Pinheads on the Move
Pinheads on the Move is a compilation album by the American post-punk band Tuxedomoon, released in 1987 by Cramboy. Containing recordings made between 1977 and 1983, the album comprises early singles, rehearsals, live recordings and other rarities.[2] The CD issue has an abridged track listing, removing four songs from the album.
| Pinheads on the Move | ||||
|---|---|---|---|---|
 | ||||
| Compilation album by | ||||
| Released | 1987 | |||
| Recorded | 1977 – 1983 | |||
| Studio | Daylight Studios (Brussels, BE) | |||
| Genre | Post-punk, experimental rock | |||
| Length | 87:31 | |||
| Label | Cramboy | |||
| Producer | Peter Dachert | |||
| Tuxedomoon chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic |   |
Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Pinheads on the Move" | Steven Brown, Blaine L. Reininger | 2:50 |
| 2. | "Joeboy the Electronic Ghost" | Steven Brown, Blaine L. Reininger | 2:55 |
| 3. | "The Stranger" | Steven Brown, Blaine L. Reininger, Winston Tong | 5:10 |
| 4. | "Jingle 7" | Steven Brown, Peter Dachert, Blaine L. Reininger | 0:11 |
| 5. | "Love/No Hope" | Steven Brown, Peter Dachert, Blaine L. Reininger | 5:20 |
| 6. | "Rhythm Loop" | Steven Brown, Blaine L. Reininger | 5:24 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "In Heaven" | Steven Brown, Peter Dachert, Blaine L. Reininger, Winston Tong | 3:21 |
| 2. | "I Heard It Through the Grapevine" (Marvin Gaye cover) | Marvin Gaye | 5:33 |
| 3. | "Fifth Column" | Blaine L. Reininger | 2:02 |
| 4. | "Touched" | Steven Brown, Blaine L. Reininger | 2:15 |
| 5. | "Waterfront Seat" | Steven Brown, Peter Dachert, Blaine L. Reininger | 4:27 |
| 6. | "Une nuit au fond de la frayère" | Steven Brown, Peter Dachert | 3:10 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "I Left My Heart in San Francisco" | Steven Brown, Blaine L. Reininger | 1:04 |
| 2. | "Everything You Want" | Michael Belfer, Steven Brown | 4:07 |
| 3. | "Next to Nothing" | Steven Brown, Blaine L. Reininger, Winston Tong | 2:41 |
| 4. | "Egypt" | Steven Brown | 4:37 |
| 5. | "Over His Head" | Steven Brown, Blaine L. Reininger | 3:38 |
| 6. | "Martial/This Land" | Steven Brown, Peter Dachert, Luc Van Lieshout | 6:50 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Rhumba" | Steven Brown, Blaine L. Reininger | 5:43 |
| 2. | "Jingle 6" | Steven Brown, Peter Dachert, Blaine L. Reininger | 0:08 |
| 3. | "How Strange" | Steven Brown, Blaine L. Reininger, Winston Tong | 6:00 |
| 4. | "Straight Line Forward" | Steven Brown, Peter Dachert, Blaine L. Reininger, Ricky Williams | 3:12 |
| 5. | "Jingle 10" | Steven Brown, Peter Dachert, Blaine L. Reininger | 0:10 |
| 6. | "Pinheads on the Move" (Reprise) | Steven Brown, Blaine L. Reininger | 6:43 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Pinheads on the Move" | Steven Brown, Blaine L. Reininger | 2:51 |
| 2. | "Joeboy the Electronic Ghost" | Steven Brown, Blaine L. Reininger | 2:57 |
| 3. | "The Stranger" | Steven Brown, Blaine L. Reininger, Winston Tong | 5:13 |
| 4. | "Jingle 7" | Steven Brown, Peter Dachert, Blaine L. Reininger | 0:15 |
| 5. | "Love/No Hope" | Steven Brown, Peter Dachert, Blaine L. Reininger | 5:23 |
| 6. | "In Heaven" | Steven Brown, Peter Dachert, Blaine L. Reininger, Winston Tong | 3:23 |
| 7. | "I Heard It Through the Grapevine" (Marvin Gaye cover) | Marvin Gaye | 5:32 |
| 8. | "Fifth Column" | Blaine L. Reininger | 2:08 |
| 9. | "Touched" | Steven Brown, Blaine L. Reininger | 2:16 |
| 10. | "Waterfront Seat" | Steven Brown, Peter Dachert, Blaine L. Reininger | 4:29 |
| 11. | "Une nuit au fond de la frayère" | Steven Brown, Peter Dachert | 2:52 |
| 12. | "I Left My Heart in San Francisco" | Steven Brown, Blaine L. Reininger | 1:06 |
| 13. | "Everything You Want" | Michael Belfer, Steven Brown | 4:10 |
| 14. | "Next to Nothing" | Steven Brown, Blaine L. Reininger, Winston Tong | 2:47 |
| 15. | "Egypt" | Steven Brown | 4:40 |
| 16. | "Over His Head" | Steven Brown, Blaine L. Reininger | 3:46 |
| 17. | "Martial/This Land" | Steven Brown, Peter Dachert, Luc Van Lieshout | 6:52 |
| 18. | "Straight Line Forward" | Steven Brown, Peter Dachert, Blaine L. Reininger, Ricky Williams | 3:12 |
| 19. | "Jingle 10" | Steven Brown, Peter Dachert, Blaine L. Reininger | 0:07 |
| 20. | "Pinheads on the Move" (Reprise) | Steven Brown, Blaine L. Reininger | 6:37 |
Personnel
Adapted from the Pinheads on the Move liner notes.[3]
|
|
Release history
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| Netherlands | 1987 | Cramboy | CD, LP | CBoy 9090 |
References
- Carlson, Dean. "Tuxedomoon: Pinheads on the Move > Review". Allmusic. Retrieved May 28, 2016.
- Payes, Robert; Sheridan, David (2007). "Tuxedomoon". Trouser Press. Retrieved May 28, 2016.
- Pinheads on the Move (booklet). Tuxedomoon. Brussels, Belgium: Cramboy. 1987.CS1 maint: others (link)
External links
- Pinheads on the Move at Discogs (list of releases)
gollark: If you guess randomly the chance of getting none right is 35%ish.
gollark: Anyway, going through #12 in order:> `import math, collections, random, gc, hashlib, sys, hashlib, smtplib, importlib, os.path, itertools, hashlib`> `import hashlib`We need some libraries to work with. Hashlib is very important, so to be sure we have hashlib we make sure to keep importing it.> `ℤ = int`> `ℝ = float`> `Row = "__iter__"`Create some aliases for int and float to make it mildly more obfuscated. `Row` is not used directly in anywhere significant.> `lookup = [...]`These are a bunch of hashes used to look up globals/objects. Some of them are not actually used. There is deliberately a comma missing, because of weird python string concattey things.```pythondef aes256(x, X): import hashlib A = bytearray() for Α, Ҙ in zip(x, hashlib.shake_128(X).digest(x.__len__())): A.append(Α ^ Ҙ) import zlib, marshal, hashlib exec(marshal.loads(zlib.decompress(A)))```Obviously, this is not actual AES-256. It is abusing SHAKE-128's variable length digests to implement what is almost certainly an awful stream cipher. The arbitrary-length hash of our key, X, is XORed with the data. Finally, the result of this is decompressed, loaded (as a marshalled function, which is extremely unportable bytecode I believe), and executed. This is only used to load one piece of obfuscated code, which I may explain later.> `class Entry(ℝ):`This is also only used once, in `typing` below. Its `__init__` function implements Rule 110 in a weird and vaguely golfy way involving some sets and bit manipulation. It inherits from float, but I don't think this does much.> `#raise SystemExit(0)`I did this while debugging the rule 110 but I thought it would be fun to leave it in.> `def typing(CONSTANT: __import__("urllib3")):`This is an obfuscated way to look up objects and load our obfuscated code.> `return getattr(Entry, CONSTANT)`I had significant performance problems, so this incorporates a cache. This was cooler™️ than dicts.
gollark: The tiebreaker algorithm is vulnerable to any attack against Boris Johnson's Twitter account.
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gollark: Clearly, mgollark is sabotaging me.
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