Paul Hayes Tucker

Paul Hayes Tucker (born 1950) is an American art historian, professor, curator, and author. His specialties include Claude Monet[1] and Impressionism.

Paul Hayes Tucker
Born1950 (age 69–70)
New York City, New York
OccupationArt Historian, Professor, Curator, Author
Spouse(s)Maggie Moss-Tucker
WebsiteIMB faculty page

He spent over 40 years teaching at the University of California Santa Barbara, Williams College, the New York University Institute of Fine Arts, Yale University, and the Toledo Museum of Art, including 36 years teaching art history at the University of Massachusetts Boston. He has curated 16 art exhibitions and authored 11 books.

Early life

Grandson of Carlton J. H. Hayes, a history professor at Columbia University who was United States Ambassador to Spain during World War II, Tucker sought to follow in his grandfather’s footsteps as a history scholar. The shift to art history came while studying at Williams College under Whitney Stoddard, Lane Faison, and William Pierson, as well as a trip to Florence to study art in his junior year, and a subsequent fellowship at the Toledo Museum of Art. Tucker became enamored with Impressionism and Claude Monet during frequent visits to the Clark Art Institute while attending Williams College. It was there he first received the inspiration to one day reunite the artist’s Rouen Cathedral (Monet series) in a single exhibition — something he accomplished at the Boston Museum of Fine Arts in 1990.

A member of the so-called "Williams Mafia",[2] a group who graduated from Williams College in the 1960s and 1970s, Tucker also served as an All-American defensive end on the football team while earning his undergraduate degree.

As an art history graduate student at Yale, where he earned his Ph.D. in 1979, Tucker studied under Robert L. Herbert, a pioneer in developing the social history of art. Tucker’s dissertation became his first book: Monet at Argenteuil.

Exhibitions

Tucker set the attendance record of the Boston Museum of Fine Arts in 1990 with his "Monet in the '90s" exhibition,[3] only to break his own record with "Monet in the 20th Century". He has also curated exhibitions beyond Impressionism into post-war American art as a guest curator for other museums.

  • Monet’s Garden. Impressions of Giverny. The New York Botanical Garden, May 19 – October 22, 2012
  • Claude Monet. Late Work. Gagosian Gallery, New York, May–June 2010
  • DoubleTake. From Monet to Lichtenstein. Selections from the Paul G. Allen Collection. Experience Music Project, Seattle, April 2006-January 2007.
  • The Sculpture of William Tucker. State Street, Santa Barbara, CA, January–June 2002.
  • Renoir. From Outsider to Old Master, 1870-1992. Bridgestone Museum, Tokyo, and the Nagoya City Art Museum, Nagoya, February–June 2001.
  • The Impressionists at Argenteuil. National Gallery of Art, Washington, and the Wadsworth Atheneum, Hartford, May–December 2000.
  • Monet in the 20th Century. Museum of Fine Arts, Boston and the Royal Academy of Arts, London, September 1998-April 1999.
  • Claude Monet. A Retrospective. Bridgestone Museum, Tokyo, the Nagoya City Art Museum, and the Hiroshima Museum of Art, February–July 1994.
  • Tuscany Rediscovered: Richard Upton at Cortona. Everson Museum, Syracuse, N.Y., the Krannert Art Gallery, Champagne-Urbana, IL, The New Britain Museum of American Art, New Britain, CT, and the James A. Mitchner Museum, Doylestown, PA, May 1991-June 1993.
  • Monet in the 90s. The Series Paintings. Museum of Fine Arts, Boston, The Art Institute of Chicago, and the Royal Academy of Arts, London, February–December 1990.
  • Masterworks from the Collection of Mr. & Mrs. David Lloyd Kreeger. Corcoran Museum of Art, Washington, D.C., February–May 1989.
  • Architectural Drawings for Modern Publish Buildings in New Haven, Yale University Art Gallery, New Haven, CT, 1974.
  • The Cubist Image in the Graphic Arts. Yale University Art Gallery, New Haven, CT, 1973.
  • Death: Realism, Allegory, Ritual. Toledo Museum of Art, OH, 1973.
  • The Museum as Concept-Creation. Toledo Museum of Art, OH, 1972.
  • Rembrandt and the Italian Renaissance. Toledo Museum of Art, OH, 1972.

Selected publications
  • Tucker, Paul Hayes (2011). Kenneth Noland 1958-1967. New York: Mitchell-Innes and Nash.
  • Tucker, Paul Hayes (2010). Claude Monet, Late Work. New York: Gagosian Gallery. ISBN 978-1-935263-11-1.
  • Tucker, Paul Hayes; Brettell, Richard; Lee, Natalie (2010). The Robert Lehman Collection at the Metropolitan Museum of Art, Volume III: Nineteenth- and Twentieth-Century Paintings. Princeton: Princeton University Press. ISBN 9781588393494.
  • Tucker, Paul Hayes (2005). DoubleTake. From Monet to Lichtenstein. Selections from the Paul G. Allen Collection. Seattle: Experience Music Project. ISBN 978-0977909407.
  • Tucker, Paul Hayes (2000). The Impressionists at Argenteuil. Washington, D.C.: The National Gallery of Art with Yale University Press. ISBN 978-0894682490.
  • Tucker, Paul Hayes (1998). Monet in the 20th Century. London: Yale University Press with the Museum of Fine Arts, Boston and the Royal Academy of Arts - French edition, Flammarion, 1999. German edition, 1999. ISBN 978-0300079449.
  • Tucker, Paul Hayes, ed. (1998). Manet’s "Le Déjeuner sur l’herbe". London: Cambridge University Press. ISBN 978-0521479844.
  • Tucker, Paul Hayes (1995). Claude Monet. Life and Art. New Haven, CT: Yale University Press. ISBN 978-0300062984.
  • Tucker, Paul Hayes (1990). Richard Upton and the Rhetoric of Landscape. Utica, NY: Brodock Press. ISBN 978-0962950315.
  • Tucker, Paul Hayes (1998). Monet in the 90s: The Series Paintings. London: Yale University Press with the Museum of Fine Arts, Boston and the Royal Academy of Arts - French edition, Flammarion, 1999. German edition, 1999, Italian Edition, Yale University Press 1990. ISBN 978-0300046595.
  • Tucker, Paul Hayes (1982). Monet at Argenteuil. New Haven, CT: Yale University Press, French edition, Editions du Valhermeil, 1990 and 2010. ISBN 978-0300025774.

Honors and awards
  • International Art Critics’ Award for curating the best exhibition (Claude Monet. Late Work) at a commercial gallery in New York City, 2010
  • Chancellor’s Award for Distinguished Scholarship, UMass Boston, 1999, 1991
  • Chancellor’s Award for Distinguished Service, UMass Boston, 1991
  • Governors’ Award, Yale University Press, 1990 (given by the Board of Governors of Yale University Press for the best book the Press published by an author under 40 years old)
  • The Florence Gould Arts Foundation Grant, 1988, 1984
  • UMass Boston Faculty Development Grant, 1988, 1981, 1980
  • UMass Boston Healy Grant, 1988
  • UMass Boston Public Service Grant, 1988
  • American Council of Learned Societies Grant, 1985
  • Danforth Foundation Associate for Excellence in College Teaching, 1981
  • UMass Boston Faculty/Staff Union Grant, 1981
  • Samuel H. Kress Foundation Fellowship, 1976-1977
  • Samuel H. Kress Foundation Travel Grant, 1975, 1976
  • Toledo Museum of Art Fellowship for Advanced Study, 1973-1974
  • Toledo Museum of Art, Educational Fellowship, 1972-1973

Personal life

He is married to Maggie Moss-Tucker, and has two children, actor Jonathan Tucker and Jennie Taylor Tucker. Tucker retired from his position at UMass Boston to move to California in 2014, where he continues to work in the area of 19th and 20th century art. His most recent book is a college textbook on modern art titled Never Neutral. Modern Art: Courbet to Pollock.

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gollark: i really hate all these language with references or whatnot garbage underneath. Same complex thing happens when you copy list (thus you beget “deep copy”, “shallow copy”, “circular list”, dung like that). Of course, the fanatics of each language will start to mumble about technicalities particular to each of their own, and accuse you no-unstand. YOU NO UNSTAND!

References
  1. Zwirn, Lisa. "An art historian does wonders with wall space - At home with Paul Tucker", Boston Globe, Boston, November 11, 2004. Retrieved October 14, 2016.
  2. Kinzer, Stephen. "LEGACY; One College's Long Shadow: Looking Back at the 'Williams Mafia'". The New York Times, March 31, 2004. Retrieved October 14, 2016.
  3. Temin, Christine. "Big art man on campus". The Boston Globe, December 30, 1998. Retrieved October 14, 2016.
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