Piero Filippone
Piero Filippone (1911–1998) was an Italian art director who designed the sets for around two hundred films. He created the sets for Roberto Rossellini's 1954 film Journey to Italy.[1]
Piero Filippone | |
|---|---|
| Born | 20 November 1911 |
| Died | 1 January 1998 |
| Occupation | Art director |
| Years active | 1935-1992 |
Selected filmography
- Three Cornered Hat (1935)
- The Lady in White (1938)
- For Men Only (1938)
- We Were Seven Widows (1939)
- Defendant, Stand Up! (1939)
- The Pirate's Dream (1940)
- Then We'll Get a Divorce (1940)
- Big Shoes (1940)
- Marco Visconti (1941)
- Bluebeard (1941)
- Seven Years of Good Luck (1942)
- I Live as I Please (1942)
- Happy Days (1942)
- Seven Years of Happiness (1943)
- Anything for a Song (1943)
- The Ungrateful Heart (1951)
- The Ship of Condemned Women (1953)
- The Daughter of the Regiment (1953)
- Journey to Italy (1954)
- The Sign of the Coyote (1963)
gollark: Do they stream in cinema aspect ratio? Also, I'm okay with not having those on my phone.
gollark: I don't think you can get cinema movies yourself very easily, and it's a bit of an odd reason to make the phone excessively tall or add a notch.
gollark: Also, what aspect ratio are movies? 1.87:1 corresponds to no common aspect ratio I know of.
gollark: Just... make the screen whatever size is needed, instead of "extending" the screen in a way which makes it worse at viewing *rectangular content*?
gollark: They're just uncool. Rectangular screens are practical and sensible. By cutting a bit out you're not really making the screen usefully bigger, since the bit around it isn't very usable.
References
- Brunette p.416
Bibliography
- Peter Brunette. Roberto Rossellini. University of California Press, 1996.
External links
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