Modelling clay

Modelling clay is any of a group of malleable substances used in building and sculpting. The material compositions and production processes vary considerably.[1]

A bust of the sculptor Albert-Ernest Carrier-Belleuse, by Auguste Rodin (1882). Terracotta, originally modelled in clay.
Giant clay sculptures in Caruaru (Brazil).
Roses and seashells made of Paperclay (DECO)
Industrial clay: a clay model of a BMW

Ceramic clay

Ceramic clays are water-based substances made from clay minerals and other raw materials.[2] They are baked at high temperatures in a process known as firing to create ceramics, such as terra cotta, earthenware, stoneware, and porcelain. Paper clay produced by pottery clay manufacturers is a clay body to which a small percentage of processed cellulose fiber has been added. When kiln-fired, the paper burns out, leaving the clay body. Consequently, the firing temperatures and glazes selection should be the same on those used with the clay body.

Oil-based clay

Oil-based clays are made from various combinations of oils, waxes, and clay minerals.

Because the oils do not evaporate like water, oil-based clays remain malleable even when left in dry environments for long periods. Articles made from oil-based clays cannot be fired, and thus are not ceramics. Because rising temperature decreases oil viscosity, the malleability is influenced by heating or cooling the clay. Oil-based clay is not water-soluble. As it can be re-used, it is a popular material for animation artists who need to bend and move their models. It is available in a multitude of colors and is non-toxic. Readily worked in fine detail, oil-based clays are also suitable for the creation of detailed sculptures from which molds can be made. Castings and reproductions can then be produced from much more durable materials. Cars and airplanes may be created using industrial design-grade modelling clay.

Oil-based clays are referred to by a number of genericized trademarks.

  • Plastilin (or Plasteline), which was patented in Germany by Franz Kolb in 1880, was developed by Claude Chavant in 1892 and trademarked in 1927.[3]
  • Plastilina is trademarked as Roma Plastilina by Sculpture House, Inc. According to their website, their formula is 100 years old. Roma Plastilina contains sulfur, and since certain moldmaking compounds do not set in sulfur's presence, making molds of items made of industrial plasticine is difficult.
  • USA manufacturer, Van Aken International produces sulfur-free Plastalina and Protolina; increasingly popular for mold-making with silicone and fiberglass.

Polymer clay
Main article: Polymer clay

Polymer clay is a modelling material that cures when heated from 129 to 135 °C (265 to 275 °F) for 15 minutes per 6 millimetres (1⁄4 in) of thickness, and does not significantly shrink or change shape during the process. Despite being called "clay", it generally contains no clay minerals. Polymer clay is sold in craft, hobby, and art stores, and is used by artists, hobbyists, and children. Polymer clay is also popular in animation, since it allows static forms to be manipulated frame after frame. Leading brands of polymer clay include Fimo, Kato Polyclay, Sculpey, Modello and Crafty Argentina.

Paper clay
Main article: Paper clay

Paper clay is handmade or commercially available clay to which a small percentage of processed cellulose fiber is added. The fiber increases the tensile strength of the dry clay and enables dry-to-dry and wet-to-dry joins. Commercial paper clays air-dry to a firm, lightweight sculpture, with minimal shrinking during the drying process.[4]

Paper clay can be used as an unfired body in craft and doll-making. It is used in ceramic art studios as sculptural and functional studio pottery.

gollark: +rule go:red ll:red ar:red k:red is not bees
gollark: +rule go:red ll:red ar:red k:red is not yellow:bees
gollark: +rule go:red ll:red ar:red k:red is blue:init blue:evab blue:le
gollark: +rule go:red ll:red ar:red k:red is inev itab le
gollark: +rule go:red ll:red ar:red k:red is inevi table

See also

References
  1. Putman, Brenda, (1939). The Sculptor’s Way: A Guide to Modelling and Sculpture. Farrar & Rinehart, Inc, New York, p. 8
  2. Bergaya, F.; Lagaly, G. (2013). Handbook of clay science (2nd edition. ed.). Amsterdam: Elsevier. p. 453. ISBN 0080993710. Retrieved 23 March 2018.
  3. "Plasteline". sculpturetools.com. Archived from the original on August 20, 2008.
  4. Hay, G. (2006). "A Paperclay Update". Ceramics Technical. pp. 39–40. Retrieved 23 March 2018.
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