Red Special (album)
Red Special is an EP by guitarist Brian May of Queen. It contains live tracks recorded at the European part of his Another World tour, edits from tracks taken from the Another World album and B-sides. The album was a Japan-only release to promote the tour in Japan.
| Red Special | ||||
|---|---|---|---|---|
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| EP by | ||||
| Released | October 28, 1998 (Japan) | |||
| Recorded | 1998 | |||
| Genre | Rock | |||
| Length | 38:11 | |||
| Label | EMI | |||
| Producer | Brian May | |||
| Brian May chronology | ||||
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Track listing
- "On My Way Up" (Live in Paris, June 98) (Brian May)
- "Why Don't We Try Again" (May)
- "Maybe Baby" (Buddy Holly, Norman Petty)
- "Business (USA Radio Mix Uncut)" (May)
- "Another World" (May)
- "Only Make Believe" (Conway Twitty, Jack Nance)
- "Hammer to Fall" (Live in Paris, June 98) (May)
- "Brian Talks (A Tribute to Cozy Powell)"
Personnel
- Brian May - vocals, guitars, bass guitar, keyboards, programming
- Cozy Powell - drums, percussion
- Steve Ferrone - drums, percussion
- Ken Taylor - bass guitar
- Neil Murray - bass guitar
- Jamie Moses - guitar
- Spike Edney - keyboards
Personnel on live tracks
- Spike Edney - keyboards
- Jamie Moses - guitar
- Steve Ferrone - drums, cocktail kit
- Neil Murray - bass guitar
- Susie Webb and Zoe Nicholas - backing vocals
Production
- Arrangement and production - Brian May
- Engineering and co-production - Justin Shirley-Smith
- Additional mixing (live tracks) - David Richards and Neil Amor
- Design - Richard Gray
- Equipment supervision and maintenance - Peter Malandrone
- Mastered by Kevin Metcalfe at The Soundmasters
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gollark: There are a few other uses, like the THOR orbital laser system.
gollark: Remotely debugging potatOS computers, yes.
gollark: Well, SPUDNET effectively emulates lazily some sort of complex asymmetric crypto scheme where admin messages are cryptographically signed.
gollark: You could probably have some sort of thing where heavdrones *initially* connect as unprivileged, and only get a comms mode key after they are remotely inspected somehow, but like all DRM-y schemes it is flawed against anyone actually paying attention.
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