Que País É Este

Que País É Este (subtitled 1978/1987) is the third studio album by Brazilian rock band Legião Urbana, released in 1987. The album booklet features a cartoon by drummer Marcelo Bonfá depicting the constant guitarist changes that the band went through until they hired Dado Villa-Lobos.[3]

Que País É Este
Studio album by
Legião Urbana
ReleasedNovember 1987
RecordedOctober 1987[1]
GenreAlternative rock, punk rock, post-punk, folk rock, art rock
Length36:10[2]
LabelEMI-Odeon
ProducerMayrton Bahia
Legião Urbana chronology
Dois
(1986)		 Que País É Este
(1987)		 As Quatro Estações
(1989)
Singles from Que País É Este
  1. "Que País É Este"
    Released: 1987
  2. "Angra dos Reis"
    Released: 1988
  3. "Faroeste Caboclo"
    Released: 1988
  4. "Eu Sei"
    Released: 1988

The album sold more than 1 million copies,[4] receiving a Diamond Certification by ABPD.[5] It was also the last Legião Urbana album to feature bassist Renato Rocha — he would leave the band during the recording sessions of the next release, As Quatro Estações.

History

The studio recording of Que País É Este was originally intended for a double album called Mitologia e Intuição ("Mythology and Intuition"; it was also tentatively named Disciplina e Virtude, which means ""Discipline and Virtue"[6]), which would include recordings from this album and the previous one Dois. The idea was rejected and what was left of the project was released in this album.[7]

The project was changed because, following Dois's success, the label pressuded them for a third album but they didn't have enough repertoire for that.[8] Only "Mais do Mesmo" and "Angra dos Reis" were written during the album's sessions.[9][8]

Besides the label's pressure (strengthened by the fact that the band had already missed the agreed deadline of three albums in 36 months), vocalist and acoustic guitarist Renato Russo himself would demand himself to quickly record some songs from his time with Aborto Elétrico ("Que País É Este", "Conexão Amazônica" and "Tédio"[9][10]) before Capital Inicial - another band spun off Aborto Elétrico - had the opportunity to do that.[11] This helped the band let go of the idea of an all-new album in favor of some kind of anthology. At that time, they denied having faced any pressure from the label.[6] Villa-Lobos said then:[12]

The thing with this album which we stopped recording is that its project would initially be called Disciplina e Virtude. By the time we got into the studio, we couldn't talk about discipline, let alone virtue in the chaos in which we were and in which the country was. It was the Cruzado II times!

This helped to solve the lack of songs problem. Many of them were originally written when Russo performed under the name "Trovador Solitário" (Lonely Troubadour) ("Faroeste Caboclo", for exemple[9]), alone with his acoustic guitar.[9] "Que País É Este" and "Conexão Amazônica", for example, were written in 1978.[10]

"Eu Sei" was written between the end of Aborto Elétrico and the foundation of Legião Urbana; a pirate version of the song was already being aired at some radio stations back then. As such, Russo saw the album as a way of putting an end to the widespread airing of pirate recordings of his songs.[6] The fact that the album involved songs written throughout years is express in its title.[9]

Initial versions of "Eu Sei" and "Faroeste Caboclo", recorded in 1982 by Russo singing and playing the acoustic guitar, were recovered and released in 2008 on his posthumous solo album O Trovador Solitário.[13] The verse "talvez tenhamos que fugir sem você" (we may have to flee without you) from "Eu Sei" originally read "talvez tenhamos que correr e perder" (we may have to run and lose).[13]

The album was ready in just a month.[11] The recording took two weeks[9] and the tracks "Que País É Este", "Conexão Amazônica", "Tédio" and "Química" were recorded in only one take.[14]

It was during this album's recording sessions that conflicts erupted between bassist Renato Rocha and the rest of the band and EMI-Odeon personnel. He was constantly late and unable to play his parts the way Russo wanted them to be performed, which made the band start to regret having hired him.[15]

Song information

"Angra dos Reis" mentions the construction of a nuclear power plant in the city of same name in the state of Rio de Janeiro and "Mais do Mesmo" would later be the title of a compilation by the band;[8] this was the original planned title for this album.[16]

"Faroeste Caboclo" was composed in 1979 during the "O Trovador Solitário" era of Renato Russo.[17] Clocking at over nine minutes and possessing no choruses among its 159 verses, the song tells the story of João de Santo Cristo. Russo considered it his "Hurricane".[18] It was the longest song by the band until the release of "Metal contra as Nuvens" from V.

The album also features "Depois do Começo", the only song by Russo that he admitted to not liking later, since he considered it too pretentious. It was created with Aborto Elétrico's "Anúncio de Refrigerante" as the basis. "Química" had already been recorded by Os Paralamas do Sucesso in their debut album Cinema Mudo.[19]

Promotion

Tour

During the tour launched to promote this album, an infamous performance of the band at Mané Garrincha Stadium in Brasília took place in June 1988 for an audience of some 50,000 people. The band started the show one hour late. During the fourth song ("Conexão Amazônica"), Russo was attacked by a man, who was removed by security. As the show continued, the audience started to throw objects at the musicians, to which Russo replied with provocations. After one hour, the band left the stage and a frustrated audience caused a stampede that resulted in 380 injured people The band ended up sued by Distrito Federal's government.[20]

Russo even said he would never return to Brasília after this incident, but he took it back soon after. One month later, when the band performed at Maracanãzinho in Rio de Janeiro, the audience threw daisies in response to the incident in Brazil's capital.[20]

This incident increased Russo's stage fright, and Legião Urbana's following work would become more introspective.[21]

Track listing

All tracks are written by Renato Russo, except where noted[2].

No.TitleEnglish titleLength
1."Que País É Este"What Country Is This2:57
2."Conexão Amazônica" (Russo/Fê Lemos)Amazon Connection4:37
3."Tédio (Com um T Bem Grande pra Você)"Boredom (With a Very Big B for You)2:32
4."Depois do Começo"After the Beginning3:13
5."Química"Chemistry2:19
6."Eu Sei"I Know3:10
7."Faroeste Caboclo"Caboclo Western9:04
8."Angra dos Reis" (Russo, Renato Rocha, Marcelo Bonfá) 5:00
9."Mais do Mesmo" (Dado Villa-Lobos, Russo, Rocha, Bonfá)More of the Same3:20
Total length:36:10[2]

Covers

Personnel

Per the booklet:[1]

Legião Urbana

Technical personnel
  • Jorge Davidson — artistic direction
  • Mayrton Bahia — production direction, executive producer, mixing
  • Jorge Brum — studio assistant
  • Ricardo Junqueira — cover and booklet pictures
  • Marcelo Benzaquêm — booklet pictures
  • Fernanda Villa-Lobos — art direction and execution
  • J. C. Mello — graphic coordithation

Reception

Critical reception
Professional ratings
Review scores
SourceRating
Allmusic[22]

The title track was voted by the Brazilian edition of Rolling Stone as the 81st greatest Brazilian song.[10]

Commercial reception

Album certification
Region CertificationCertified units/sales
Brazil (Pro-Música Brasil)[23] Diamond 1,000,000*

*sales figures based on certification alone

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References
  1. LEGIÃO URBANA. Que País É Este 1978/1987 liner notes. Rio de Janeiro: EMI-Odeon Brazil, 1987.
  2. Fuscaldo 2016, p. 55.
  3. Fuscaldo 2016, p. 9.
  4. "Certificados — Pró-Música Brasil: Legião Urbana". PMB. Archived from the original on 20 February 2020. Retrieved 19 February 2020.
  5. Legião Urbana at ABPD (in Portuguese)
  6. Fuscaldo 2016, p. 48.
  7. Fortune. "Legião Urbana". Archived from the original on 2012-04-06. Retrieved 5 November 2018.
  8. Mariana Peixoto (1 August 2018). "Remanescentes da Legião Urbana anunciam turnê; ingressos já estão à venda". Uai. Retrieved 15 November 2018.
  9. Fuscaldo 2016, p. 47.
  10. Azevedo, Zeca (2009). "As 100 Maiores Músicas Brasileiras - "Que País É Este?"". Rolling Stone Brasil (in Portuguese). Spring. Archived from the original on 7 October 2013. Retrieved 6 January 2014.
  11. Fuscaldo 2016, p. 46.
  12. Fuscaldo 2016, pp. 48-49.
  13. Fuscaldo 2016, pp. 199-200.
  14. Fuscaldo 2016, p. 49.
  15. Fuscaldo 2016, p. 52.
  16. Fuscaldo 2016, p. 119.
  17. MEDEIROS, Estefani (29 May 2013). "Longa, com palavrões e críticas políticas, -Faroeste Caboclo- deu trabalho quando chegou às rádios". UOL Música. Retrieved 15 November 2018.
  18. SEELIG, Ricardo (6 June 2013). "Como surgiu a letra de "Faroeste Caboclo", clássico da Legião Urbana?". #CollectorsRoom. Retrieved 15 November 2018.
  19. Fuscaldo 2016, p. 20.
  20. Fuscaldo 2016, pp. 53-54.
  21. "O último e histórico show da Legião Urbana em sua cidade natal: 63 presos, 231 feridos e uma onda de ódio à banda". Contramão. 23 October 2016. Retrieved 26 December 2018.
  22. Rivadavia, Eduardo. Legião Urbana: Que País É Este > Review at AllMusic. Retrieved 6 July 2011.
  23. "Brazilian album certifications – Legiao Urbana – Que País é Este?" (in Portuguese). Associação Brasileira dos Produtores de Discos.
  • Fuscaldo, Chris (2016). Discobiografia Legionária. São Paulo: LeYa. ISBN 978-85-441-0481-1.CS1 maint: ref=harv (link)
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