Queen of the Mist

Queen of the Mist is a musical with music, lyrics and book by Michael John LaChiusa. Queen tells the story of Annie Edson Taylor. Produced by Transport Group Theatre Company, the musical first opened Off-Broadway in 2011.

Queen of the Mist
Original Off-Broadway Cast Recording
MusicMichael John LaChiusa
LyricsMichael John LaChiusa
BookMichael John LaChiusa
BasisThe life of Annie Edson Taylor
Productions2011 Off-Broadway
2019 Off-West End
Awards2012 Outer Critics Circle Award Outstanding New Off-Broadway Musical
2020 Off West End Award Best Musical Director

Production

The musical was the inaugural show of Transport Group's 20th Century Project.[1] The musical premiered Off-Broadway at The Gym at Judson on November 6, 2011 and closed on December 4, 2011.[2] The musical received positive reviews.[3] The show received its UK Premiere at the Jack Studio Theatre in London, produced by Pint of Wine Theatre Company, on April 9, 2019 and closed on April 27, 2019.

Cast and crew

Off-Broadway

The musical was directed by Jack Cummings III, with musical director Chris Fenwick, choreographer Scott Rink, assistant choreographer Megan Kelley, set design Sandra Goldmark, costume design Kathryn Rohe, lighting design R. Lee Kennedy, sound design Walter Trarbach, assistant set design Aaron Sheckler, assistant light design Robert Eshleman, orchestrations Michael Starobin, and wig design Paul Huntley. The band consisted of David Byrd Marrow (French horn), Chris Fenwick (keyboard 1), Susan French (Violin), Martha Hyde (woodwinds), Jeffrey Levine (bass), Mark Mitchell (keyboard 2), and Anik Oulianine (cello).[4]

The cast was led by Mary Testa (Annie Edson Taylor) and Andrew Samonsky (Mr. Frank Russell) with D. C. Anderson (A New Manager), Stanley Bahorek (Mike Taylor), Theresa McCarthy (Jane), Julia Murney (Carrie Nation), and Tally Sessions (Man with his Hand Wrapped in a Handkerchief).

The musical was made possible by major support by the Shen Family Foundation.[4]

Off-West End

The musical was directed by Dominic O'Hanlon, with musical director Jordan Li-Smith and associate Connor Fogel, design by Tara Usher, costumer Lemington Ridley, sound design by Adrian Jeakins. The production was produced by Blake Klein for Pint of Wine Theatre Company.[5]

The cast was led by Trudi Camilleri (Annie Edson Taylor) and Will Arundell (Frank Russell) with Emily Juler (Jane), Emma Ralston (Carrie Nation), Tom Blackmore (Mike Taylor), Conor McFarlane (Man with his Hand Wrapped in a Handkerchief) and Andrew Carter (A New Manager). The band was conducted by Jordan Li-Smith, and consisted of Maude Wolstenholme (French horn), Connor Fogel (keyboard 1), Grace Buttler (Violin), Claire Shaw (woodwinds), Jack Cherry (bass), Ashley Jacobs (keyboard 2), and Hannah Thomas (cello).

The production was nominated for two 2020 Off West End Awards, winning for ‘Best Musical Director’ (Jordan Li-Smith).

The Original London Cast Recording is available to buy and stream.

Plot

In the early 1900s, in western New York State, at Niagara Falls, Anna Edson Taylor is a 63-year-old teacher. Needing money, she decides to become the first woman to go over Niagara Falls, and designs her own barrel. She is helped by her manager, Frank Russell. "Navigating both the treacherous Falls and a fickle public with a ravenous appetite for sensationalism, this unconventional heroine vies for her legacy in a world clamoring with swindling managers, assassins, revolutionaries, moralizing family, anarchists, and activists. Convinced that there is greatness in her and determined not to live as ordinary, she sets out to battle her fear and tempt her fate." [1] The score incorporates turn-of-the-century themes. Anna attempts to take advantage of her fame on the lecture circuit, but that does not last. Anna dies in a nursing home at age 82, a pauper.

Musical numbers

Reception

Ben Brantley of The New York Times said the show "moves forward with a steady, fixed intensity that makes it feel as if it never moves forward at all".[3] Steven Suskin of Variety said LaChuisa "developed a reputation for shows that are more esoteric than involving", but that Queen "breaks the pattern", and also noted that the score was "intelligent" and "tuneful".[6] Aubry D'Arminio writing for Entertainment Weekly referred to the show as "beautifully odd".[7]

gollark: AT AALL
gollark: DID THEY NOT CHECK THE CPU USAGE
gollark: WHY DID SOMEONE THINK THIS WAS A GOOD WAY TO DO THINGS
gollark: They're highly intelligent, so they have *one* goroutine constantly read a websocket and write to a channel, *one* goroutine read a TCP socket and write to a channel, and *another* goroutine CONSTANTLY POLLING ALL THE CHANNELS.
gollark: On that note, I don't understand how anyone but a Go programmer could have written this code.

References
  1. Hetrick, Adam. "John LaChiusas 'Queen of the Mist' With Mary Testa Extends Off Broadway" Archived May 29, 2014, at the Wayback Machine playbill.com
  2. The Queen of the Mist Archived 2015-05-25 at the Wayback Machine Internet Off-Broaday Database, accessed May 25, 2015
  3. Brantley, Ben. "Theater Reviews. Obsessed With Taking the Plunge" The New York Times, November 7, 2011
  4. "Queen of the Mist Program" transportgroup.org, accessed September 28, 2015
  5. "Queen of the Mist • Jack Studio Theatre". Jack Studio Theatre. Retrieved 2019-04-02.
  6. Suskin, Steven. "Legit Review. Queen of the Mist " Variety, November 6, 2011
  7. D'Arminio, Aubry. Queen of the Mist ew.com, November 10, 2011
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