Reckless (1951 film)
Reckless (Spanish: Balarrasa) is a 1951 Spanish drama film directed by José Antonio Nieves Conde. It was entered into the 1951 Cannes Film Festival.[1]
| Reckless | |
|---|---|
| Directed by | José Antonio Nieves Conde |
| Written by | Vicente Escrivá |
| Starring | Manolo Morán |
| Cinematography | José F. Aguayo Manuel Berenguer |
| Edited by | Juan Serra |
Release date |
|
Running time | 90 minutes |
| Country | Spain |
| Language | Spanish |
Cast
- Manolo Morán - Desiderio
- Jesús Tordesillas - Carlos
- Dina Sten - Lina
- Luis Prendes - Fernando
- José Bódalo - Presidente del club
- Maruchi Fresno - Elena
- María Rosa Salgado - Mayte
- Eduardo Fajardo - Mario
- Fernando Fernán Gómez - Javier Mendoza 'Balarrasa'
- Fernando Aguirre - Valentin
- Francisco Bernal - Emiliano
- Mario Berriatúa - Teniente Hernández
- Julia Caba Alba - Faustina
- Chano Conde - Teniente
- Alfonso de Córdoba - Alférez
- Gérard Tichy - Zanders
gollark: It's easy to say that if you are just vaguely considering that, running it through the relatively unhurried processes of philosophizing™, that sort of thing. But probably less so if it's actually being turned over to emotion and such, because broadly speaking people reaaaallly don't want to die.
gollark: Am I better at resisting peer pressure than other people: well, I'd *like* to think so, but so would probably everyone else ever.
gollark: Anyway, I have, I think, reasonably strong "no genocide" ethics. But I don't know if, in a situation where everyone seemed implicitly/explicitly okay with helping with genocides, and where I feared that I would be punished if I either didn't help in some way or didn't appear supportive of helping, I would actually stick to this, since I don't think I've ever been in an environment with those sorts of pressures.
gollark: Maybe I should try arbitrarily increasing the confusion via recursion.
gollark: If people are randomly assigned (after initial mental development and such) to an environment where they're much more likely to do bad things, and one where they aren't, then it seems unreasonable to call people who are otherwise the same worse from being in the likely-to-do-bad-things environment.I suppose you could argue that how "good" you are is more about the change in probability between environments/the probability of a given real world environment being one which causes you to do bad things. But we can't check those with current technology.
References
- "Festival de Cannes: Reckless". festival-cannes.com. Retrieved 11 January 2009.
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