Prelude, Op. 28, No. 1 (Chopin)

The Prelude, Op. 28, No. 1, played on the piano, is the first of Chopin's preludes. It was published in 1839 and dedicated to Camille Pleyel.[1] Pianist Vladimir de Pachmann noted this prelude as "The first one is in a style that reminds one very forcibly of Schumann."[1]

See also: Preludes (Chopin)

Analysis

Marked Agitato ("agitated") and in the key of C major, this prelude is in 2
8 time. This prelude lasts from about 40 seconds to one minute and is a mere 34 bars (or measures) long.[2] This prelude consists of 8-bar phrases with a coda in the end of the piece and consists of arpeggios with four-part harmony. From bars 16–20, a stretto is listed in the English and French first editions of the piece, which means increase the tempo in the , though this is not written in the Italian first edition.[2][3][4] Throughout the piece, the piece shifts out of C major but doesn't modulate to a different key.[5] According to Marilyn Anne Meier, an Australian concert pianist, the prelude should be played "…by playing the semiquavers intensely legato, not articulated and separated.[5]"

Name

Chopin did not publish any textual names for his preludes[2] However, later pianists Alfred Cortot and Hans von Bülow created nicknames for this piece, Cortot naming this "Feverish anticipation of loved ones" and Bülow naming this "Reunion".

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References
  1. "Preludes". Chopin Music. Chopin Music. Archived from the original on 5 September 2013. Retrieved 30 July 2016.
  2. "Preludes pour le Piano". Chopin First Editions Online. Breitkopf and Haertel. 1839. p. 2. Retrieved 30 July 2016.
  3. "Vingt-quatre Préludes pour le Piano". Chopin First Editions Online. Breitkopf and Haertel. 1839. p. 2. Retrieved 30 July 2016.
  4. "Twenty Four Grand Preludes, through all Keys, for the Piano Forte, Op. 28". Chopin First Editions Online. Breitkopf and Haertel. 1839. p. 2. Retrieved 30 July 2016.
  5. Meier, Marilyn Anne (1993). Chopin Twenty-Four Preludes Opus 28 (1 ed.). University of Wollongong: School of Creative Arts. pp. 73–7. Retrieved 30 July 2016.
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