Photek

Rupert Parkes (born 6 September 1971),[1] known as Photek, is a Los Angeles–based, British record producer, film and TV composer, and electronic music DJ. Photek was born and raised in Ipswich, Suffolk, England.[1]

Photek
Background information
Birth nameRupert Parkes
Born (1971-09-06) 6 September 1971
Ipswich, Suffolk, England
GenresDrum and bass, downtempo, deep house
Occupation(s)Record producer, DJ, film score composer
Years active1992–present
LabelsVirgin, Photek, Sanctuary, !K7 Records, Metalheadz, Tectonic
Associated actsGoldie, Daft Punk, Moby, Lana Del Rey, Nine Inch Nails, Ray La Montagne, Linche, Robert Owens, Roni Size
Websitephotek.fm

Photek has contributed music to several film, TV and video game productions, such as Blade in 1998. He also scored Gang Related with director Allen Hughes.

He received three consecutive Grammy Award nominations in the category of Best Remixed Recording, Non-Classical for Daft Punk[2] "End of Line" from the Tron: Legacy movie soundtrack in 2012, Moby[3] "Lie Down In Darkness" in 2013 and Bob Marley "One Love/People Get Ready" in 2014.

Photek composed the soundtrack for the show How to Get Away with Murder.

Biography

Education

Initially interested in hip hop, Parkes expanded his style with elements of soul and jazz. His first instrument was a tenor saxophone, but when a piano arrived in the family home his focus shifted to composition as opposed to performance. By 1992, he had switched from the saxophone to a sequencer. Within the next year he started to perform under the stage name Photek.

Early career 1993–1999

Parkes began his first forays into releasing music in 1993 under a plethora of different names. Some of the early releases include the jungle-styled tracks "Jump" under the name Studio Pressure[4] on Certificate 18, 'Dolphin Tune' under the name Aquarius[5] on LTJ Bukem's Good Looking Records and 'Pulse Of Life' under the name The Sentinel[6] on Basement Records. The first release under the Photek production name came in 1994 with Touching Down... Planet Photek, released on his own Photek label. Photek's breakthrough release in 1995 was the Natural Born Killa drum'n'bass EP for Goldie's Metalheadz. In 1996, Photek contributed two tracks on the Wipeout 2097/Wipeout XL soundtracks.

Photek's debut album was Modus Operandi in 1997, through Virgin Records.[7] In 1997, Virgin Records released Photek's "Ni Ten Ichi Ryu".[8] A year later, Photek released his second album Form & Function.[9] The album comprised four tracks that had previously only been available on limited release vinyl in the early 1990s, plus six remixes and versions by Photek himself as well as other contemporaries Digital, Peshay & Decoder, Doc Scott, and J Majik.

2000–2012

In 2000, Photek released his Solaris album, turning his attention from drum and bass to Chicago house and minimal techno. On the single "Mine to Give", he cooperated with Robert Owens to create a No. 1 Billboard single.[10]

"One Nation"[11] – the dubplate that had been available as a white label for over a decade, saw an official release on Form & Function Vol. 2. The newer productions on the album showed Photek using a broader sound palette, taking influence from his composition and soundtrack work by including orchestrated passages. There are references to a more rock and industrial sound.

After a four-year hiatus from releasing music under the Photek moniker, Parkes produced a series of EPs in 2011. He was invited to contribute to BBC Radio 1's 'Essential Mix' series in October 2012. In the same year, Parkes released the album KU:PALM.

Grammy nominations

Photek's remix of Daft Punk's "End of Line" for the Disney movie Tron: Legacy earned him a Grammy nomination for Best Remix in 2012. He received Grammy nominations in the same category for the following 2 years, with remixes for Moby and Bob Marley.

Recent activities

Now based in Los Angeles, Photek scored the second season of ABC's How to Get Away with Murder in fall of 2015, and continued recording of the follow up to KU:PALM and various movie and computer game scoring projects.

Remixes

Photek has remixed many artists in his career such as David Bowie, Björk and Goldie. Additional production work on the Nine Inch Nails album With Teeth led to his remix of their track, "The Hand That Feeds", which got him KROQ daytime rotation.

Discography
Main article: Photek discography
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gollark: And deconstructing it probably would have been better, yes, but for whatever reason I didn't.
gollark: It's osmarks, sorry.
gollark: I got banned on the July server by the automoderator after trying to use an artillery thing to get rid of a very annoying globally-playing music system. I'd like to be unbanned.

References
  1. "Photek". Oxford Reference. doi:10.1093/oi/authority.20110803100324321.
  2. "Daft Punk – Tron Legacy Part 3". Discogs.com. Retrieved 16 December 2019.
  3. "Nine Inch Nails – Every Day Is Exactly The Same". Discogs.com. Retrieved 16 December 2019.
  4. "Studio Pressure – Jump". Discogs.com. Retrieved 16 December 2019.
  5. "Aquarius". Discogs.com. Retrieved 16 December 2019.
  6. "The Sentinel – Heavy Vibes / Pulse Of Life". Discogs.com. Retrieved 16 December 2019.
  7. "Photek reflects on Modus Operandi, his classic 1997 debut album that changed the face of jungle". Factmag.com. 28 July 2012.
  8. Colin Larkin, ed. (2000). The Virgin Encyclopedia of Nineties Music (First ed.). Virgin Books. p. 309. ISBN 0-7535-0427-8.
  9. "Form & Function - Photek | Songs, Reviews, Credits". AllMusic. Retrieved 16 December 2019.
  10. "Photek – Chart history | Billboard". Billboard.com. Retrieved 16 December 2019.
  11. "Photek – One Nation / Say It". Discogs.com. Retrieved 16 December 2019.
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