Piano Sonata No. 8 (Scriabin)

The Piano Sonata No. 8, Op. 66, by Alexander Scriabin, was composed between 1912 and 1913. As one of Scriabin's late piano sonatas, the eighth sonata is highly atonal, though arguably less dissonant than some of his other late works. Like Scriabin's other late piano sonatas, the eighth sonata reflects the composer's mystical interests.[1] Scriabin saw some parts of this sonata, which, like the sixth sonata, he never performed in public, as "the most tragic episode of my creative work".[2]

Structure and content

The eighth sonata consists of a single movement, and performances range from 10 minutes (Michael Ponti) to 15 minutes (Dmitri Alexeev).

  1. Lento - Allegro agitato

This piece is regarded as one of Scriabin's more musically difficult sonatas. It is the longest of Scriabin's sonatas by pages, and many passages are written on three and four staves to a system, as opposed to the typical two staves, to accommodate the complex counterpart and large intervallic spaces. The character of the eighth sonata is perhaps consciously less extreme than that of the Sixth and Seventh, with fewer aggressive dissonances than the former and climaxes that do not explode with the extreme reckless energy of the latter.

The eighth sonata begins with almost disquieting placidity as a series of muted bell-like chords are sounded. This languid episode deciduates quite quickly into passages of agitated energy. There are none of the characteristic instructions common in Scriabin's other late sonatas. [2] The furthest he goes is the word "Tragique" to indicate moments of distressed apathy and futility. In other respects, this is one of Scriabin's more formally experimental sonatas. It is rather episodic, with passages appearing at times to be sewn together almost arbitrarily, like the "presto" section which begins with staccato chords 'bouncing away' from the previous theme. There are definite moments of serenity (indeed this is the prevailing mood of the sonata), but a large portion of the music seems urgent and fervid. The composer Boris Asafiev argued that the themes in the piece represent natural elements [3]

Like his sixth sonata, Scriabin never performed this sonata in public. He considered parts of it "the most tragic episode of my creative work", and described its harmony as "drawn from nature, as if it had never existed before".[2] Stravinsky described the piece as "incomparable." [1]

Notes
  1. http://www.allmusic.com/composition/piano-sonata-no-8-op-66-mc0002365693
  2. "Alexander Scriabin: The Piano Sonatas". Scriabin: The Piano Sonatas (CD liner). Vladimir Ashkenazy. Decca. 1997. p. 6.CS1 maint: others (link)
  3. http://www.hyperion-records.co.uk/dw.asp?dc=W8643_GBAJY9613204

Further reading
  • Scriabin, Alexander. Complete Piano Sonatas. 1964 Muzyka score republished in 1988 by New York: Dover Publications. ISBN 0-486-25850-5.
gollark: What languages are you meaning specifically? There are many not-particularly-C-like ones.
gollark: I think making a less efficient Python program (with intensive mathy things done via numpy etc. which use bindings to C) makes a lot more sense than having a possibly-faster C program which takes several times longer to write, in most cases.
gollark: It's a poor performance decision (although you can just use pypy, which doesn't have that), sure.
gollark: Although all the tooling and CPUs are optimized for the C model, so good luck changing anything ever.
gollark: You could do that, but you might as well use a sane, nonC language.
This article is issued from Wikipedia. The text is licensed under Creative Commons - Attribution - Sharealike. Additional terms may apply for the media files.