Patricia Goslee

Patricia Goslee (born San Diego, CA) is an American artist currently residing in Washington, DC.

Patricia Goslee
Born
San Diego, CA
NationalityAmerican
Alma materUniversity of Georgia, Catholic University of America
OccupationArtist

Education

Goslee received her BFA in 1982 from the University of Georgia, and her MFA in 1988 from Catholic University in Washington, DC.[1]

Critical coverage

Her work has received significant critical coverage over the years.[2][3][4][5]

In describing her 2017 works, such as the one titled "Confluence",[6] The Washington Post described it as "intricate and involving, are among the best she's shown in recent years. The use of stenciled patterns recalls fabric design and other domestic crafts, but that folksy quality is countered by the visceral elements."[6]

Two years later, in 2019, The Washington Post notes that "Goslee’s recent paintings are incited by real-world events. In her statement, the artist explains that these 2018 pictures are a reaction to gentrification in her D.C. neighborhood. This theme is not overt, although figures and architectural details are nearly recognizable within the mostly abstract compositions."[2]

Curatorial projects

2003 Rising Voices, DCAC, Washington, DC

2004 Meanwhile (While You Were Sleeping) recent work by Lynn Putney         

2004 On the Line: machines, maps, and memory,  MAP, Baltimore, MD (with Karey Kessler)    

2004 On the Line: machines, maps, and memory, DCAC, Washington, DC (with Karey Kessler)

2010 Mapping Source, International Arts & Artists, Washington DC        

2014 Young Contemporaries, Hillyer Art Space, Washington DC[7]

Awards

She is a four time winner of the DC Commission on the Arts and Humanities purchase awards for the permanent collection of the city of Washington, DC.[8]

Collections

Goslee's work is included in the permanent collections of:

gollark: What did they have against just using JSON sensibly? WHAT?!
gollark: They've done this in the stupidest way possible instead of just using a JSON parser at both ends.
gollark: I'm trying to poke at it by following the event listener for the run button and see what it calls.
gollark: https://github.com/TryItOnline/tryitonline/blob/dca8799ab36c205266df60d72aa22f7ac62c31a1/usr/share/tio.run/frontend.js
gollark: The problem is that they abstract the wrong things and weirdly.

References
  1. "Patricia Goslee Biography – Patricia Goslee on artnet". www.artnet.com. Retrieved 2019-03-01.
  2. Jenkins, Mark (2019-02-15). "In the galleries". The Washington Post. Retrieved 2019-02-28.
  3. Jenkins, Mark (2018-10-12). "In the galleries: 21 artists explore and expand notions of recovery". The Washington Post. Retrieved 2019-02-28.
  4. Jenkins, Mark (2017-12-07). "In the galleries: Show at American University invokes the 'Eternal Feminine'". The Washington Post. Retrieved 2019-02-28.
  5. Protzman, Ferdinand (1997-08-02). "'WHAT'S HOT': A SUMMER SHOW THAT SIZZLES". The Washington Post. Retrieved 2019-03-01.
  6. Jenkins, Mark (2017-12-07). "In the galleries: Show at American University invokes the 'Eternal Feminine'". The Washington Post. Retrieved 2019-02-28.
  7. "IA&A at Hillyer". Hillyer Art Space. Retrieved 2019-04-30.
  8. "Results | Search Objects | eMuseum | dcarts". Commission on the Arts and Humanities. 2019-02-28. Retrieved 2019-03-01.
  9. "Patricia C. Goslee – U.S. Department of State". Retrieved 2019-03-01.
  10. Breedlove, Byron; Weber, J. Todd (April 2018). "No Water, No Life. No Blue, No Green". Emerging Infectious Diseases. 24 (4): 815–816. doi:10.3201/eid2404.AC2404. ISSN 1080-6040. PMC 5875275.
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