes things don't particularly make sense.

References

  1. GB Application 355452, Horace William Lee, "Improvements in lenses for photography and the like", assigned to Kapella Ltd.
  2. US Grant 1955590, Horace William Lee, "Lens", issued 17 April 1934, assigned to Kapella Ltd.
  3. Nasse, Dr. Hubert H. (December 2011). From the series of articles on lens names: Distagon, Biogon and Hologon (PDF). Lenspire [blog] (Report). Carl Zeiss AG. Retrieved 15 November 2018.
  4. US Grant 1862950, Joseph A Ball, "Optical apparatus", issued 14 June 1932, assigned to Technicolor Motion Picture Corp
  5. US Grant 2649022, Pierre Angénieux, "Wide-angle photographic objective lens assembly", issued 18 August 1953, assigned to Pierre Angénieux
  6. DE Grant 953471, Harry Zollner & Rudolf Solisch, "Photographisches Objektiv mit einem sammelnden Systemteil und einem in verhaeltnismaessig grossem Abstand davor liegenden zerstreuenden Meniskus", issued 29 November 1956, assigned to Jenoptik AG
  7. US Grant 2793565, Harry Zollner & Rudolf Solisch, "Photographic objective comprising a rear collective part and a front dispersive meniscus part", issued 28 May 1957, assigned to Jenoptik AG

Bibliography

This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.