Philip Sainton

Philip Prosper Sainton (10 November 1891 – 2 September 1967) was a British–French composer, conductor, and violist.[1]

Biography

He was born in Arques-la-Bataille, in Seine-Maritime, France, grandson to violinist Prosper Sainton and contralto Charlotte Helen Sainton-Dolby. He started his music studies learning the violin. At some point he entered the Royal Academy of Music in London, where he studied composition under Frederick Corder and viola under Lionel Tertis. Shortly after World War I, he joined the Queen's Hall orchestra, and in 1925 he was also appointed principal viola of the Royal Philharmonic Society's orchestra. These positions were relinquished in 1929 when he was asked to replace Harry Waldo Warner in the London Quartet.[2] In 1930 he joined the BBC Symphony Orchestra. His composition activities had begun early. The premiere of his first orchestral work, Sea Pictures, took place at the Queen's Hall Proms on 4 September 1923 with the composer conducting.[3] It was repeated the following year. Other Proms premieres included Harlequin and Columbine on 1 October 1925[4] and the ballet The Dream of a Marionette on 13th August 1929.[5] In 1935, Sir Henry Wood conducted the premiere of his Serenade Fantastique with Bernard Shore playing the viola.[6] He was professor at the Guildhall School of Music.

Today, he is perhaps most remembered as the composer of the score for John Huston's 1956 film Moby Dick. He died in Petersfield, Hampshire in England.

Works

Stage

  • The Dream of the Marionette, Ballet (1929)

Orchestral

  • Sea Pictures (1923–1924) (aka Two Orchestral Pieces)
  • Harlequin and Columbine (published 1925)
  • The Dream of a Marionette ballet (1929)
  • Sérénade Fantastique for Viola and Orchestra (1935)
  • The Island, Tone Poem (1939) - recording conducted by Matthias Bamert, 1992
  • Caricature (1940)
  • Nadir, Tone Poem (1942)
  • Sérénade Fantastique for Oboe and String Orchestra (1953?)
  • Moby Dick, Suite from the Film (1956)
The Clipper
  • Carnival

Chamber music

  • Crépuscule for Viola and Piano (1935)
  • Phantom Gavotte for Viola and Piano

Vocal

  • Even for Me for Voice and Piano
  • He Was My King for Voice and Piano; words by Helen Waddell
  • Jonah's Hymn from Moby Dick for Voice and Piano
  • Leaves, Shadows and Dreams for Voice and Piano; words by Fiona Macleod
  • A Night in Spring for Voice and Piano; words by Clifford Bax
  • Shieling Song for Voice and Piano; words by Fiona Macleod
  • The Song of the Wind Bell for Voice and Piano; words by Harold Acton
  • A Walk by the River at Night for Voice and Piano; words by Clifford Bax

Film music

Orchestrations of works by Jack Sydney Gerber

  • Balaton Rhapsody
  • Fiesta
  • Prelude to Stonehenge
  • The Sea
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gollark: In a real market, there is not some central algorithm determining how much a thing is "worth", the value is determined decentrally based on people's subjective valuation of a thing and estimation of its future properties.
gollark: Yes you can. They can sell to each other products of unknown future value.
gollark: * works
gollark: Yes, but I mean that that price formula is pretty arbitrary and not how an actual market owrks.

References
  1. Foreman, Lewis. Philip Sainton, in Grove Music Online, 2001
  2. This was short-lived, lasting until the completion of the Quartet's US tour. Sainton was then replaced by William Primrose in June 1930. See Tully Potter article 'Britain's early chamber ambassadors' Classical Recordings Quarterly, (London: Autumn 2010, p.16
  3. BBC Proms archive, Prom 21, 1923
  4. BBC Proms archive, Prom 47, 1925
  5. BBC Proms archive, Prom 3, 1929
  6. BBC Proms archive, Prom 46, 1935


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