Photography and the Archive Research Centre

Photography and the Archive Research Centre (PARC) is an organisation in London that commissions new research into photography and culture, curates and produces exhibitions and publications, organises seminars, study days, symposia[1] and conferences, and supervises PhD students. It is a part of University of the Arts London (UAL), is based at UAL's London College of Communication at Elephant & Castle[2] and was designated by UAL in 2003.

According to PARC's website its activities span the history and culture of photography, particularly post-war British photography, the documentation of war and conflict, the photography of fashion and style, the visualization of the counterculture and photographers as filmmakers.

Details

Val Williams is its director and Brigitte Lardinois its deputy director. The Centre has a core group of members including Tom Hunter, Alistair O'Neill, Patrick Sutherland, Wiebke Leister, Jennifer Good (née Pollard), David Moore, Paul Lowe, Corinne Silva, Paul Tebbs, Mark Ingham, Martina Caruso, Peter Cattrell, Monica Biaglioli, Anne Williams, Jananne Al-Ani, Sophy Rickett, Joanna Love and Sara Davidmann. Current staff are Corinne Silva (Research Fellow), Robin Christian (Projects Manager) and Melanie King (Research Administrator).

Many of PARC's activities are conducted in conjunction with other arts organisations and universities including University of Sunderland, National Media Museum in Bradford, Library of Birmingham, Canterbury Christ Church University, Street Level Photoworks in Glasgow, Wolverhampton Art Gallery, Ffotogallery in Cardiff, Imperial War Museum in London, Photoworks in Brighton, University of Western Ontario in Canada, Expressions of Humankind and Max Ström publishers in Stockholm, Sune Jonsson Archive in Umea, Tate Modern and University of Wales, Newport.

Two of PARC's divisions are War and Conflict Research Hub and Photography and the Contemporary Imaginary Research Hub.

PARC publishes Fieldstudy twice yearly, both in print and online, covering projects from PARC's staff, members and students.

PARC and Bloomsbury co-host the journal Photography & Culture, co-edited by Kathy Kubicki, Thy Phu and Val Williams, published three times a year by Berg.[3]

PARC leads the Directory of Photographic Collections in the UK, a portal to UK institutions holding publicly accessible photographic collections.

Collections held within the Photography and the Archive Research Centre

PARC currently houses three collections within its archive, ‘Camerawork’, ‘Photography Exhibition Posters’ and ‘The John Wall archive of the Directory of British Photographic Collections in the UK’. 'Photography Exhibition Posters' is a collection of over 300 posters dating back to the 1970s that features examples of partnerships between designers and galleries. The ‘Camerawork’ collection includes papers and objects from the Half Moon Photography Workshop and Camerawork’s early years, publication and touring exhibition programme. ‘The John Wall archive of the Directory of British Photographic Collections in the UK’ includes correspondence, research papers and file cards of this 1970s project.

Selected exhibitions organised by PARC

Exhibitions at PARCSpace
  • 2014: Camerawork: Posters and Objects from the Archive.[13]
  • 2014: Ken To Be Destroyed by Sara Davidmann.[14][15]
  • 2014: Paper Topographies by Patrick Sutherland.[16]
  • 2014: Single Saudi Women. Photographs by Wasma Mansour.[17]

Publications originating at PARC
  • Derek Ridgers: When We Were Young: Club and Street Portraits 1978–1987. Brighton: Photoworks, 2005. ISBN 978-1903796139. Photographs by Derek Ridgers, text by Val Williams. About the emergence of new style cultures in London in the late 1970s and early 1980s.[n 1]
  • Anna Fox Photographs 1983–2007. Brighton: Photoworks, 2005. ISBN 978-1903796221. Edited by Val Williams. With texts by David Chandler, Val Williams, Jason Evans and Mieke Bal.[n 2]
  • Magnum Ireland. London: Thames & Hudson, 2005. ISBN 9780500543030. Edited by Val Williams with Brigitte Lardinois.
  • Glyndebourne, a Visual History. London: Quercus, 2009. ISBN 9781847248657. Edited by Val Williams and Brigitte Lardinois. Includes an essay by George Christie.
  • The New Gypsies. Frankfurt, Germany: Prestel. By Ian McKell.[n 3] Essay by Val Williams.
    • Hardback, 2010. ISBN 978-3791345192.
    • Paperback, 2014.
  • Daniel Meadows: Edited Photographs from the 70s and 80s. Brighton: Photoworks, 2011. ISBN 1-903796-46-6. Authored by Val Williams. Edited by Val Williams and Gordon MacDonald.
  • I belong Jarrow. Amsterdam: Schilt, 2012. ISBN 978-9053307809. Photographs by Chris Harrison. Essay by Val Williams.
  • Marjolaine Ryley: Growing up in the New Age. Hillsborough, NC: Daylight Press, 2013. ISBN 978-0-9832316-8-4. Essays by Malcolm Dickson (StreetLevel Photoworks), Brigitte Ryley, Peter Ryley, Val Williams. Additional photographs by Dave Walking.
  • Martin Parr, Phaidon, 2014. ISBN 978-0714865669. Authored by Val Williams.
  • Sune Jonsson: Life and Work. MaxStrom, Stockholm. Text by Val Williams

Fieldstudy
  • Fieldstudy 1 London: Stories.[n 4]
  • Fieldstudy 2.
  • Fieldstudy 3: Charged Atmospheres. London: PARC. By Alison Merchant.[n 5]
  • Fieldstudy 4: Unfolding the Tissue: The Fashion and the Archive Study Day. London: PARC.[n 6]
  • Fieldstudy 5: Archives from the New British Photography London: PARC.[n 7]
  • Fieldstudy 6: Private Museum. London: PARC. Researched by Val Williams and Lorna Crabbe, photographed by Laura Thomas.[n 8]
  • Fieldstudy 7: Marjolaine Ryley: Résidence Astral: 1993-2005. London: PARC. Photographs taken over a twelve-year period in her grandmother's apartment in Brussels.[n 9]
  • Fieldstudy 8: MAP Reading. London: PARC. Catalogue of work from LCC's MA in Photography, 2006[n 10]
  • Fieldstudy 10: Visible London: PARC.[n 11]
  • Fieldstudy 11: Lovers, Liars & Laughter. London: PARC by Wiebke Leister.[n 12]
  • Fieldstudy 12: Fashion & Food London: PARC.[n 13]
  • Fieldstudy 14: Daniel Meadows, Butlin's by the Sea, 1972. London: PARC.[n 14]
  • Fieldstudy 15: Growing Up in the New Age. London: PARC, 2011. By Val Williams, Marjolaine Ryley (University of Sunderland) and Dave Walking. Features photographs by Dave Walking and essays by Val Williams, Marjolaine Ryley, Zoe Lippett and Malcolm Dickson.[n 15]
  • Fieldstudy 16: From a Distance. London: PARC. Photographs by Paul Reas.
  • Fieldstudy 19: Ken. To be Destroyed. London: PARC, 2013.[n 16]

Notes
  1. The publication is reproduced here within PARC's site.
  2. The publication is reproduced here within PARC's site.
  3. The publication is reproduced here within PARC's site.
  4. The publication is reproduced here Archived 17 July 2014 at the Wayback Machine within PARC's site.
  5. The publication is reproduced here within PARC's site.
  6. The publication is reproduced here within PARC's site.
  7. The publication is reproduced here within PARC's site.
  8. The publication is reproduced here within PARC's site.
  9. The publication is reproduced here within PARC's site.
  10. The publication is reproduced here within PARC's site.
  11. The publication is reproduced here within PARC's site.
  12. The publication is reproduced here within PARC's site.
  13. The publication is reproduced here within PARC's site.
  14. The publication is reproduced here within PARC's site.
  15. The publication is reproduced here within PARC's site.
  16. The publication is reproduced here within PARC's site.
gollark: I mean, it has such an awful type system, and poor concurrency, and tooling.
gollark: But I agree quite a lot, Go is just so *bad* and yet so popular?
gollark: IKR, right?
gollark: > As a fellow procrastinator I'm a huge fan of Rob Pike. He half assed a language, basically plagiarised Algol, and somehow got a tech giant and self proclaimed 10X'ers to fall for it hook, line and sinker. There is so much mismatch between the language and its audience that it's just impressive how bad the language is . Some random reddit person talking about go.
gollark: Although you can implement it in CSS, I think.

References
  1. "The Big Conversation: Martin Parr and Grayson Perry ", Time Out (magazine). Accessed 7 July 2014.
  2. "Research to change the world". The Guardian. Retrieved 6 July 2014.
  3. "Journal of Photography & Culture", Journal of Photography & Culture. Accessed 6 August 2014.
  4. Cribbin, Joe (7 February 2002). "Martin Parr: Photographic Works at the Barbican". Culture24. Retrieved 31 March 2014.
  5. Parr, Martin. "Exhibitions". Retrieved 31 March 2014.
  6. "Martin ParrOeuvres 1971-2001". Maison européenne de la photographie. Retrieved 3 April 2014.
  7. "2001: Martin Parr: Photographic Works", Photography and the Archive Research Centre. Accessed 6 July 2014.
  8. "Magnum Ireland at the Irish Museum of Modern Art", Irish Museum of Modern Art. Accessed 6 July 2014.
  9. "http://www.aday.org/about"
  10. "'Life on the Road' featuring images by Tom Hunter at the London College of Communication", World Photography Organisation. Accessed 6 July 2014.
  11. "This Guy Spent the Mid-90s Living in a Travelling Rave Van", Vice (magazine). Accessed 6 July 2014.
  12. "Daniel Meadows: Early Photographic Works", Library of Birmingham. Accessed 6 July 2014.
  13. "Camerawork: Posters and objects from the archive", PARC. Accessed 05 August 2014.
  14. "2014 Ken To Be Destroyed", PARC. Accessed 05 August 2014.
  15. "The artist who brought her uncle back to life as a woman", The Guardian. Accessed 05 August 2014.
  16. "2014 Paper Topographies", PARC. Accessed 05 August 2014.
  17. "2014 Single Saudi Women", PARC. Accessed 05 August 2014.

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