Pietro Tonolo

Pietro Tonolo (born 30 May 1959) is an Italian jazz saxophone player and composer.

Pietro Tonolo
Born(1959-05-30)30 May 1959
Mirano, Italy
GenresJazz
Occupation(s)Musician, composer
InstrumentsSaxophone
LabelsSplasc(h), Egea, Label Bleu, ObliqSound, Parco Della Musica
Websitewww.pietrotonolo.me

Biography

Classical music’s loss was jazz’s gain in 1979, when Pietro Tonolo gave up a career as a classical violinist to become a jazz sax player. Around that time, he moved to Milan, where he played with some of Italy’s best jazz musicians, including Franco D’Andrea, Luigi Bonafede, Larry Nocella, Massimo Urbani, Rita Marcotulli and Enrico Rava.

In 1982, Tonolo joined the Gil Evans Orchestra, playing with notable musicians as Steve Lacy, Lew Soloff and Ray Anderson. He later went on to perform in jazz clubs and on radio and television around Europe and the USA, both as a sideman and as a leader with his own band. He was a steady member of the Paul Motian’s Electric Bebop Band from 1999 to 2004. Other notable collaborators have included the likes of Kenny Clarke, Roswell Rudd, Sal Nistico, Chet Baker, Lee Konitz, John Surman, Steve Swallow, Gil Goldstein, Barry Altschul, Joe Chambers, Henri Texier, Aldo Romano, Kenny Wheeler, Eliot Zigmund and Tony Oxley.

Besides Jazz, Tonolo has been collaborating with contemporary musicians and ensemble (‘Ex Novo Ensemble’, ‘Laboratorio Novamusica’, ‘Nex Time Ensemble’, ‘Sentieri Selvaggi’, ‘Orchestra d’archi Italiana’, sax quartet ‘Arundo Donax’). Is currently teaching at the Conservatory of Vicenza and Siena Jazz international masterclasses.

He lives in Venice.

Discography

As leader

  • Quartet Quintet Sextet (Splasc(h), 1984)
  • Slowly (Splasc(h), 1991)
  • Alliance (Penta Flowers, 1993)
  • Tresse (Splasc(h), 1993)
  • Simbiosi (Splasc(h), 1995)
  • Amigdala (Velut Luna, 1996)
  • Un Veliero All'Orizzonte (Egea, 1997)
  • Disguise (Splasc(h), 1997)
  • Monologues (Splasc(h), 1998)
  • Sotto La Luna with Danilo Rea (Egea, 1999)
  • Portrait of Duke (Label Bleu, 2000)
  • Luna Park (Egea, 2000)
  • Retro (Egea, 2000)
  • Autunno with Paolo Birro (Egea, 2001)
  • Glasswater (Splasc(h), 2001)
  • Farfalle (Egea, 2002)
  • Oltremare (Egea, 2004)
  • Italian Songs (Egea, 2005)
  • Lennie's Pennies (Blue Serge, 2006)
  • Your Songs: The Music of Elton John (ObliqSound, 2007)
  • Peace (ObliqSound, 2007)
  • Mirando (Egea, 2009)
  • The Translators (Parco Della Musica, 2009)
  • Jazzitaliano Live 2009 (Casa Del Jazz, 2010
  • Corner Brilliance with Eliot Zigmund (Alma, 2012)
  • Dajaloo (Parco Della Musica, 2013)
  • Too Many Pockets (Parco Della Musica, 2018)
  • Songs We Like (Fone Jazz, 2019)

As sideman

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gollark: The more uses of `itertools` in your code, the better it is.
gollark: It was very clear, if by clear you mean not particularly clear.
gollark: Then just generate all the right starting positions, have the varying things vary appropriately, and something something mirror.
gollark: You pick a set of dimensions to keep constant and a set which should vary with each other (this is how diagonals work).
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